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Theme of death in literature
Theme of death in literature
The theme of death used in literature
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Daddy had Mr. Heath, the carpenter, build a little mahogany coffin for him. But he didn't die, and when he was three months old, Mama and Daddy decided they might as well name him”(1 Hurst). Human do not like to be left in the dark, infact they are so scared from it they often lose control of what is actually going on. They feel as though everything must
Francis Nosike 09/24/16 AP Literature Mr. Amoroso Death cannot be explained because it’s not a living entity; it’s the transformation from a physical state to dust. In the novel Bless Me Ultima by Rudolfo Anaya; Antonio, the protagonist, witnessed three deaths that fostered his religious ambivalence. Therefore, the three deaths formulated a cycle of inquiries that lead to the constant statement, ‘anyone could die.’ No living soul on this plain could ever explain how death operates. The abstract conception of death itself is challenging, but with time, we slowly begin to comprehend the ‘true’ nature of death and what it brings to us.
In this story, there is the wealthy and poor type of people. One thing they do have in common though is death because everyone will eventually die. This short story, “The Masque of the Red Death” by Edgar Allan Poe, explains how Prince Prospero was trying to avoid a disease that is killing victims very quickly in a very disturbing way. Prince Prospero was one of those people, who wanted to live for eternity. The author’s intended theme was, “Death is unavoidable, no matter how hard you try to hide from it”.
A point often overlooked is the banality that businesses have a way of making individuals fearful. What kind of fear? There are a few types: Avoidant, Unknown, Suppressed, and Survival Mechanistic fear. As exemplified in "The Last Stop", "Death is a subject largely ignored by the living" (Cable 57), and when walking by a mortuary "More than a few people avert their eyes" (Cable 57) thus implying Unknown and Avoidant fear.
But nobody knows what’s going on inside the preparation room, all they see is their deceased relative, good as new, when they walk by the open casket during the funeral. Mitford depicts the American funeral industry’s manipulation of death throughout the essay with either blatant or thinly-veiled verbal irony. In the last paragraph, Mitford states that the funeral director has put on a “well-oiled performance" where "the concept of death played no part whatsoever”, unless providing it was “inconsiderately mentioned” by the funeral conductors. This is extremely ironic because a funeral is supposed to revolved around death, and this makes us think about funerals and the embalmment process in a way that we usually don’t. These processes takes away the cruelty and brutality of death and make it seem trivial while making our deceased relatives life-like, with pink toned skin and a smile on their face, and death is not like that at all.
No matter the actions an individual experiences in a lifetime, the outcome remains the same. Death consumes the soul and leaves not a trace, but a few carcasses. In Aldous Huxley’s 20th century novel Brave New World, Huxley uses imagery to reveal the somber end, which all humans come to; therefore people must appreciate their present ways of life before the end. Huxley describes the morbid scenery between civilization and the savages: “And at its foot, here and there, a mosaic of white bones, a still unrotted carcase dark on the tawny ground…” (Huxley 105).
In “The Murder Traveller” poet William Cullen Bryant employs a variety of literary devices such as juxtaposition, imagery, and tone to create an eerie atmosphere, with the continual thought being that life goes on with or without you. The poet begins by using imagery to create a cynical tone that makes the reader feel unimportant. By using strong imagery of how beautiful nature is even after a person has died, shows the death of the traveler didn 't affect anything around it. The nature continues to grow, people 's lives continue, and the world goes on. The contrast between the imagery of the beauty of nature with the bluntness of a dead traveler, creates this sense of unimportance, “And many a vernal blossom sprung, And nodded careless
Many fantasize when and how will die and so, Carver’s writing of Chekhov helped imagine what his might be like. The story uses “good death” to stabilize the idea of human imagination. “Errand” uses imagination
As a result, Atwood criticizes this death drive by imbuing her society’s tenants, culture, and interpersonal relationships with this sense of inevitable self-destruction. Regarding the compounds, Atwood foreshadows a
Regardless how unique and unparalleled individuals throughout society may seem, there is one inevitable commonality that all of humanity must encounter: death. Don DeLillo presents the inevitability of death through the Gladney family in his post-modern novel White Noise. Through the journey and characterization of protagonist Jack Gladney, readers are capable of recognizing how uncomfortable the subject of death truly is, as well as how individuals repress their fear of dying. However, DeLillo’s also focuses intensely on other aspects of American society, such as consumerism and humanity’s impact on nature, through his unique implementation of literary elements. Analyzing DeLillo’s White Noise through the Marxist, psychoanalytic, environmentalist,
Magical thinking is the anthropological idea that if one performs the right actions, or hopes enough for something, their desired outcome will happen. The concept of “magical thinking” is one of the central ideas discussed in Joan Didion’s memoir The Year of Magical Thinking. This memoir explores the grief experienced by the author after losing her husband of nearly forty years. In no way does Didion try to approach death poetically, but rather honestly and practically. She bravely discusses the universal, yet rarely talked about, aspects of death, such as self pity, regret, isolation, secretly going crazy, and the phenomenon she describes as “magical thinking.”
In her novel, "Sula," Toni Morrison addresses a wide range of topics. In any case, one of the subjects that truly snatched my consideration was the topic of death. The demeanor of the characters and the group toward death is extremely surprising and existential. Passing imprints the end of the life of a man. In, "Sula," this can happen through disorder or mischances.
Omega Point examines the way people relate to violence and how they contemplate death. Rather than greater understanding, of the kind of sublime moment that the philosopher who coined the term viewed it as, DeLillo’s omega point is a hard end, but also a kind of sublime protection. Every fate Elster contemplates, seems worse than actual death though Elster is understandably frightened of how he will move from alive to not. Jessie seems to embrace death as a protective space, too, though the manner of her death works against DeLillo’s thematic work although some might say that suicide is terrible violence, too. Robert Frost said there were no beginnings and no ends – just “middles.”
Gabriel Garcia Marquez’s “Death constant beyond love” is not my favorite read because I think it is quite strange to combine politics with the spiritual matters such as love and death. However, from my interpretation, I think Marquez did well in provoking readers’ thinking about death, as well as critizing the dark side of political. Death puts pressure on living persons, sends a negative impulse to people’s mind. Ignoring the political background, I think Senator Onesimo Sanchez is not a bad person.
In “Because I Could Not Stop For Death”, Emily Dickinson uses imagery and symbols to establish the cycle of life and uses examples to establish the inevitability of death. This poem describes the speaker’s journey to the afterlife with death. Dickinson uses distinct images, such as a sunset, the horses’ heads, and the carriage ride to establish the cycle of life after death. Dickinson artfully uses symbols such as a child, a field of grain, and a sunset to establish the cycle of life and its different stages. Dickinson utilizes the example of the busyness of the speaker and the death of the sun to establish the inevitability of death.