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Taming Of The Shrew Quotes

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In William Shakespeare's The Taming of the Shrew the question of who is the real "shrew" is a subject of much debate. Throughout the play, the characters of Katherina and Bianca are portrayed as contrasting figures, with Katherina being described as the initial "shrew" and Bianca being seen as the sweet, submissive woman. As the play progresses, we see the switch between the two women as Katherina becomes more obedient and Bianca’s true colours are shown. At the beginning of the play, Katherina is depicted as a sharp-tongued, unruly woman who defies authority and engages in verbal battles with those around her. Her behaviour is exemplified when she strikes Petructchio, and he responds, "I swear I'll cuff you if you strike again" (2.1 222) …show more content…

However, as the play progresses, it becomes clear that Bianca also possesses a rebellious streak, as seen in lines such as, "Head and butt? An hasty-witted body Would say your head and butt were head and horn." (5.2 40–41). Despite her initial submissiveness, Bianca is shown to be a strong-willed character who is unafraid to stand up for herself, as seen in her rebuke of Lucentio such as, “Fie, what a foolish duty call you this?” (5.2 125). Bianca’s behaviour towards Lucentio at the end of the play can be seen as shrewish in several ways. One of the critical elements of this is her tendency to be manipulative and controlling, using her charm and beauty to get what her way. For example, this can be seen when Lucentio tries to woo her, “'Hic ibat' as I told you before- 'Simois' I am Lucentio- 'hic est' son unto Vincentio of Pisa- 'Sigeia tellus' disguised thus to get your love- 'Hic steterat' and that Lucentio that comes a-wooing- 'Priami' is my man Tranio- 'regia' bearing my port- 'celsa senis' that we might beguile the old pantaloon.” (3.1 31–36). Bianca replies, “Now let me see if I can construe it: 'Hic ibat Simois' I know you not- 'hic est Sigeia tellus' I trust you not- 'Hic steterat Priami' take heed he hear us not- 'regia' presume not- 'celsa senis' despair not.” (3.1 40–43). She tells him that even though she doesn’t know or trust him, he shouldn’t worry as she finds him more favourable than

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While Patrick is paid by Joey to take out Kat on a date so his is able to take out Bianca. The transformation of the characters is another similaty between Shakespeare’s play and the movie. In The Taming of the Shrew, Kate transforms from someone who rebels against all acts of conforming into an obedient and polite wife who respects her husband. In the movie Kat has a massive transformation in her views and behavior because of her experiences throughout the

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This becomes feasible by changing the characterizations of Kat and Bianca`s father. In The Taming of the Shrew Baptista Minola favours his younger girl, as Katherina thinks that Bianca is his “treasure” (II, i, 32) and this part is carried in the film as well as she assumes that her father, Walter, wants her to be more like Bianca. In the end the two sisters switch places as Bianca punches Joey, therefor, acting more like Kat than herself. WALTER

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In William Shakespeare’s The Taming of the Shrew, Katherina is abused. To begin, Katherina was crushed in The Taming of the Shrew. There are many examples of the abuse. Petruchio was being rude to Katherina.

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At Bianca’s Wedding party, when Petruchio bets with Hortensio and Lucentio on whose wife would obey them, Katherine is the only one who comes when called. She then condemns the other wives for their behavior: “I am ashamed that women are so simple / To offer war where they should kneel for peace: / Or seek for rule, supremacy and sway / When they are bound to serve, love, and obey” (Taming of the Shrew, V, ii, 171-174). Katherine conveys that a woman owes it to her husband to satisfy their demands and needs by being submissive and cooperative. This remark directly contrasts with Katherine’s previous behavior and illustrates how she now supports that women should disregard their individuality if it interferes with the well-being of their husbands.

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"(IV.i.78-88). In these lines Iago tells Othello that he will question Cassio about Desdemona, he tells Othello to watch from afar and pay attention to Cassio's facial expressions when he speaks of her. The reader knows Iago is actually asking Cassio about Bianca, however, Othello is too far away to hear what is actually being said and thinks Cassio is talking about Desdemona. This added to Othello's jealousy, making him more certain that his wife was cheating on him with

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Cynical, inconsiderate, rude, uncooperative, all words you may describe who Katherine was within the start of the play. She even said at one point, “No shame but mine: I must forsooth, be forced to give my hand, opposed against my heart” (Act III, scene II). She would have preferred to lose her limb, than to be claimed someone’s wife. She had an uncontrollable spirit, was a tad bit aggressive, no one knew what to do with her, and it got to that point where she was just know as “The Shrew”. Baptist announces that Katherine must marry before Bianca, since she was the eldest.

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She has 3 men who wish to marry her, she is by far one of the most powerful characters in the play. Bianca is the best example of how love changes people, and the power the one being loved recieves. Lucentio, a “scholar” halts his studies to win the heart of his new found love Bianca. Lucentio tells Tranio “But art thou not advis’d, he took some care to get her cunning schoolmasters to instruct her?”

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With regard to the play's plot, Bianca functions to call Cassio's credibility into question. Though Cassio is relatively respectful to Bianca, he doesn't take her seriously. Cassio laughs about how much the woman loves him, how desperate she is, and how easily beguiled she has been by his false intentions of marriage. Iago has also referred to her as a prostitute, "A house wife that by selling her desires, Buys herself bread and clothes"(IV.i.97). Shakespeare further elaborates their dismissive speech over Bianca to arouse Othello’s suspicion into conviction that Desdemona is having a love affair.

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The play that Sly watches makes up the main story of The Taming of the Shrew. In the Italian city of Padua, a rich young man named Lucentio arrives with his servants, Tranio and Biondello, to attend the local university. Lucentio is excited to begin his studies, but his priorities change when he sees Bianca, a beautiful, mild young woman with whom Lucentio instantly falls in love. There are two problems: first, Bianca already has two suitors, Gremio and Hortensio; second, Bianca’s father, a wealthy old man named Baptista Minola, has declared that no one may court Bianca until first her older sister, the vicious, ill-tempered Katherine, is married.

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