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Summary Of Blanche In 'A Streetcar Named Desire'

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Vocabulary Portiere-noun: A curtain hung over a door or doorway (p62) Narcotize-verb: Stupefy with or as with a drug (p70) Bestial- adjective: Of or like an animal or animals (p82) Discussion Questions Why do you think that Blanche would kiss the newspaper boy even though she had feelings for Mitch? If you were Stella would you let Stanley treat you the way he treats her or would you leave him? Explain your answer. What is the difference between Stanley and Mitch’s behavior? Do you think Stella will end up having a revelation and leave Stanley for another man who treats her with more respect? Literary Device : Imagery In the beginning of scene three a description is given of the poker night at Stanley’s house. There are many details …show more content…

Mitch is not married and his mother is ill. When Blanche and Stella return from their outing, the poker game has not ended. Stella introduces Blanche to Mr. Gonazles and Mr. Hubbell. Stanley does not speak to Blanche nor Stella in a nice manner. Stanley hits Stella on the thigh and Stella gets upset. Blanche is introduced to Mitch and each of them look at each other with interest. Stella and Blanche talk about the men and Stella thinks that out of all of the guys that Stanley will be the one who makes it because he has drive. Stanley tells the ladies to “hush up” and Mitch continues looking at the ladies throughout the rest of the game. Mitch later talks with Blanche. He tells her about the inscription on the cigarette case and how it was given to him a girl who was ill. Blanche tries to fish for complements from Mitch and Mitch ignores Stanley as he keeps shouting to him. Stanley goes into a rage because he is drunk and throws the radio out of the window. In his fit, Stanley tries to attack Stella and she and Blanche run upstairs to Eunice. When Blanche and Stella are upstairs, Stanley shouts for Stella, and she finally comes back down to him. Mitch comes back from around the corner and Blanche is terrified because she is not used to witnessing such violent events. Blanche is worried about her appearance, but still has a cigarette with Mitch. The next day Blanche

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Blanche and Stan exploit Mitch’s biggest flaw of being a pushover. “[Mitch rises as Stanley returns to his seat] Sit down!” (Williams 56) Mitch naively opens up to Blanche which turns out to be a big mistake. She lies to Mitch about her past, and the truth is revealed to Mitch by Stanley. When Blanche needs somebody most, Mitch gives Blanche the cold shoulder.

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Stanley is a blunt, practical, and animalistic man who has no patience for subtleties and refinement. His animalistic character shows the moment he meets Blanche, when he, moving with “animalistic joy” (24), “sizes” Blanche up with “sexual classifications” and “crude image” in his mind (25). Under his stare, Blanche draws “involuntarily back” (25), a movement that foreshadows their later conflict and her subsequent demise. His practical and straightforward side shows when he interrogates Blanche about the sale of Belle Reve to make sure that his wife is not swindled. His straightforward, practical nature makes him “boom” out of impatience (46) and demands Blanche to cut straight to the point when she tries to talk in an indirect, subtle manner as befit a Southern gentlewoman.

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He regretted it and was crying for her to go back to him and love him. Also, love in this story is filled with insecurities and secrets. Blanche and Mitch would have been official, but Mitch believed what he was being told about Blanche and did not want her for hearing she was not “pure”. Stanley and Stella are in

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A Streetcar Named Desire Marriage Analysis

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Stella’s sister, Blanche, sees through the illusion and can see how toxic the marriage really is. Stanley and Blanche come from distinctly different backgrounds, Stanley is from the working class while Blanche comes from wealth. Williams uses these two contrasting points of views on marriage, to show the issues of possessiveness, class, and sexism. When it comes to Stanley’s marriage to Stella, one of the most notable characteristics is how possessive Stanley is. An example of this is when Stanley found out that Blanche and therefore Stella, lost their estate.

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Blanche’s final, deluded happiness suggests that, to some extent, fantasy is a vital force in every individual’s experience, despite reality’s inevitable triumph. This refers to her reality of how Mitch had came over to apologize to her, and she tells Stanley that she turned him down. This lie backfired, since Stanley knew exactly where Mitch was at this time. As well as Stanley saw through Blanches delusion of how she has received a wire, from Shep Huntleigh, inviting her to go with him down to the Caribbean cruise, in which Stanley later shuts down as

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In scene 6 Mitch says, “I talked to my mother about you and she said, ‘How old is Blanche?’ And I wasn’t able to tell her.” Blanche’s response was to change the subject. This is the result of Blanche’s insecurity of her age. She feared that Mitch would leave her as soon as he figured out her

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III. Literary Device- Foreshadowing On page 111, Blanche was talking to Mitch about her current living conditions and she described to him the behavior of Stanley. Blanche said "It 's really a pretty frightful situation.

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Her assertion that she is capable of reading his expression, combined with the realization that Stanley had been cheated out of money by one of his friends, gives her further leverage: “BLANCHE: It means that I’ve outstayed my welcome. But don’t look so angry, Stella. We both have to be realistic, I’m going this afternoon by the four o’clock train. Well, I’m not used to having more than one drink. Two, and Voices start mixing, and I’m not responsible for the things they say.

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She refused to leave him when Blanche insisted and didn’t believe Blanche when it came to her being raped. Blanche, Stella, and Stanley all have the same want to be desired. The ways they act and treat each other back that up. Blanche feels the need to be desired by everyone around her, Stanley by Stella and others, and Stella by Stanley. Their lives revolve around desire.

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In Scene 10, she deviously claims that she has just received a telegram from the millionaire, Steph Huntleigh, to explain why she is dressed up. At first, Stanley plays along, but once Blanche musters up the audacity to say that Mitch returned to their apartment seeking repentance, Stanley draws the line. He calls her out for her fictitious tales of her past, and states, “We’ve had this date from the start,” just before he maliciously rapes Blanche. Their natures root in primal, animalistic instincts, Stanley like a dirty hog, open and free concerning his sexuality, Blanche like a fox, sly and deceitful. Despite her incessant attempts to destroy her past, Blanche is unable to stop their sexual connection as she has had so many other men.

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In other words, Stella is very aware that her sexual relationship with Stanley can help her sort out any problems between them. Also, shortly before Stanley rapes Blanche, Williams says in the stage directions that there were “inhuman voices like cries in the jungle” (399; sc. 10). Blanche, which means white wood, is out of her element in this jungle of Stanley’s and it is she, who once called Stanley “bestial” (322; sc. 4) and “sub-human” (323; sc. 4), who has now found herself being stalked and charged like prey being hunted by an animal. With his sister-in-law present, Stanley has been unable to fulfill his sexual desires and so he releases them out on Blanche.

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This is made clear through Stanley’s insecurities about inferiority to women and his prolonged struggle to defeat Blanche. Again, this is evident with Blanche and even Stella. Stella is perceived as a static character with no real individuality, and Blanche, who is seemingly more independent, is characterized mostly by her sexuality. Tennessee Williams demonstrates society’s need for the superiority of men to women through the interactions of Stanley and Blanche in the play, their struggles, and their ultimate

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This lie of her beauty was directed at many people, but mostly to Mitch, her love interest. From the beginning of their interactions, Blanche had to Mitch about her age and appearance. She often spoke of being the younger of the two sisters, as well as only ever meeting with him in dim lighting or with heavy makeup applied. After being presented with the many lies of Blanche’s history by Stanley, Mitch lost all faith in her, causing him to enter a more hostile state. In lying to her loved ones and Mitch, Blanche has tarnished her credibility, which affects her further down the

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And if that is sinful, then let me be damned for it!” Blanches magic is seen through her illusions and delusions. In Blanches world Mitch doesn’t fit however she has reached a point of intimacy by being honest about her first husband and the guilt she endures as she begins to share the painful moment of her life with him. Stanley’s intrusion ruins her plans of marriage with Mitch and yet again she had to retreat in the world of her delusions. Stanley who represents realism in this novel and play pops Blanche’s illusion bubble through seeing the realism in scene ten

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Stanley thought money was going to fix the issue. Blanche still continued to get into Stellas head about him but she wasn’t trying to hear it. Blanches independency was what created space between her and Stella because of their opposite views on situations. And due to that fact, Stella saw Blanche as a judgemental

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