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Affects of music
The impact of music on mood and emotions essay
Affects of music
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The Composer, which was a guest, of the concert was James Syler. Syler compositional interests were between orchestra, wind ensemble,
It started out as a jolly, syncopated tune that was played at a relatively fast tempo. The song was played at a mezzo forte, but went into a crescendo, then reached a chord. After the chord was hit, the violin had a solo, and played a variety of rhythms, tempos, and tones. Eventually a countermelody joined in and changed rhythms, tones, and dynamics throughout the violin’s solo. There were also several dissonant sections throughout the song.
Over the past weekend, I saw the West Suburban Symphony Orchestra. This orchestra included, Violin 17, Viola 8, Cello 7, Contrabass 5, Harp 1, Flute and Piccolo 3, Oboe 2, English Horn 1, Clarinet 2, Bass Clarinet 1, Saxophone 1, Bassoon 2, Contrabassoon 1, French Horn 5, Trumpet 3, Trombone 2, Bass Trombone 1, Tuba 1, and Percussion 5. There was also some vocalists including Soprano 14, Alto 15, Tenor 11, and Bass 8. The two pieces that were being performed were, Symphony No. 1 - Winter Dreams - by Pyotr Illyich Tchaikovsky, and Alexander Nevsky by Sergei Prokofiev. The performance was at the auditorium in Hinsdale Central High School.
Tchaikovsky’s Violin Concerto in D Major Op. 35 is a piece of music that has challenged me, but not in the way most would think. I first came across this piece of music while watching the film Le Concert, which primarily focused on an orchestra of misfits coming together to perform this piece. I fell in love with this lengthy work not only for the intricate melodic lines, great shifts in dynamics, and technical skill required, but also for the feelings the composer and violinist convey throughout the piece. I have a great admiration for those who perform it (my favorite rendition is Itzhak Perlman’s), but it has also challenged me to truly feel what I play.
Discuss the innovations in the music of Stravinsky’s ‘Russian Period’ with specific reference to The Rite of Spring and at least one other work. Igor Stravinsky, born in Russia 1882, is widely know as one of the most influential composer of the 20th century. Most notably, his composition The Rite of Spring is considered to be where his innovations in music come into perspective. I will discuss these innovations in detail using The Rite of Spring(The Rite) as a main reference and comparing it to some of his other works. Stravinsky’s compositions can be divided into three periods during his life; Russian Period, Neo-classicism and Post-war/Serialism.
This piece has three movements, Allegro moderato, Adagio di molto, and Allegro ma non tanto. This piece starts off with a slow and expressive solo by the soloist, Alexi Kenney. The change in dynamics, the use of vibrato, and other techniques enhanced his solo. The orchestra then plays with a homophonic texture with some tempo changes. A few fast solos and a few slow ones followed.
This is then followed by a sing-song like eight-note figure that features a pointed forward momentum. The rhythmic building blocks of the theme is constructed in two bar phrases which then sequences upward by step (Example 1). The accompaniment to the theme is sustained half notes played by the second violins, Violas, and Cellos The home key and the harmonic content of the exposition is also very clear in its presentation. The opening of the movement is in A major and remains primarily diatonic in its harmonic content, with only the occasional passing tone. The primary theme is played twice having a four-bar transition in between each quotation (Example 2).
Pyotr Ilyich Tchaikovsky once said that, “Inspiration is a guest that does not willingly visit the lazy”. Composing dozens of notable pieces, it is recognizable that Tchaikovsky was a man who poured his soul and life into his passion of music. The book, The World of Great Composers, states, “Pyotr Ilyich Tchaikovsky remains the most famous and most popular of all Russian composers. The fact alone is a distinction not easy to ignore, especially in view of the vicissitudes through which this composer’s music has passed in the half century and more since his death. There has been no one in music quite like him, and certainly there had been no music with so remarkable a history of fortune and misfortune” (The World of Great Composers).
It is fully orchestral the melody is conveyed with both hands at two octaves distance filled with tremolos all figuring a strings orchestra setting with first violins and cellos at the cantabile part and second violins and altos "filling
gentrification will bring huge benefits for senior homeowners and tenants both. The first is longtime homeowners will have the opportunity to sell the house at a higher price, or may increase the rent which they feel is right for the market. But many homeowners trying to keep the house as long as possible for the buyer price pressure. Next, there are many assumptions that gentrification is the main cause leading to the low-income people have to be relocated. But there is a strange thing according to statistics obtained from the economists, they did not find evidence that poor people left the area gentrification higher than poor people leave the area nongentrification.
There were many musical elements heard throughout these pieces and it was interesting to hear how they varied in each song and suite. In Intermezzo, it began with a quieter violin solo melody creating a monophonic texture. Soon after, it became accompanied by the other violins and cellos, then the full ensemble came in creating a moderate, flowing melody at about mezzo forte and switching to a polyphonic texture. Next, there was a harp solo at forte with many crescendos and decrescendos. The full ensemble enters again raising the dynamics to forte before decrescendoing and slowing down to end with a held note and final tone.
This orchestral composition is a skillful combination of these elements that makes this classical piece one of my favorites. The instrumentation
Mahler composed his Fifth Symphony in 1901 and 1902 and conducted the first performance in Cologne on October 18, 1904. Of all Mahler’s symphonies, this is the one most rooted in Viennese tradition. He stylistically swings every rhythm in the Viennese style, which is decidedly different from the German tradition. It is his first purely orchestral work since the First Symphony written in 1888 and his first orchestral work to dispense with both the human voice and programmatic elements. Mahler’s Fifth Symphony famously includes a love-poem and declaration of adoration for his wife Alma Schindler.
3-8 Romantic 1817-1827: The establishment of new forms and a personal style which was much more Romantic on paper and in feel. Symphony No. 9 7 Beethoven is known as the developer of the symphony. His extensive development of musical material, themes and motifs usually by modulation resulted in his works being very long and expressive. He also continued to expand the “development” section of his works, adding not only length but also substance.8 This essay will set out to discuss the aspects of the symphony that Beethoven developed with regards to: the programmatic aspects of his symphonies, which instruments he used/added to the symphony (instrumentation), the structure of the symphony, his use of forms and how he used his instruments (orchestration).
First of all, the piece is quite interesting as a prelude – an introductory piece of music as it start off with dynamic and vibrant sounds that include the whole ensemble. This piece is structured as a three-part or ternary form which consists of ABA’ form. The idea of this piece is mainly act as an introductory of a story because this piece is only an excerpt from a bigger orchestral performance. From what I have heard, the solo performance is mainly comprise of the woodwind instruments in part B that indicated the slight sign of relief and calmness. The piece has a lot of variation where the composer include different timbres and dynamics such as the high dynamic structure during the first and the last part with the associating crashes of cymbals.