Anita Desai 's first novel, Cry, The Peacock, softened new ground up Indian English fiction and is said to be a pioneer. It has been termed as 'a wonderful novel ' by the pundits. Cry, The Peacock speaks the truth conjugal disharmony, absence of personality, idealism, and a feeling of aimlessness of life. Much has been composed on the subjects and style of Anita Desai 's novels. Diverse states of mind to destiny and submission to the inevitable exhibited in her novels are additionally considered in this work. Maya, the heroine of the novel, is a very delicate woman who experiences psychotic reasons for alarm brought on by the predictions of an albino priest about her inconvenient and conceivable passing, four years after her marriage. She is hitched to a viable, unsympathetic, sound, sensible man. She experiences contrarily in her wedded life and tries to escape into a world of imagination and fantasy. Maya likewise experiences father-obsession. She searches for her dad in twice her age spouse. Having for all intents and purposes nothing in like manner, they are bound by marital bonds. For Maya, opportunity is outlandish unless she uproots Gautama, her spouse. She pushes him from the parapet in an attack of rage and to transfer the albino 's prediction about death to Gautama. Anita Desai has effectively shown the transformation of a sensitive woman into a neurotic person.
In her second novel Voices in city, (1965), Anita Desai is not concerned with the physical part of the