“Strawberry Springs” – Vivid Against “A Rose for Emily” When the term “Strawberry Spring” comes to mind, one assumes that it means something pleasant, and almost sweet sounding to the ear. Yet for Stephen King’s short story, “Strawberry Spring,” the phrase becomes a whole different meaning. Dressed in murder and painted with the vivid colors of narration, the short story reflects upon the deception of a false spring in the early beginnings of March 1968. Several themes and ideas appear within the story, and readers receive the messages that are hidden between the lines. Murder becomes a touchy subject to the college students; the author mixes together a suspenseful atmosphere throughout the community college the protagonist attends as the short story progresses. It almost feels like one is on the edge of their seat when reading it. William Faulkner’s short story, “A Rose for Emily,” displays suspense and tones of slight insanity, but it cannot compare to the undertones that lay beneath Stephen King’s work. The narrator’s foreshadowing of uncovering the truth through his own detailed point of view creates a well written short story dubbed “Strawberry Spring.” Skimming through the literary work, foreshadowing is an obvious detail that appears in the work several times. One example perceives in the form of the relentless fog, seeping in during the darkness at night, as if a sullen omen for something terrible to come. The idea of fog in general gives off an eerie vibe, pulling