Wait a second!
More handpicked essays just for you.
Gender's role in literature
What are gender issues in literary works
Gender issues in literature
Don’t take our word for it - see why 10 million students trust us with their essay needs.
More handpicked essays just for you.
Gender's role in literature
What are gender issues in literary works
Gender issues in literature
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Arnold Friend, the antagonist in Joyce Carol Oates’s story “Where Are You Going, Where Have You Been?” represents the devil who arrives to bring Connie to the underworld. For example, his unusual appearance implies that he is an inhuman being, unlike what he wants to lead on. As he struggles to walk from his car to the front door, Connie notes that “his whole face was a mask... tanned down to his throat...as if he had..makeup on..but had forgotten about his throat”(5). Arnold Friend covers his demonic features in order to pass as a teenager with the intention of deceiving Connie into leaving with him.
Schulz, Gretchen., and R.J.R. Rockwood In Fairyland, without a Map: Connie’s Exploration Inward in Joyce Carol Oates’s “Where Are You Going, Where Have You Been?” Rutgers UP, Studies in Short Fiction, 1978 Slimp, Stephen. " Oates's Where Are You Going, Where Have You Been?
Varsha R. Yerram Professor Baker Studies in Fiction October 12, 2014 A Tainted Fantasy Overtaken by Morbid Reality In Joyce Carol Oates’ short story “Where Are You Going, Where Have You Been?” there is a serious conflict between what is reality and fantasy. It is far too easy for individuals to create false fantasies and illusions regarding what they believe something to be.
Carol Joyce Oates’ “Where Are You Going Where Have You Been?” presents how falling into temptation leads to giving up control and innocence. Though her mother is unapproving of her actions, Connie spends her time seeking attention from male strangers. Home alone, Connie is approached by a compelling creature who convinces her to leave her life and join him on his unknown journey. Through disapproving her family, having multiple appearances, listening to music, and her desperation to receive attention from boys, Connie gives up control of herself losing the purity of adolescents and contributing to her detrimental fate. It is imperative that one should not be controlled because of a desire to impress others.
In the story, Arnold came to take Connie away, and she is ultimately powerless to defy him. Oates’s recreation of Bob Dylan is purposeful, and meaningful particularly during the time period in which it takes place. In the 1960s, when Oates wrote “Where Are You Going, Where Have You Been?” a social revolution was happening. American women were stating with confidence about their rights and getting independence from men.
Where Are You Going Where Have You Been? By Joyce Carol Oates Psychoanalytic Criticism Question How are id, ego and superego represented in “Where Are You Going? Where Have You Been?” By Joyce Carol Oates?
On a date, she noticed a guy in a gold convertible. The same guy, Arnold Friend and his friend, Ellie, showed up at her house while her family was gone to a barbeque. Arnold is trying to convince Connie to take a ride with him but Connie is fearful of his intentions. Through manipulation and threats, he finally lured the young girl to leave with him. In “Where are you going, where have you been”, Joyce Carol Oates used inspiration from a song and serial killer to write an incredible short story packed with themes and symbolism.
In Joyce Carol Oates’s short story “Where Are You Going, Where Have You Been” the main protagonist finds herself in a very hostile situation. With an all most fateful encounter with a man known as Arnold Friend. Forcing her to choose whether to run off with him or taking her by force. This man known as Arnold Friend to the reader comes off as almost a demon. A person who uses many temptations, word play, and threats to take advantage of the young protagonist Connie.
Leading Towards The End Of Her Life Would Connie had continued being stubborn and obsessed with herself if she knew what the consequences were going to be? In this story called “Where Are You Going, Where Have You Been?” it involves a young teenage girl Name Connie who wants to act older and an old guy name Arnold Friend who is trying to seem young, to get Connie’s attention and ends up figuring out her information. The consequences that she gets put her life in danger and does not make it, to continue with her life. This story is about a 15-year-old girl who has a “habit of craning her neck to glance into mirrors” (p.176) and can’t stop looking at herself because she thinks that she is pretty. She has long blond hair that drew anyone’s attention and would wear charm jiggling bracelets (Oates, 177).
Home is where the heart is, but what if home is no longer safe? Joyce Carol Oates explores this concept in her 1966 short story, “Where Are You Going, Where Have You Been”. On surface level, this story appears to discuss a rebellious young girl named Connie and her confrontation with Arnold Friend, a stalker. The ending leaves the reader to assume that Arnold Friend plans to sexually assault the young girl.
In Joyce Carol Oate’s “Where Are You Going, Where Have You Been?”, the coming of age message is to avoid living in your childhood fantasies so much that you can’t face the realities of adulthood. Connie is a fifteen years old girl who wants to act mature but constantly living in her childhood fantasies. When it comes to her craving of acting like a grown up, she goes to the Big Boy restaurant with her friends but left them behind when a boy is asking her to go out for dinner. When she gets home, she dreams that ‘the boy’ she met last night whose ‘sweet, gentle’ and just like ‘in the movies and promised in songs’(52). Sweet and gentle are being expressed as imagery to describe the boy that Connie met the night before.
“Where Are You Going, Where Have You Been,” is about a teenager named Connie who is trying to come to terms with her transformation from childhood to adulthood. Through this process, Connie attempts to act older than she is an tries to gain the attention of boys. In “Where Are You Going, Where Have You Been,” Joyce Oates portrays Connie as obsessed with men to symbolize how one’s obsession and narcissistic attitude can cause danger to seem surreal. In the short story, Carol Oates describes Connie as having two different personalities, one being a narcissistic attitude.
In her short story "Where Are You Going, Where Have You Been?", Joyce Carol Oates utilizes a variety of literary devices to strengthen the story in its entirety. This short story is essentially about a 16-year-old girl named Connie and the conflict between her desire to be mature and her desire to remain an adolescent. Throughout the story, the audience sees this conflict through her words in addition to through her behavior. The audience is also introduced to Arnold Friend, a rather peculiar man, who essentially kidnaps her. This short story by Joyce Carol Oates functions and is additionally meaningful because of her usage of literary devices.
In the coming of age story “Where Are You Going Where Have You Been?” Joyce Carol Oates uses symbolism, conflict, and the third person to foreshadow fifteen-year-old Connie’s unfortunate, yet untimely fate. While one may think that the conflict stems from Connie’s promiscuity, it is clear to see her promiscuity is only a result to a much bigger conflict, her mother’s constant nagging and disapproval, alongside the lack of attention from her father. the author paints a vivid picture of what happens when a fifteen-year-old girl such as Connie goes elsewhere to find to find the love, attention, and approval that she lacks at home. All which is vital for her growth and wellbeing as a person.
The short story “Where Are You Going, Where Have You Been?” by Joyce Carol Oates can be interpreted in a multitude of ways due to its ambiguity. A psychological lens, however, provides the most accurate viewpoint for analyzing the story as it clarifies certain obscure scenes and actions of Connie. One psychological issue of Connie that is easily inferred from the beginning of the story is her insecurity about her looks. Connie constantly worries about the way that she looks and takes any opportunity to do so, “craning her neck to glance into mirrors or checking other people's faces to make sure her own was all right” (1).