These cowboys would be the ones that would get rich and would have the business out west for a long time. They were the ones that you would want to be like if you were going to the west to be successful. For the women out near Durant, Wyoming, it was to protect a little girl from something she was sure to experience after getting raped. The woman had gone through a similar situation when she was younger and she didn’t want the young girl to go through it to. She was, however, murdering the boys who did the raping
In the book “Mexican Whiteboy¨- by Matt de la Peña some of the biggest symbols that stood out to me were stickball, mental health and a hawk because there was a common occurring symbol that continuously popped up in the book. I chose these symbols because they are all connected with Danny and effect him a different way The first symbol that I would be explaining is stickball because In the book the main character Danny plays and talks about stickball a lot. Danny enjoys playing stickball so much that he hopes to be in a team but to him stickball is not only a sport it's his passion even when danny went to a new place the only way he felt like he was fitting in was when he was playing stickball and that's the reason why I chose stickball as a symbol is because even when he was sad and depressed he was still thinking about stickball and how he didn’t enter the team he wanted to, on page 41 and 42 it says “This had been Danny’s spot since Coach Sullivan pulled him aside after the last day of tryouts-in front of everybody-patted him on the back and tried to let him down easy.
"Stagecoach" is a classic western movie released in 1939 and directed by John Ford. The film is widely considered one of the greatest westerns ever made and is often credited with revitalizing the western genre Character type The movie features several archetypal Western characters, such as the outlaw, the prostitute, the soldier, and the cowboy. The movie features a diverse cast of characters, many of whom are archetypes of the western genre. There's the hero, Ringo Kid, a gunslinger seeking revenge; the virtuous and determined heroine, Dallas; the corrupt banker, Gatewood; and the stoic lawman, Marshal Curly Wilcox, among others.
The novel The Lone Ranger and the Fistfight in Tonto and the film Smoke Signals are very similar in many aspects but have some key difference as well. The main differences occur in the situation where the characters had a choice. The first situation is where Victor and Thomas is the book decided to abruptly leave the Trailer in which they were staying while in the film Alexie chose to stay there. This lead to some character development where Alexie shared some of his stories such as the one about the basketball game. Another difference is throughout the film it is shown that Victor and Thomas have a more strained and aggressive relationship this can be seen in the scene when they're in the truck and Thomas yelled at Victor and showed aggression that wasn't seen in the novel; in the novel Thomas and Victor have a more respectful relationship with one another.
Part one allows John Grady Cole to act as the often romanticized western hero incomplete in a constrained life off the open fields without horses. Part two continues perpetuating the mythic West through John Grady Cole’s ability to demonstrate his heroic skills of horse training, as the work’s true western hero. Part three’s introduction to blatant violence with Blevins’ death finally breaks the myth of the perfect west for John Grady Cole, introducing him to the inevitability of violence accompanying the western hero. Finally, part four demonstrates John Grady Cole’s rugged individualism as the western hero, estranged from his friends and family despite trying to reconcile the old aspects of his life in Texas. John Grady Cole’s evolution ultimately demonstrates the collapse of the frontier hypothesis at large, questioning if the notion of the frontier as central to American identity can take root in a modernized America.
Throughout the film Stagecoach, there were several examples of archetypal characters. Not only is the typical true western hero exhibited, however you also see the damsel in distress and many antagonists. The typical western hero attempts to embody the frontier. They’re overall goal is to be successful amongst their tasks with minimal regard to the understanding of danger.
In Sarah Gleeson-White’s article, Playing Cowboys: Genre, Myth, and Cormac McCarthy's All the Pretty Horses, she talks about how “Cormac McCarthy moved from the South to the Southwest in the 1970s, so did the settings and associated meanings of his novels.” This novel is somewhat related to the background of the author and the transitions they went through. John Grady Cole is a representation of the last generation cowboy of Western ancestry. As written in All the Pretty Horses, “People dont feel safe no more, he said. We’re like the Comanches was two hundred years ago.
Around his village, Loun-Ariik, enough grass and shrubs grew to feed the grazing cattle. But here in the desert, nothing green could survive” (Park 52) This quote shows how hot and dry the desert is, as barely anything grows or exists in the
By 1951, the cowboy 's frontier faded though still exist physically, and cowboys faded with the frontier. It is no longer a pastoral land in the pressures of urbanization and industrialization. This erasure of frontier 's open space was an identity crisis for those cowboys. One can highlight John Grady 's identity crisis as he fails to create stable identity. Phillip Snyder argues that the trilogy 's protagonists (John Grady and Billy Parham) prove to create stable identities.
In the spine chilling novel, The Things They Carried, the author Tim O'Brien shares various and unbelievably realistic stories from when he was serving in the Vietnam War. The many stories that O'Brien shares are strikingly true and emotionally heavy. Tim O'Brien uses items that the soldiers carry as symbols such as the dog tags and maps and compasses that not only are important to the war but also symbolize a deeper meaning to each soldier's duty and time in war. As a part of identification for each soldier that is serving, all soldiers carried a dog tag with their name and personal information.
Symbols Sleds Two sleds appear in Citizen Kane. Rosebud, the sled Kane loves as a child, appears at the beginning, during one of Kane’s happiest moments, and at the end, being burned with the rest of Kane’s possessions after Kane dies. “Rosebud” is the last word Kane utters, which not only emphasizes how alone Kane is but also suggests Kane’s inability to relate to people on an adult level. Rosebud is the most potent emblem of Kane’s childhood, and the comfort and importance it represents for him are rooted in the fact that it was the last item he touched before being taken from his home. When Kane meets Thatcher, who has come to take him from his mother, Kane uses his sled to resist Thatcher by shoving it into Thatcher’s body.
There are horses, accents, a vast desert, and the memorable cowboys versus Indians motif; However, there are some things that do not meet normal western conventions. There is no famous duel, saloon or town aspect and most importantly no clear good guy. Although Ethan's efforts seem good at first, we find out that they are rooted in hate, and would even drive him to kill his niece once he realizes that she mated with an Indian. I believe, John Ford added that racism was foolish as well as absurd very destructive attribute that many people during the fifties possessed. In addition, portraying a message that people are indeed just people and their race does not make someone an outcast or secondary to someone else.
Elementary school is a big step, especially getting ready for middle school. For example if one is bitter towards someone, meaning jealous or angry, then their middle school years won’t go very well. They will go through being angry and it will make them focus on less important stuff rather than their studies or sports. Similar to the boy in “The Jacket” by “Gary Soto,”he goes through his life being jealous of kids that are happy or have good relationships and new clothes. The boy does not like the jacket his mother got him and does not appreciate it enough, even though it gets the job done.
“Out Symbols” In the novel, The Outsiders by S.E.Hinton, a boy named Ponyboy lives through hard times as a Greaser. Ponyboy learns a lot about life through the symbolism that is throughout this story. The main points that are used for symbolism is Hair, ‘Gold’, and Sunrises.
Perhaps the most significant myth in American culture is that of the American frontier generated by the European encounters with the American West. The most noticeable part of the frontier myth is the mythic struggle between modern civilization and wilderness. Frontier is defined as “the meeting point between savagery and civilization”. Turner believes that the American frontier is closely related to American civilization and that frontier
