Throughout the book Rachel changes. When she found out Melinda called the police, instead of asking Melinda what happened and checking on her, she slapped her and left her at the party to walk home alone. Rachel like Melinda is just starting her freshman year, so she was trying to find out where she belonged and being best friends with the girl that crashed
"Snakes vs Delia” Hurston 's Delia Jones in "Sweat" is a woman who is trapped in her marriage with an abusive man. In the end Delia finally gets peace from the snake. She has been with Sykes for 15 years. The snake represents evil, fear, and is a symbol for Sykes himself.
Her completely refuses to believe that this is now her life. Her way of coping with the Congo is trying to cling to anything that reminds her of home. Her small hand mirror is something that she holds very dear. It is one of the first things she thinks of to grab in a life or death situation. Rachel never fully connects with any of the Congolese people, and finds it absolutely revolting about the idea that the Chief wants her as a wife.
In the novel Their Eyes Were Watching God, we follow our protagonist, Janie, through a journey of self-discovery. We watch Janie from when she was a child to her adulthood, slowly watching her ideals change while other dreams of hers unfortunately die. This is shown when Jane first formulates her idea of love, marriage, and intimacy by comparing it to a pear tree; erotic, beautiful, and full of life. After Janie gets married to her first spouse, Logan Killicks, she doesn’t see her love fantasy happening, but she waits because her Nanny tells her that love comes after marriage. Janie, thinking that Nanny is wise beyond her years, decides to wait.
Name: Lakisha Minnis Instructor: Mr. Compton English 2202-001 Date: April. 24, 2017 Sweat Zora Neale Hurston is a prolific writer famed for numerous award winning plays, novels and short stories. In this paper, I will be elaborating on a character from the novel Sweat. Her novel Sweat was first published in 1926. Sweat is a novel that tells a story about the good, evil, and domestic abusive husband.
In "Sweat," the main character, Delia Jones, is portrayed as a strong-willed, hard-working washwoman who would wash clothes for white people. She worked tireless to provide for her family. Delia was married to Sykes, who would berate, beat and mentally abuse Delia, incessantly. For example, Sykes would walk into the room where Delia just folded clothing for the white people and find the whitest pile of clothes, stomp all over them and then kick them across the room, leaving her to clean up and restack them. Sykes was also openly living in infidelity with another woman, named Bertha.
Hurston used the stylistic techniques of figurative language and point of view to strengthen the tone of wanting more out of a lonely life. A major factor Hurston used to enhance the tone was figurative language. For example, when she included the fact that Janie, the main character, had a starched ironed face and set in the funeral behind her veil there wasn’t really a veil it was just her face but, it was portrayed in such a way so that one would notice it was just a cover up.
Rachel broke up with Andy Evans after she found out that her boyfriend caused her and Melinda to lose their friendship. Melinda and Rachel eventually start to rebuild their friendship. I also believe Rachel’s astrology sign is Libra because some weaknesses of a Libra are indecisive, avoids confrontations, will carry a grudge, and self-pity. Rachel carried a grudge on Melinda for ruining the party, and she avoided confronting her to find out the real reason why Melinda called the cops. Melinda didn’t call the cops to ruin the party, she called because she was scared and didn’t know what to do after Andy raped
However, it is incredible how nonchalantly both Nathan and Rachel act in the wake of Ruth May’s death. Rachel Price’s fate as an adult provides an interesting contrast to both Leah and Adah’s. Rachel is as ditzy and oblivious as ever, almost like a Paris Hilton of the Price family. She owns a hotel with Axelroot, but he is always away from home on shady business ventures.
Zora Neale Hurston served an influential role during the Harlem Renaissance, a period of cultural uplifting for African Americans. Hurston’s exhibits the search for identity, love, and cultural freedom through her writing which both reflects and departs from the ideals and goals of the Harlem Renaissance. Born in Alabama in 1891, Hurston moved with her family to Eatonville, Florida. Eatonville, a rural community outside of Orlando, was the first incorporated black township.
Like other Southern women authors of the early twentieth century, Hurston does not categorically reject the association of women and nature, but reconstructs that bond as empowering and active in contrast to the passive identification with the tamed nature of the pastoral garden. In Their Eyes , one important way that Hurston counters the pastoral ideal of the middle landscape is by incorporating elements of Afro-Caribbean Voodoo that undermine the initial separation of humans and nature on which the pastoral myth depends. Replacing the polarized categories of culture/nature, male/female, and subject/object with a more fluid, relative, and interdependent model, Hurston envisions a more egalitarian society of communal values free from the ideology of dominance that characterizes the masculine gaze on a feminized landscape of the male pastoral tradition. She also suggests in her best-known novel that the acquisitive values of white-dominated society fosters an alienating conception of nature as something distinctly “other” estranging people from a natural world regarded as little more than an amalgamation of commodities.
As much as a reader might agree with Sherley Anne Williams’ ideas of Hurston’s writing, there are some concepts a reader may question. Although the author, Sherley Anne Williams, was correct in suggesting Hurston including the shield of protection for Janie from her grandmother, Nanny, was not creating a picture of life looking like reality; however, her idea that Janie had an insufficient amount of wisdom about herself as a whole is inaccurate because Janie does have self-awareness as she chose who she wanted to be, even if the ideas were pushed away by others. Sherley Anne Williams includes a quick understanding of how Janie sees herself. Discussing how Janie saw her self for the first time in a picture, notiving she was black. Because Janie
It is not surprising, that Hurston’s still burgeoning knowledge of Voodoo is a major influence in the novel, particularly on her conception of human relationships with nature. Hurston employs this Voodoo-influenced view of nature in the novel in order to challenge and revise the traditionally limited and static gender and racial roles of the early twentieth-century south. Nature/woman is subordinated to culture/man in the traditional pastoral equation, and this opposition installs males as the protectors of both the improved garden and the women of the plantation. Hurston’s Voodoo-influenced conception of nature contributes to her revision of the male-dominated pastoral tradition in Southern literature by identifying her female protagonist
While Their Eyes Were Watching God is a work of fiction, it has been considered autobiographical as well. Hurston reveals her personality through the interaction of the author’s, protagonist’s, narrator’s voices and through the narrative events. For example, Hurston's own father can be found lodged in some of the characteristics of Jody. Like Jody, Hurston's father moved to an exclusively black town called Eatonville. John Hurston was also noted for “being very ambitious, owning property and having a prominent position of carpenter, Baptist preacher and, attaining a position of power within the South Florida Baptist Association.
Rachel Watson is not a good person. She is obsessive, petty, manipulative, and is delusional at the best of times. However, she has a some redeeming characteristic, her strong sense of morality and hate for greed and selfishness. Over the course of the novel Rachel exhibits an unnerving amount of obsessive behavior. Rachel knows Megan and Scott’s lives, their habits, and the house they live in, claiming to know the “color of the the curtains in the upstairs bedroom [...] the paint peeling off the bathroom window frame and that there are four tiles missing from a section of the roof on the right-hand side”, while undoubtedly creepy and possibly untrue, it reveals another side of Rachel, an observant and slightly delusional side.
