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Social change 1920s
Social developments in the 1920s
Social change 1920s
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It is often said that a new definition of a woman arose in the 1920s. But is that true? While most women experienced many newfound freedoms in the 1920s, black women could not explore these freedoms as easily as white women. In the novel Passing by Nella Larsen, Irene Redfield and Clare Kendry grew up in Chicago together and are now both two wives and mothers in New York City during the 1920s, but there is a big difference between them. The novel’s title refers to light-skinned black women masquerading as white women for social benefits.
The 1920s represented the post-suffrage era when women made drastic social and cultural changes that affected the American women way of life. Women began to seek more rightsand equal representation through changes in social values. However, women still observed their primary responsibility for caring for the household; and also depended on men for monetary support (Martin, 1926). The essay brings into perspective, various transformations that took place in the 1920s, resulting in the diversion of the traditional norms.
The work is not yet complete, and is evident by looking at the domination of women throughout the centuries, specifically the 19th and 20th century, which was the height of the women’s rights movement. By analyzing two literary works from two different eras, “The Yellow Wallpaper” written by Charlotte Perkins Gilman in the late 19th century and “Aunt Jennifer’s Tigers” written by Adrienne Rich in the mid-20th century, one can conclude that while there have been improvements to women’s rights, there is still discrimination prevalent. Although set in two different time periods, the main
Judith Butler’s Gender Troubles emphasizes gender as the constant repetition of non-existent ideals to uphold a masculine-dominant culture. Likewise, “Body Politics” highlights this belief within the overtly feminine qualities of city women. As a whole, the poem contrasts idealized feminine “city women” with a “real woman” who possesses both feminine and masculine qualities. The mother figure challenges both the gender binary and the patriarchal order by rejecting the feminine gender norms of the society. This feminist reading of the poem makes many valuable and probable claims, however the feminist approach contains some weaknesses.
Authors, especially female authors, have long used their writing to emphasize and analyze the feminist issues that characterize society, both in the past and the present. Kate Chopin, Charlotte Perkins Gilman, and Susan Glaspell wrote narratives that best examined feminist movements through the unreliable minds of their characters. In all three stories, “The Story of an Hour”, “The Yellow Wallpaper”, and “A Jury of Her Peers”, the authors use characterization, symbolism, and foreshadowing to describe the characters’ apparent psychosis or unreasonable behavior to shed light on the social issues that characterized the late 19th century and early 20th century. Penning many stories that demonstrate her opinions on the social issues of the era,
The 1920s is a time of technological, economical, and social exploration. Myrtle, Daisy, and Jordan display the full image of what it is like to be a women in New York during the 1920s. They each have a personal struggle with society and the fight between what they want and what is expected of them. Each of these women wants to experience the glamor of the 1920s but has to maintain some of the traditional elegance of a woman. If the neglect to do so, they are treated harshly by society.
It can be said that society has always been quite judgmental, and at times misguided when it comes to women. The negative perceptions that society has towards females are often times directly related toward her actions. What a female does seems to degrade her identity and capabilities in the eyes of some men. In the poems “The Lady’s Dressing Room” and The essay “A Modest Proposal” by Jonathan Swift, we can see both authors use of tone, form and style to develop their works. These poems are mainly driven by men’s attitudes towards women.
“A Jury of Her Peers” is a valuable resource for anyone curious to what life was like for women in the twentieth century for which it demonstrates women struggling to publish and define
There is no question that women have struggled over many years to be seen as equals by their male counterparts. Years of struggle and oppression continued throughout time, but the oppression took different forms over the course of history. Susan Glaspell wrote, “Trifles” which explores a woman’s status in society during the 1920s and the political leanings that perverted society at the time. The play demonstrates how women were subjected to mental abuse and viewed as intellectually inferior as dictated by American society and politics. “Trifles” exposes how political leanings in the government favored and enabled a patriarchal society as well as displaying how the Women’s Rights movement was beginning to combat these prejudices.
Gender Equality Throughout America’s history, women have struggled to obtain basic human rights, gender equality, and general respect from men. These issues continue on into our current day-to-day life and will seem to continue for many years to come. In American literature, there are two women, Elizabeth Cady Stanton, and Sojourner Truth, amongst many, who voiced their struggles as women in America. Stanton’s piece, “Declaration of Sentiments”, is a revised version of the “Declaration of Independence”, and it outlines the many rights women have been withheld from.
In the 1970’s women were expected to stay at home and take care of the household. They were usually not expected to further their education, but instead take care of the children or tend to their husbands’ needs. In 1972 Judy Brady decided to let the readers of Ms. Magazine know how she felt about her “duties”. In her short essay, “Why I Want a Wife,” Brady uses pathos to connect and appeal to the reader’s emotions while explaining why she wants a wife.
Kate Chopin’s short story “The Story of an Hour” is set in the late 1800s – a time when women were considered inferior to men. Women had traditional roles as wives and mothers. In this 19th century patriarchal society, Chopin shows us Louise Mallard, the main character, who does not comply with the female gender norms of the Victorian period. When Louise learns about the death of her husband, her reaction and the reaction of her sister and the doctor tell us a great deal about gender stereotyping during this time. Louise Mallard is described to us as “firm” and “fair.
In her short story “Marigolds”, Eugenia Collier, tells the story of a young woman named Lizabeth growing up in rural Maryland during the Depression. Lizabeth is on the verge of becoming an adult, but one moment suddenly makes her feel more woman than child and has an impact on the rest of her life. Through her use of diction, point of view, and symbolism, Eugenia Collier develops the theme that people can create beauty in their lives even in the poorest of situations. Through her use of the stylistic device diction, Eugenia Collier is able to describe to the reader the beauty of the marigolds compared to the drab and dusty town the story is set in.
This shows a balance between gender roles, as well as the embracing progressive changes within culture and society. In the story “The Story of an Hour,” by Kate Chopin, a third-person omniscient narrator, relates how Mrs. Louise Mallard, the protagonist, experiences the euphoria of freedom rather than the grief of loneliness after hearing about her husband’s death. Later, when Mrs. Mallard discovers that her husband, Mr. Brently Mallard, still lives, she realizes that all her aspiration for freedom has gone. The shock and disappointment kills Mrs. Mallard.
This novel is also autobiographical. Throughout history, women have been locked in a struggle to free themselves from the borderline that separates and differentiate themselves from men. In many circles, it is agreed that the battleground for this struggle and fight exists in literature. In a