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The architecture, design and construction of versailles palace paragh
The architecture, design and construction of versailles palace paragh
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The war also finically crippled France for years. This document suggested heavily that trade and owning land with bountiful resources was essential not only that but something that the Europeans not only desired but understood greatly.
He also had extravagance sculptures showing how high and special he was. Finally, he ordered the building of the Versailles Palace. Louis XIV brought in the finest architectures and transformed the
He had many wars that he fought in order to increase his land. He grew the country the France with these wars. By growing the land that France owned he increased his power by increasing the amount of people he ruled over, and also gained the respect of the people making it easier for him to be an absolute
The years 1750-1900 are better known as the Revolution Era. During this time period, there were several revolutions that occurred throughout the developing world. Two of the main revolutions were the French Revolution and the Latin American Revolution. Both revolutions followed the anatomy of a revolution and had comparable causes, however the French Revolution politically better outcomes, whereas the Latin American Revolution resulted in poverty and lost territory.
In doing so, all powers partook in an economic competition, turned rivalry. European countries such as France and The Netherlands began to embark on their exploitation of resources. For example, France’s Indochina became a valuable economic possession in the 1880s. According to Jules Ferry, French colonialism in Vietnam must be justified by the fact that “the law of supply and demand, freedom of trade, the effects of speculation...reaches to the ends of the earth” . The French saw that Vietnam had great potential to support a capitalist economy.
The Unicorn Tapestries are the mystery of woven artworks from the Middle Ages; the researchers are trying to discover exactly who is the artist who designed them and their true origin. These tapestries from the late fifteenth century are the most famous and came to public attention in the mid-nineteenth century. They were housed in the castle in the city of Boussac from 1660 to 1835 and in the last year the contents of the castle were sold to the city by the last descendant of the Carbonnieres family. In 1883, the tapestries made their way to the Cluny museum in Paris, where they are officially installed and attracted many visitors over the years. However, the exact place of origin and the identity of the artist is yet to be confirmed.
A. In the second half of the fifteenth century the monarchies of France, England, and Spain began searching for new opportunities to expand and stabilize their countries. A faster trade route to Asia and a share in the African gold trade fueled these countries interests outside their borders and to parts of the world that had yet to be discovered by the Europeans. B. Three reasons why Europeans believed in and desired imperialist growth.
Within the period of 1750 to 1914, changes were taking place around the world. New empires and nations began growing and expanding their territory, and as a result of these actions, wars, bankruptcy, and rebellions became more common. An example is the American Revolution, in which the American colonists, who were influenced by new philosophies and the sense of nationalism, fought and gained their independence from Britain. This revolution eventually inspired others throughout the world as it was successful in gaining the colonies independence from a powerful European empire. Those revolutions include the Haitian and French Revolution.
Versailles and Forbidden City represent the difference of traditional cultures and art between the East and the West. Versailles has a elegant U-shaped main building in the center and a royal court with diverse plants. Inspired by the architecture of baroque Italian villas, but executed in the French classical style, the garden front and wings were encased in white cut ashlar stone that called enveloppe. The inner palace for royal family living is decorated with minors and luxurious lights. Sculptures and paintings are displayed in every corner.
1. Relive a Bygone Era of Design When you purchase and refurbish antique marble mantels and fireplaces, you can relive design features of a bygone era. Often floral details and figurines were part of these elements in settings that have long been discarded by stonemasons in order to modernise
Mark’s Square. This palace had predominantly Byzantine-Venetian architectural inspirations. Political changes and expansion in 1297 also led to the major modifications of the Doge Palace that we see in Venice today, except the Piazzeta’s façade that was completed with the construction of the Porta della Carta by Giovanni and Bartolomeo Bon. In 1483 Antonio Rizzo was commissioned to repair the damages caused by a violent fire that broke out on the canal-side of the palace that housed the Doge’s apartments. This was the introduction of the Renaissance architectural influence.
Was the French Revolution preventable? This is a question that is fascinating to think about. What could have been done differently to prevent this revolution that cost countless people their lives? Why were others willing to give their lives, for what cause? Why was life so turbulent?
Louis XIV built the Palace of Versailles to demonstrate power and control, Peter the Great built St. Petersburg, “window to the west” to show control of nobility of the city. They both were determined to make their buildings last to prove their ruling would go down in history. Versailles was for luxury and entertainment through gambling, most that is still present today through parties and concerts. St. Petersburg was used for social gatherings for men and women, forced to socialize 3 times a week and to have rituals often. The famous buildings built by Louis XIV and Peter the Great are similar because of their success by making sure everyone got together as a
By conquering more land he expanded France’s resources and
Although Carlos Fourth hardly used the palace, he was responsible for entrusting Juan de Villanueva with the restoration, from 1806 to 1809, of the Royal Chapel and the House of Crafts, damaged by a fire. Ferdinand VII refurbished the palace, in this case with furniture and clear empire inspiration. He was the last monarch who habituated him regularly and he also owes the systematization of the garden and the construction of the small bridge that connects the royal apartments around the Patio de los Austrias with the
