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Strategic Dramaturgy In The American Civil Rights Movement

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The start of the civil rights movement created lots of conversion of the 1950’s. Doug McAdam in “Strategic Dramaturgy in the American Civil Rights Movement,” “…refines our understanding…” (McAdam, 338) of the framing of the civil rights movement. Compared to George C. Wallace in “The Civil Rights Movement: Fraud, Sham, and Hoax” who was against the civil rights movement and everything it stood for. Both readings show different opinions and aspects people had during the civil rights era. In “Strategic Dramaturgy in the American Civil Rights Movement,” Doug McAdam thoroughly explains the process and meaning of framing. Framing can be defined as giving meaning to “relevant events” that are intended to bring awareness, gain support, and “demobilize antagonists” (McAdam, 339) The concept of framing is to get major attention on the actions …show more content…

It only takes a few activists to join together to create a collective action and later on a movement. As stated before, the main goal of MLK and SCLC (Southern Christian Leadership Conference) was to gain attraction of the media, bystanders, and state authorities. Furthermore, they used these tactics as a “principal weapon” to hinder movement opponents. To greatly mobilize a movement, media is needed. Media helps get the word out faster about the struggle. “…power of the media influences public awareness…” ( McAdam, 346) McAdam saw the media as a key component, because with media you can get your massage across nationally. With the example of the SCLC and Martin Luther King Jr., their actions were newsworthy, which is what McAdam found as a requirement to make it into media, “…the event be judged newsworthy.” (McAdam, 346) Media gives people a visual of whats happening. Since the media showed key events of

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Steven F. Lawson’s Running for Freedom serves effectively as a single study survey of the beginnings, work, and results of the civil rights movement. Lawson proves himself as an authority on the subject with the depth and clarity with which he presents the information. He presents an organized, clear, and unbiased narration of the various chaotic and monumental events of the civil rights movement. In the process of narrating the events of the civil rights movement, he also surveys the growing strength of African-American’s role and influence in politics.

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Not only was the author trying to convey the civil rights movement and the impact it had on his life, but he also was trying to explain how it affected the South. Despite government efforts to establish equality in the American people the white supremacy and resistance caused a sluggish change in the South. It took racially charged events and violence to make a small impact on the cultural divide. The author also enlightens the reader on how in present day the South attempts in every way to pretend that such a resistance did not exist. The privileged, pretentious white community then audaciously moves on as it nothing has happened in an attempt to soothe it plagued conscience.

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Doug McAdam is a Professor of Sociology at Stanford University. He has written several exceptional pieces of work, including one that speaks about the framing processes. Doug McAdam depicted the concept of framing as a vital portrait that paints a picture of ideas, and/ or thoughts that interest and catch the eye of the people it is geared towards. Framing, is structured to give the viewer all the “pretty things”, nothing that is ugly, that would turn the viewer away. In “Strategic Dramaturgy in the American Civil Rights Movement,” Doug McAdam discusses how the importance of framing in the successes and failures of southern civil rights campaigns (SCLC.)

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“Strategic Dramaturgy in the American Civil Rights Movement,” the author, Doug McAdam, discusses “framing” and how important it was in the Civil Rights movement specifically in the south. Throughout the chapter, McAdam, defines “framing” in his perspective and the importance it had on the Southern Christian Leadership Conference and efforts from Martin Luther King Jr. This paper will analyze the role of framing in the Southern Christian Leadership Conference as well as framing in the speech “the Civil Rights Movement: Fraud, Sham, and Hoax” given by George C. Wallace, a governor from Alabama in 1964. Doug

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Frame analysts usefully state a variety of institutional and speculative limitations that regulate the effective life of a frame, including media progressions, series of protest, state interference, high-class hegemonic operations, and internal social controls underlining the consistency on social movement actors. Given the primary strategic and practical conception of framing used by frame analysts, problems of constancy and duration are largely processes that is beyond the production of meaning within framing itself. If activists and social movement organizations effectively do the strategic ideological work of lining up the frames to popular conceptions of politics and social issues, then frames will reverberate with their target populations. However, left undiscussed are the dynamic uncertainties in the very process of discourse that mitigate against combined action, frames immovability and the

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