The Taming Of The Shrew
The Taming of the Shrew. One of Shakespeare’s most iconic and controversial plays. The story of an unruly, late 16th century woman Kate (characterised magnificently by Gloria Onitiri) navigating the questionable wooing techniques of Petrucio (played by Alex Gaumond)
This rendition of the classic play is instantly modernised by subtle humorous touches such as mainstream dance moves. The globe has also adapted the Shakespearian language and made it more understandable for the millennial generation. The star actress, Gloria Onitiri, represented a woman battling prejudice fantastically; showing the frustration and judgement she faced by standing for what she believed in.
Watching this play during International Women’s Month (March) makes me appreciate this production even more. The play tackles the topic of sexism head on and does not hold back in showing the ugly truth.
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However, despite its blandness, the stage was the perfect setting for the hectic yet perfectly orchestrated marriages, fights and dancing that occurred during the production. The actors moved fluidly through the set-up and the simplicity of the staging meant that there were never any stumbles or falters.
I was pleasantly surprised to discover that the entirety of the cast were gifted singers, which gave the play the subtle air of a musical. I was also pleasantly surprised to discover the simplicity of the storyline. I am no Shakespeare expert; yet I managed to follow and understand the play very well, appreciating the humour and the monologues.
Although I am aware that Shakespeare is the original writer of this play, I am still majorly impressed by the skill and witt of Gloria Onitiri (who played Kate). Her ending monologue was breath-taking to watch and left me in awe of this strong powerful woman who wore suits instead of dresses and did not submit to men; but challenged