Hugh Gallagher wrote an essay or parody where he states that he does all this things. Gallagher did not take this college essay serious, Yet he took a risk just by sending this to an actual college where they probably thought he was just making fun of himself thinking he was funny. Gallagher would be a good candidate for a MOOC because he is a dynamic person. Gallagher is a dynamic person because everything he wrote in his essay shows he is a dynamic person, even though he doesn't do any of the things he wrote saying he did. For example in his essay he states, “often seen scaling walls and crushing ice..”
In this case, one motif that stuck out to me in the film was the repetitive nature of low angle shots. For a film that came out in 1941, the cinematography and camera work are incredible and very thoughtful. To capture the low angle shots, the camera would be
Jason Pollock is a Film director, author, and founder of Boom Content. His inventive work has been highlighted in publications such as the New York Times, Variety, and numerous others as a result of his ingenuity and desire for the truth to be revealed. He is a great illustration of ethos since his work is credible and reliable. He was named as being among the top 140 most important individuals on Twitter in a New York Times article and on the list of 100 Persons to Follow by PC Magazine. Although this film may be seen as any other, Pollock is known to use the rhetorical triangle.
The documentary displays how a Texas established creator named Tim Jenison tried to unravel one of the extreme secrecies in art. The documentary explains that how Tim Vermeer accomplished so much by painting a scene so good that it looked like an actual photo 150 years before they invented photography. Tim Jenison arranged a simple research to test the idea that he had in mind. He does not know how to paint but in a few hours he
" Film & History (03603695), vol. 39, no. 2, Fall2009,
From the cinematic techniques to the plot line, the film incorporates many elements of the style of film. Despite being set in an older period of time and adapting the elements of the spaghetti westerns, it appeals largely to the modern audience due to the certain things which capture their attention. Director Jocelyn Moorhouse
Many films of the silent movie era are melodramas, which was a term used back then purely as a descriptive word to describe a movie and not a ‘negative’ term the way we use the term today. Chaplin’s film is a melodrama that invokes the emotions of his audience. Some elements of melodrama are present in Chaplin’s film The Gold Rush, the characteristics of a melodrama aid in analysing how melodramatic a silent movie is. An element of melodrama is, a situation - an occurring conflict in the film created by the screenwriter to evoke an intense emotional response from the viewers.
Buster Keaton uses creative approaches using the body, landscape, and the face that qualifies The General as one of the greatest films in American history. As Cohen writes, “Keaton is a uniquely self-reflexive figure in silent film because he associates his character’s acquisition of physical mastery with the capabilities of his medium;
S. Porter in 1920, and serves as a perfect illustration for Gunning’s examples on Aesthetic of astonishment. This movie retells what happened during that period of time, when movie is first introduced. The naive reactions of early audience are shown here when people were shown clips of movies with no narrative-- purely “cinema of attraction” where the film main function is to attract audience as an attraction without narrative. Uncle Josh is a representative of how the audience should not have reacted; his reactions to the clips are exaggerated, but clearly demonstrate how early cinema audiences reacted to films when they first watched them. The beginning of the film is showing uncle Josh watching Parisian Dance, a dancing
Additionally, both films also have a creepy and sadistic vibe to them, as shown in the spooky music in
Over the fifteen weeks of the first semester of film school, we were taught many interesting types and styles of early world cinema which were extremely informative and influenced the filmmaking style of the whole class and made us better filmmakers instantly. One such ‘ism’ which inspired me the most was German Expressionism which is a unique characteristic of Weimar Cinema. In this essay I am going to talk about the history of this ‘ism’, its impact on cinema, some significant works and how it inspired me and influenced my filmmaking style. German Expressionism is one of the earliest artistic genres to influence filmmaking, and one that ostensibly prepared for some other cutting edge artistic styles and techniques. It is an artistic genre
This news story is about a young woman that decided to create a twitter hash tag that is called “Shout Your Abortion”. The purpose of this hash tag was for women to speak out about their abortions because of the pandemonium with Planned Parenthood clinic right now, which is stated in the article that “Congress investigates Planned Parenthood and debates cutting off its funding because of undercover videos showing officials of the group’s discussing providing fetal tissue for research” (Lewin). Not many women speak out about their abortions because some people associate it with murder. It’s thought that if more women that have had abortions speak out it may shine a different light on the negativity abortion is made out to be so funding for Planned Parenthood won’t stop and abortion will stay legal.
When one compares two monsters such as a zombie and a vampire it is easy to see the differences between them. Zombies and vampires have more differences than they do similarities. With one being a walking corpse only seeking the consumption of flesh, and the other being a blood sucking un-dead creature with some human qualities. These monsters also represent specific fears that people have, and in return make the people of today so much more drawn to these movies. People like things they can relate to, and people can easily relate to a zombie.
Laborer’s Love (1922), a silent film made by Chinese cinema pioneers Zhang Shichuan and Zheng Zhengqiu, is said to be “the earliest complete extant Chinese film” (Zhang, 90). Despite the film’s numerous similarities to Harold Lloyd 's Never Weaken (1921), Zhang Zhen argues in her writing that Laborer’s Love was ultimately a product of the “nascent…urban culture” and “confluence of discourses and practices of shadow-play” in Shanghai during the 1910s-1920s (100). Zhang Yingjin reiterates this notion, highlighting that since it “was a transitional moment in Chinese films, the producers threw in pieces grabbed from various sources”, resulting in “a mixture of disparate, sometimes contradictory elements” within Laborer’s Love (25). This response
This movie detained the top position for the fifty years until it cut down to succeeding following Vertigo (1958). The movie “Citizen Kane” is typically admired for its obscured plot, packed with the flashbacks that drag feet of the viewers towards the chronology of the life of the Kane, its astonishing performances; its spectacular technical stunts and aerial tricks and its deep-concentrated photography. A small range of if any among the technical possessions are completely unique to the Kane, although Orson Welles and his crew’s masterly use of the so many of them in single movie has built the “Citizen Kane” and weight on almost the whole things that came later than. (bj_kuehl,
