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Sudha Coming To America Character Analysis

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right one. Sudha undergoes cultural changes on immigration. Sara is an assimilated modern woman with American outlook. She becomes a source of inspiration to survive and amalgamate in the alien culture. “You got to get out of this valley, girl see the other Americas” (84). Sudha sheds her traditional conservative role of a pathetic female and evolves into liberal and self dependent women. She represents transformation in motion, from a traditional wife to modern women to withstand on her own to reject a home to save her pregnancy. She breaks all restraints bound with Indian marriages and security. Single handed she risks about bringing up her a daughter. With all these burdens she adventures to America to give emotional support to her sister and a new direction to her life well aware of the fact that her dear sister’s husband has a passion for her. The predicament proliferates on her immigration; she becomes the cause of her sister’s home breaking. She encounters all these challenges yet to take up a job in America as a profession of home nurse to an octogenarian, who suffers extreme depression for home and India. Sudha also decides …show more content…

Anju discovers Woolf's A Room of One's Own (1929) in the family bookstore and describes the book as having “the smell of distance, of new thinking” (Divakaruni 1999: 118). Having been raised in the traditional way where “... a good woman is to offer up her life for others” (Divakaruni 1999: 8-9) and “the husband is the supreme lord” (Divakaruni 1999: 49), Anju is understandably inspired by Woolf's passion and , Woolf's anger at women's “hav[ing] served all these centuries as looking-glasses possessing the magic and delicious power of reflecting the figure of man at twice its natural size" (Woolf 2001:

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In 1890, the state of Louisiana passed a law (the Separate Car Act) that required separate accommodations for blacks and whites on railroads, including separate railway cars.[2] Concerned, a group of prominent black, creole, and white New Orleans residents formed the Comité des Citoyens (Committee of Citizens) dedicated to repeal the law or fight its effect.[3] They persuaded Homer Plessy, a man of mixed race, to participate in an orchestrated test case. Plessy was born a free man and was an "octoroon" (of seven-eighths European descent and one-eighth African descent). However, under Louisiana law, he was classified as black, and thus required to sit in the "colored" car.[4]

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These two sisters have grown together all through their life’s, creating a strong bound, and the fact that her family and a “old guy” is taking away her sister is something she can’t stand. In the end Nea believes that she is saving Sourdi from Mr.Chhay and her mother. However what Nea does not understand in all her youth and idealism , is that sourdi does not want to be saved: She willfully accepts her fate and her marriage to Mr.Chhay because she finds financial stability and a secure future.

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In ‘A Room of One’s Own’, Woolf explicates the patriarchal system which evokes male dominance over women making them inferior in every aspect. She writes about some real-life encounters of gender discrimination she faced while exploring her thesis that for a woman to write fiction, she must have intellectual as well financial freedom. She makes use of logos, ethos, and pathos to make her argument more appealing to the readers. According to Aristotle, ethos is the most compelling factor out of three mentioned above because it appeals to one’s ethics, morals, and values. Therefore it is important for a writer to establish credibility early in the text.

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In A Room of One’s Own Virginia Woolf Uses a lot of ethos and logos and pathos in the beginning of the chapter to get the reader to connect with the piece then uses strong examples to back up what she 's saying to the reader I think her strongest quality in this piece is that she has really strong examples to back up what she 's discussing in this chapter. When she/s discussing the idea of loss of history at the bottom of page 44 “History scarcely mentions her” showing exactly how she 's discussing the loss of women 's history. Immediately after that, she shows her strong examples “I turned to professor Trevelyan again to see what history meant to him. I found by looking at his chapter headings that it meant-”

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Woolf suggests that having a room literally allows women to have their own space to write, but figuratively traps them in their own thoughts due to a lack of freedom. In the works of Jamaica Kincaid, Virginia Woolf, and Alice Walker, the female figures have shown how their own thoughts, reflection, and creativity could be used as a sense of freedom.   In the short story, "Girl," by Jamaica Kincaid, the writer shows how an older adult misguided a girl. The adult in the story says," On Sundays try to walk like a lady and not like the slut you are so bent on becoming" (Kincaid 1340).

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In two passages, Virginia Woolf compares meals she was served at a men’s and at a women’s college. The contrasting meals reveal Woolf’s frustration at the inferior treatment that women face. The first meal at the men’s college is elegant, enjoyable, and satisfying while the second is plain, cheap, and bland. This clearly juxtaposes the expense and luxury afforded to the men with the “penny-pinching” nature of the women’s in order to show Woolf’s underlying attitude of dissatisfaction against the inequality that women are not granted the same privileges and investment as men.

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Adding to the ever growing library of women, Virginia Woolf used her unique stream of consciousness style of writing to convey new ideas about gender roles and gender identity, paving the way for more women to find rooms of their own. One can only hope to influence generations of people with one’s writing, bringing about new conversations and ways of communicating. Eventually, Virginia Woolf committed suicide, ending her highly original career and perhaps echoing a point she makes in her own essay, “To have lived a free life in London in the sixteenth century would have meant for a woman who was a poet and playwright a nervous stress and dilemma which might well have killed her”

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More recently, the awarded Canadian writer Margaret Atwood has also focused mainly on women’s issues and has been regarded as a feminist writer. In “The Handmaid’s Tale”, published in 1986 Margaret Atwood portrays a strongly feminist view of a dystopian society, in which women have been deprived of all their rights. Both of these writers are representatives of the female feminist writers who have let their footprint in our literary history, and each of them expressed her concerns on women’s rights according to the time they were living in. In A Room of One’s Own, Virginia Woolf (1929) emphasizes the inequity of treatment for women throughout times that still persists in her society, and promotes her thesis that "a woman must have money and a room of her own if she is to write fiction" (p. 6).

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Bharati was settling for “fluidity, self-invention, blue jeans, and T-shirts”(268). Bharati decided to be a part of a new community by marrying someone of a different community and living an American lifestyle. Unlike Mira, Bharati has adapted to the American community and has become a part of it. However, like Mira, she too has not felt welcomed in a community. Bharati compares Mira’s situation in America to one that she faced in Canada, where the government turned against the immigrants.

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By using casual diction, simple sentences, and well-known allusions, Woolf is able to shift the audience’s attention from the gender of the

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Woolf makes a point to disengage with her environment. She mandates that she not allow herself to become too absorbed with any one person or their story. Instead she ought to treat each moment as a if it were fleeting, saying “Let us dally a little longer, be content still with surfaces only” (2) This is instruction is literal, Woolf believes that engaging with her setting will remove the joy from vapid displays of beauty. She even compares such an experience to a sugary diet, lacking in nutrition but desirable nevertheless (2).

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The essay, A Room of One’s Own makes a claim that the identity of a woman is what holds her back in society, even though according to Woolf, a woman has the ability to write more intelligently, as “women have come to have the habit of writing naturally”. The issue, Woolf argues, is that most women throughout history are not awarded the tools in which is necessary to write well, because women were not expected to do anything but serve the family, let alone write. Woolf argues that in order for a woman to overcome this identity of lesser-than, she must have at least 500 pounds a year and

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The people in Woolf’s book seem to be looking through each other with some far question; and, although they interact vividly, they are not completely real to know people in outline are one way of knowing them. Moreover, they are seen here in the way they are meant to be seen. However, the result is that you know quite well the kind of

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One of the most significant works of feminist literary criticism, Virginia Woolf’s “A Room of One`s Own”, explores both historical and contemporary literature written by women. Spending a day in the British Library, the narrator is disappointed that there are not enough books written by or even about women. Motivated by this lack of women’s literature and data about their lives, she decides to use her imagination and come up with her own characters and stories. After creating a tragic, but extraordinary gifted figure of Shakespeare’s sister and reflecting on the works of crucial 19th century women authors, the narrator moves on to the books by her contemporaries. So far, women were deprived of their own literary history, but now this heritage is starting to appear.

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