After reading “Body Ritual Among the Nacirema” I believe the Nacirema are the Americans. First Nacirema is American spelled backwards. I also think it is America because it said “North American group living… Little is known of their origin, al- though tradition states that they came from the east.”
Introduction This paper will analyze and compare the Egyptian Standing Figure of Osiris with Egyptian Mummy Coffin of Pedusiri, visual elements of Ancient and Medieval Art and Architecture works from the collection of the Milwaukee Art Museum. By comparing and contrasting these two works, we will be able to see the salient parts of each of them more clearly and can better understand the relationship between their periods, cultures, or artists. This comparison will also reveal how these two cultures view the human anatomy and human spirit in different ways.
Moreover, the Kanishka’s depiction of the Buddha on a gold coin shows how culture is influenced by the teachings of Buddhism (Doc 7). He was heavily influenced by the religion and was encouraged by the principles to make it spread throughout the country. The architectural form of Buddhism offers a view of its teachings these structures and
This element is the quality of the skin that is shown surrounding the mouth and on the neck of Akhenaten. The portrait almost irreverently portrays the aging of Akhenaten. This is a surprising compositional choice, particularly given the precedence of depicting the king in former years at the peak of human fitness and youth. Indeed, the whole face displays a drooping quality that is hard to find a likeness to in other
These pieces are highlighted with natural light by a clever system of mirrors. The museum sits on a 15 acre lot, surrounded by gardens and natural beauty. The Approach One of the first things that I noticed was the impressive gardens
Versailles has shown how history and art can mesh together to for an amazing combination. From the Treaty of Versailles to the green grasses of the lawn in Versailles, Versailles is architectural astonishment. To image seeing a piece of art so outstanding for only 24 dollars. The cost is unimaginable compared to the beauty and history that engulf Versailles. The kings were also a part of the history by adding variation and new sections almost every year to grow Versailles into what it is today.
Rituals are a part of what makes a society. In order to understand someone of a different sociological background you must think outside of the box. Culture is typically based on rituals in which culture defines its reality and acceptable behavior and chooses its authorities. Rituals are typically described as what you do on a regular basis, which is repeated for a long period of time.
Horace Miner, a American Anthropologist wrote an academic essay titled “Body Ritual Among the Nacirema.” In this article Miner described some of the bizarre rituals and practices of the “Nacirema” which the reader comes to find out that he is talking about North Americans. The way Miner goes into detail about how these people live makes them seem foreign. Thus making the norm for an American lifestyle seem odd because the certain type of lingo Miner uses to make this “tribe” more exotic then the actually are. His point in doing this is to show the reader how obnoxious anthropologist can be when they are explain a different culture.
Egypt 's Old Kingdom (Dynasties 3–6, ca. 2649–2150 B.C.) was a standout amongst the most element time frames in the improvement of Egyptian workmanship. Amid this period, craftsmen figured out how to express their way of life 's perspective, making interestingly pictures and structures that persevered for eras. Planners and bricklayers aced the methods important to construct stupendous structures in stone. Artists made the most punctual pictures of people and the primary lifesize statues in wood, copper, and stone. They consummated the specialty of cutting many-sided alleviation beautification and, through sharp perception of the common world, delivered definite pictures of creatures, plants, and even scenes, recording the crucial
Annually, millions of people travel to northern France to view the grand and pompous Baroque style of the Palace of Versailles’s Hall of Mirrors. Built in 1698 during the reign of Louis XIV, the Palace of Versailles stood for over 100 years as “the primary residence of the kings of France and the seat of the government,” and in 1979, the Palace of Versailles and its gardens were decreed a World Heritage site by the UNESCO. An examination of the Palace’s Hall of Mirrors will reveal a dramatic use of light, symmetry, large-scale frescoes, a shell for painting, sculpture, and stucco, and an opulent use of rich color and accessories common to a French Baroque-style interior. Louis XII (r. 1610 - 1643) used the initial residence as a hunting lodge and retreat for his family, and in 1624, he commissioned Jacques Lemercier to build a chateau on the site, which remains as “the exterior façade overlooking the Marble Court.” From 1661 to 1710, Louis XIV oversaw the residential transformation of the majestic complex surrounded by gardens.
Versailles and Forbidden City represent the difference of traditional cultures and art between the East and the West. Versailles has a elegant U-shaped main building in the center and a royal court with diverse plants. Inspired by the architecture of baroque Italian villas, but executed in the French classical style, the garden front and wings were encased in white cut ashlar stone that called enveloppe. The inner palace for royal family living is decorated with minors and luxurious lights. Sculptures and paintings are displayed in every corner.
Ceremony and rituals have played a vital and essential role in Native American culture for a long time. Often referred to as “religion,” most Native Americans did not think their spirituality, ceremonies, and rituals as “religion,” the same way that Christians do. Instead, their beliefs and practices form an integral and seamless part of their being. Like other aboriginal people around the world, their beliefs were heavily influenced by their ways of getting food, – from hunting to agriculture. They also did ceremonies and rituals that gave power to conquer the difficulties of life, as wells as events and milestones, such as puberty, marriage, and death.
The head of an Oba was created by artists within the city and only through the permission of their current Oba (king). No one artist is given credit for its creation , so we only know that this piece comes from the Benin culture , made through lost wax bronzing, and is from the 16th century. The head is made in the honor of an Oba who has passed by his successor. The head of an Oba is a commemorative head somewhat the metal cousin to busts of roman culture.
All roofs have flowing lines and elegant cornices, each corner of the roof has a number of statues, depending on how many people live there or, depending on the destination, only the number 9 is not touch, as is the number of the Emperor but the main problem figurines represent the evolution of the nails or something similar to the stability of the cornice in windy weather. The architect came up with a universal form, on the one hand to create a mythical atmosphere, on the other practicality and functionality, it is their practical role in ancient Chinese architecture. ( Beijing Attraction – Forbidden City – Beijing Palace Museum. Tai Yan Zhang .2012) Now let 's look at the structure and aesthetic qualities of forms of the Forbidden City,individually.
Ashurnasirpal II and the Winged Deity Stone Panel in Bas-relief, Ashurnasirpal II and a Winged Deity (9th century B.C.E.) once lined the inner walls of the Northwest Palace of King Ashurnasirpal II at Nimrud. Located, on the Tigris River in northern Iraq, Nimrud was the capital of Assyria during Ashurnasirpal II’s reign. The bas-relief, consisting of five panels, conveys the power of kingship by portraying Ashurnasirpal II’s importance and visually communicates the message of Ashurnasirpal II’s and Assyria’s dedication to the deities. The relief demonstrates the king’s supreme power and dedication to gods through its stylistic features and by depicting him in the company of supernatural figures and showing offerings made to the gods. To begin with, the bas-relief represents king’s power through its visual characteristics.
