This happened only five years before the antibiotic that could have treated him and prevented his death came to be. In illustrating this story, she describes the event as one that “scarred his family with a grief they never recovered from.” (188) Through this story, as a reader, it is almost impossible not to imagine yourself in her shoes. That, along with the use of these very emotionally provoking words, she captures the audience from the beginning with this pathetic appeal that carries on throughout the essay. She goes on to appeal to logics as well.
In the first section, he gives numerous examples of how normal his life was before the diagnosis. He recounts his childhood and his beginnings of how he loved to read because of his mother. He tells of when he would stay out late reading in the starlight to come home to his mother worried that he was doing drugs, but “the most intoxicating thing I’d experienced, by far, was the volume of romantic poetry she’d handed me the previous week” (27). He continues with all of his life before cancer, but when he gets the results he says “One chapter of my life seemed to have ended; perhaps the whole book was closing” (120). The rest of the book, the closing of his book as he calls it, focuses on examples of how cancer changed his
The patient medical form, as a genre primarily used for information gathering and record keeping, is structured in such a way that it allows the reader the necessary information concerning the patient’s past medical history, as well as any other relevant or current information that would aid the physician in constructing diagnosis and treatment. This is another example of the rhetoric appeal for the genre. The audience of the genre, the patient when filling out the form, gets a sense of a __________ due the genre’s writing structure and rhetor. The rhetor utilizes basic vocabulary so that even an average person, even illiterate in the field of medicine is well aware about what is being asked.
In her essay, "Breast Cancer No. 2," from the Readings for Writers textbook, Margaret Overton explores her experience of performing an operation on a cancer patient who has a similar background like her. The methods of development in this personal experience go to explain the emotions and thoughts Overton encountered during this specific procedure. Through the use of compare/contrast, narration, and an emphatic statement, the author is able to present her thesis, "Everyone's tolerance is different, so I titrate the drugs to the desired effect," (465) to describe her struggle on her experience of having to keep away from her emotions and remain professional during her patient's operation. Throughout her essay, Margaret Overton goes into
“Our Scars Tell the Stories of Our Lives” by Dana Jennings is an autobiographical story about Jennings scar and how they came to be. Jennings is telling the story in the first person. Jennings used quite a bit of description to describe some of the scars that he mentioned in his story. Throughout the story, Jennings is personal connecting us with the scar. Since most people through their childhood get scratches and bump, Jennings used that to connect to his readers.
Wednesday, October 22 Reading Response 2 “Living Will” by Danielle Ofri is about an author who is a doctor who came across a patient that is suicidal. “They All Just Went Away” by Joyce Carol Oates is about a young lonely girl who finds herself attracted in entering abandoned house and is entranced by other peoples lives and what they left by. Although these stories are very different, I believe both the authors share a similar idea, but different outlooks, of how the main characters in each essay struggle to do the right thing. “Living Will” gives us a better perspective of what doctors today have to face with their jobs. The author, Danielle Ofri, came across a severely ill patient, Wilburn Reston, which really makes her think.
Unsurprisingly, this article discusses the emotions in Kate Chopin’s “The Story of an Hour.” S.S. Jamil shows the irony in stereotyping women as overemotional, when the conventional roles Louise Mallard lives in force her to suppress her emotions. Jamil suggests that this is the cause of Louise’s heart trouble, since psychological health does affect physical health. The self-assertion that Louise discovers is permission to be herself, since emotions are a substantial part of who we are. The narrative of this article paints Louise as the victim and society as the culprit.
The narrator is certain she is really sick, and not just nervously depressed as diagnosed by her husband, but she is confined by her role as a wife and woman, and cannot convince her relatives and friends that something is actually wrong with her. In the story the narrator says, “”If a physician of high standing, and one’s own husband, assures friends and relatives that there is really nothing the
Three of the most important aspects of any story are the point of view, characterization and plot. In the short stories “Geraldine Moore the Poet,” “The Story-Teller,” and “Enemy Territory” this statement proves to be true. With a good analysis, all of these things can be found in the stories. Additionally, the point of view, characterization and plot can relate to the theme. The point of view needs to be scrutinized throughout the whole story.
In both The Story of an Hour and Hills Like White Elephants, the authors Kate Chopin and Ernest Hemingway describe women and the desire to express themselves and be free and how men influence their decision making. Women strive for a sense of freedom and independence and have the yearning to convey themselves freely. In Kate Chopin’s and Ernest Hemmingway’s stories, the authors suggest the two female main characters in their stories feel suppressed for liberty. Louise Mallard in The Story of an Hour is sick and very lonely. She is
such as her use of detailed imagery when describing how she resembled a wriggling beetle to put a comical image in the reader's mind. Her use of positive diction to make light of her serious situation, and her different uses of tone, help educate her readers about the difficulties of living with a
Ray Bradbury never seems to doubt his themes, or the way he presents them. From his first publication in the mid-1900’s to now he does not appear to falter. The same holds true for his short stories. In “Embroidery”, Ray Bradbury conveys a grim, bipolar ending to three women using symbolism, emphasis, appeal to emotion, and vivid descriptions. Bradbury’s style is very distinct and noticeable in all his works.
Everything from how her interactions with her family to her perception of her environment and how it evolves throughout the story allow the reader to almost feel what the narrator is feeling as the moves through the story. In the beginning, the only reason the reader knows there may be something wrong with the narrator is because she comes right out and says she may be ill, even though her husband didn’t believe she was (216). As the story moves on, it becomes clear that her illness is not one of a physical nature, but of an emotional or mental one. By telling the story in the narrator’s point of view, the reader can really dive into her mind and almost feel what she’s feeling.
In Kate Chopin’s “The Story of an Hour” demonstrates the personal growth of the dynamic protagonist Louise Mallard, after hearing news of her husband’s death. The third-person narrator telling the story uses deep insight into Mrs. Mallard’s thoughts and emotions as she sorts through her feelings after her sister informs her of her husband’s death. During a Character analysis of Louise Mallard, a reader will understand that the delicate Mrs. Mallard transforms her grief into excitement over her newly discovered freedom that leads to her death. As Mrs. Mallard sorts through her grief she realizes the importance of this freedom and the strength that she will be able to do it alone.
This shows a balance between gender roles, as well as the embracing progressive changes within culture and society. In the story “The Story of an Hour,” by Kate Chopin, a third-person omniscient narrator, relates how Mrs. Louise Mallard, the protagonist, experiences the euphoria of freedom rather than the grief of loneliness after hearing about her husband’s death. Later, when Mrs. Mallard discovers that her husband, Mr. Brently Mallard, still lives, she realizes that all her aspiration for freedom has gone. The shock and disappointment kills Mrs. Mallard.
