Conceits are extended metaphors that use the similarities of two wildly unlike ideas. For example, Jenni Rivera, an American singer and songwriter, state's in her song, “Mariposa De Barro”, “I've crawled. I lived all, The changes, and even though I came crying. My wings I lifted! The one who lives singing.
The passage describes the scene from the wedding of Paco el del Molino and his wife Águeda which took place 7 years before Paco’s requiem mass. Mosén Millán, the priest who performed the wedding ceremony and is about to perform the requiem mass, is recalling the wedding while sitting in his sacristy armchair. This is a key scene in Ramón J. Sender’s Réquiem por un campesino español, one of his most famous works. It is based on the life and death of a Spanish peasant in the lead up to and during the Spanish civil war.
While reading Enrique’s Journey, written by Sonia Nazario, a lot of themes were brought out throughout the book that served different meaning in Enrique’s story. The theme that stood out to me, was his journey because Enrique traveled all the way from Honduras to find his mom, who stayed in the United States. There are times in the book when he falls victim to his own shortcomings: doing drugs, tantalizing his mother, mismanaging his finances. He is ready to take yet another journey, this time marked by responsibility instead of adolescent rebellion and resentment. However, Enrique's journey is not only physical, but also mental as he grows from a boy to a man.
A unique writer is someone who expresses his or her feelings throughout his narratives. Junot Diaz in my opinion is one of those unique writers. Growing up in the Dominican Republic, raced only by his hard working mother, Junot Diaz learned very valuable lessons in his childhood that helped him become whom he is today. Not only does Junot Diaz write great stories, but he also tends to give us a feeling of what is meant to be an immigrant from the Dominican Republic in his stories. Diaz humbleness and compassion towards others can be seen in this writing.
La Migra is a poem written by Pat Mora about the Mexican - American immigration issue. It’s purpose is to acknowledge the emotions and sentiments of the Mexican immigrants who try to come to the United States illegally. The denotation of the poem’s title means immigration and the connotation is referring to the police officers standing at the Mexico-United States border. The poem is divided into two stanzas to acknowledge immigration through the different perspectives of the illegal immigrant and also through the eyes of the border police. The first stanza is through the perspective of the male border cop, who thinks his power and nonessential items make his superior to the immigrants.
The text is important because not many people know the difficulties of being Mexican-American, especially when it comes to being themselves or the inner turmoil that comes with it; being Mexican-American means following traditions and speaking perfect Spanish, while at the same time having a grasp on American traditions and
The immigrants entering the United States throughout its history have always had a profound effect on American culture. However, the identity of immigrant groups has been fundamentally challenged and shaped as they attempt to integrate into U.S. society. The influx of Mexicans into the United States has become a controversial political issue that necessitates a comprehensive understanding of their cultural themes and sense of identity. The film Mi Familia (or My Family) covers the journey and experiences of one Mexican-American (or “Chicano”) family from Mexico as they start a new life in the United States. Throughout the course of the film, the same essential conflicts and themes that epitomize Chicano identity in other works of literature
He argues this case through many sources, one of which described that Mexicans are not capable of straying away from their own culture and even included U.S. born Mexicans Americans, thus making them more prone to creating a new nation within the U.S. southwest (35-36). Chavez explains that the scholar does not
THE FATHER, THE SON, AND LA CHINGADA: THE TRINITY OF THE CONQUEST ‘Lo Mexicano’ is a phrase-turned-concept in 20th century Mexican philosophy. The term literally translates to “the Mexican,” however, it is also used to superficially describe the identity of the Mexican individual. The notion came about after the revolution; the phrase was meant to emphasize and unite Mexico as an independent people. Today, the phrase is understood as an all encompassing term for “mexicanness,” or that which makes someone a true mexican.
Julia Alvarez, in her poem “’Poetry Makes Nothing Happen’?”, writes that poems do play a role in people’s lives. She supports her idea by using relateable examples of how poems might change someone’s life. Her first example is simple, poetry can entertain someone on long drives. This does not only aply to long dirves however, Alvarez uses this to show that poetry does not have to have a big influence on someone’s life, instead it can affect a person in the smallest of ways, such as entertainment. The second example describes poetry comforting someone after the loss of a loved one.
The Dawn by Garcia Lorca Dawn is poem written by Federico García Lorca. Lorca wrote this poem to his family after he arrived in New York. Lorca writes about his visits in New York and how he felt miserable being there. The Dawn is a poem that talks about an author’s feelings or point of view about the dawn in New York. Garcia Lorca expresses how he felt miserable and empty during dawn in New York because it brought no hope to him.
José Martí was a brilliant 19th century writer, poet, political and revolutionary leader, and Cuban intellectual; however, above all else, José Martí was a proud Cuban citizen. Though born to two Spanish parents, Martí never waivered in his identity as a son of Cuba, and he would spend—and eventually give—his life fighting for the cause of Cuban independence. Martí loved his native country, and desired freedom and pride for all Cubans. Never was this more apparent, than in his poem, “Versos Sencillos” (Excerpts from Simple Verses). The resistance from oppression infused with Cuban patriotism prevalent in this piece, is central to Marti’s message and to the Cuban Revolution as a whole.
To many people “I am Joaquin” is more than just an epic poem, it is the anthem of the Chicano movement which embodies our peoples struggles and culture. What made the work become the Chicano Movements anthem is the fact that it is a piece that seems to evaluate the Chicanos and their history from the good to the bad. It also seems to emphasize the Chicanos search and struggle for identity starting from the beginning of the Spanish conquest to our modern times. Basically this poem has become such an iconic work because it attempts and succeeds in encompassing as much Chicano history into it and makes no bias choice as it has both positive historical moments and negative, but they all tie back to Chicanos and their history. One of the main aspect that makes “I am Joaquin” an interesting piece of work and an icon for the Chicano movement is how the work seems to
In the essay "Children of Mexico," the author, Richard Rodriguez, achieves the effect of relaying his bittersweet feeling regarding how Mexicans stubbornly hold on to their past and heritage by not only relaying many personal experiences and images, but also by using an effective blend of formal and informal tone and a diction that provides a bittersweet tone. Among the variety of ways this is done, one is through repetitive reference to fog. The word is used many times in the essay, especially in segments relating to Mexican-Americans returning to Mexico for the winter. One of the more potent uses reads as follows: "The fog closes in, condenses, and drips day and night from the bare limbs of trees.
In the poem “To live in the Borderlands means you”, the borderlands become a place of change, such as changing from just one culture or race into a diverse culture or race and not-belonging. (Singh, A., & Schmidt, P. 2000). The poem describes how the author’s own background ethnicity people, mixicanas, identifies people like her, chicanas, as “split or mixture that means to betray your word and they deny “Anlo inside you.” (Anzaldua, F. 1987). The poem describes that the borderland is a place of contradiction, such as of home not being a home.
