The author explains how both the author and artist come together to allow their imagination flow. On page twenty-eight through thirty-one the article discusses the idea of how a face is shown in a different amount of details, and this helps with the imagination of other people. If a face is simple we know that it can refer to any one person, but the more detail the face has then we know that it can mean just a few or one person that they are talking about. Page forty-four in the article also discusses the importance of details, and this is through the objects and scenery that exists in the comic book. For instance, when the author talks about the sword.
In the article “Shattered Lives” by Kristin Lewis there was an outbreak of war in for many years in syria. In syria a little girl named Dania and her family where in the strike zone of a civil war. So dania dad had dug a hole for them to seek shelter. Dania and her three other siblings, and her parents hid in the hole until up above was silent.
The elements shown in both crafts are how the authors and artists are similar in how they reveal a perspective. An example found in Gary Paulsen's novel, Hatchet text is, “His stomach tightened into a series of rolling knots and his breath came in short bursts...” (Paulsen 27). This represents how Brian is feeling and the pain he is in. Paulsen is giving a perspective in how he wants the reader to look at how Brian is feeling.
The outcome of the story, along with the main devices Ellison uses, including allusion, diction, characterization, organization, and
Glass Imagery The ability for a writer to construct a piece that is easily relatable to the reader is something that requires time work. Imagery, engulfs the reader and carries him or her into the mind of the writer, enabling the reader to relive or experience that which the writer is trying to convey. Jeannette Walls relies greatly on this, in order to elaborately recreate her memories so that the reader may better understand her feelings toward her past. Her memoir recalls events in her life that shaped her into the woman she is today.
When we speak of Autobiography, we mean life writing which is considered to be a way to write and tell our own struggles and hardships in our lives. As an example of Autobiography, Lucy Grealy’s “Autobiography of a face” as the protagonist in her book, she is relatable to many Greek Mythical creatures, because of her life experiences, life events and the difficulties she faced. Lucy was born in Dublin, Ireland, her family moved to United States, to New York. She was diagnosed with cancer at the age of 9, which lead to the removal of her jawbone. Her childhood was not the typical childhood you would see in our daily life, it was harsh ,tough, full of insults, and taunts followed by the piercing stares of everyone around her, because of how she looked.
Writers use strategies in personal essays to make a connection to readers. Even though readers aren’t necessarily right next to the writer, writers write their personal essays as if the reader were there. They are able to reveal their deepest thoughts within their writing, as readers can relate to it. Phillip Lopate states the importance of strategies in his anthology, “The Art of the Personal Essay.” In his anthology, Lopate mentions that the use of strategies used in personal essays are similar; however, those strategies can portray different themes that the author doesn’t state.
Instead of the traditional and mainstream verbal memoir, David Small chose to confine into an autobiological memoir, Stitches: A Memoir, with a comic medium that details the darkest periods of his childhood as a prelude to healing. Small demonstrates the rough parts of his past that shaped his life and the relationships between himself and his dysfunctional family by encoding these moments into vividly drawn emotions and sensations. Small experienced traumatic things both physical and psychological, yet despite this, he was able to work through it. This way of using graphic text was David’s take on using illustrations as an outlet to deal with traumatic experiences.
Many times, Maurier uses characterization to allow the reader to better understand the characters in the story. For example, when the birds begin to come down the chimney and she writes, “He got sticks and paper and put them on the embers, then reached for the can of paraffin,” (74) the reader is able to learn about Nat. You may discover that Nat is a very witty and intelligent man as he knows that the smoke will keep the birds from entering and kill any birds that are already in the chimney. Next, Nat says, “I’ve got to go get food. I’ve got to go to the farm to find food,” (78).
Although these lines are also an instance of characterization, they are an excellent example of imagery as well. King’s description supplies us with a very distinct mental image of the man in the black suit, that the reader can continue to visualize as they read the
In “A Mistake that Should Last a Lifetime,” by Jessanne Collins argues that we should learn to deal with our mistakes, live with regrets, and know we can’t change our permanent situations. The narrator made a decision that made her live with a long regret. She tattooed her left wrist with a phrase that said, “Break to keep fixing.” She made a mistake because she was nervous and told the tattoo artist she was ready when she really wasn’t. Her simple tattoo led to a long time of regret.
"In terms of emotional scars, I think we all, to some degree, have them. However I was fortunate in that I was a journalist, and I spent a number of years trying to understand what drove the final outcome of Peoples
Scarification, a bloody and painful way of modifying the skin/body, is done by the Sepik River Tribe to show their strength in growing up. These scars are represented as a crocodile’s teeth mark as if the contributor has been “swallowed” by a crocodile. Though many think it’s weird or very terrifying, the Sepik have their reasons for why they do it. This rite of passage happens to teen Sepiks at the age of sixteen or seventeen at a place called Papau New Guinea (Scarification: Ancient Body Art Leaving New Marks, para.
The history of scarification is an ancient tradition of cutting the skin in a specific way and manipulating the cut to form a scar, usually attempting to form a keloid scar, which is when the scar is raised. It is unclear as to when scarification originated, but it is generally thought to be as old as tattooing, which potentially dates back over 10,000years. Scarification is most prevalent in Indigenous Africans and Australians, as tattoos would not show as clearly on darker skin, and instead led to scarification being the main form of body modification. Most scarification result within individual tribes and families, and therefore it is important to note that scarification differs greatly around the world, and no two tribes are the same, and even scarring within a singular tribe can differ from person to person. For that matter,
Why do teenagers cut? “Before I made that first cut, before I started to harm my body, I thought I would be able to control myself. But with every cut I felt my pain going away and found the blood strangely addicting.” - Anonymous Cutting is a self-harm act that is nonsuicidal self-injury. You are deliberately hurting yourself, but you have no intention of committing suicide.
