Susan Belasco and Linck Johnson, literary authors and experts, claimed that when Hughes published “The Negro Speaks of Rivers,” his literary career took off and only increased from there. Hughes worked hard continuously, doing a great deal of work and advocating for the NAACP. He is associated with authors like Hurston, Cullen, and Douglas, others who represented African-Americans as a united whole. Later in his career Hughes expanded to novels, drama, short stories, plays, and children’s books; emphasizing political positions and advocating for the equal rights of African-Americans. Hughes’s poetry could be described as contemporary in its forms and subjects according to literature during the early 20th century. Combining inspiration from …show more content…
However, Arnold Rampersad, biographer and literary critic, insists that Hughes, among others, was an Afro-American Modernist. The Afro-American Modernist movement began with writer Paul Lawrence Dunbar. While White Americans were facing a serious battle with the world in the Great War, African Americans also experienced war through racial segregation and disfranchisement. W.E.B. DuBois soon comes on the scene as an intelligent protagonist that would fight racism. Fenton Johnson was next and would bring them even closer to modernism, as well as several other authors. Hughes, a later author, was considered the finest black poet of the decade according to Rampersad. Hughes rejected metaphysics as well as superstition, noticeably relating to modernism. Hughes did the only thing he could to lead a black centered revolution and that was through the means of poetry. He did this by making it clear to the public that black modernism was different from white modernism, and his writing would display that dissimilar structure. The blues were the basis for this style that used oral and improvisation focused on a new mode of feeling that showcased a second type of