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More handpicked essays just for you.
Art & music in the baroque period
Baroque art essays
The architecture, design and construction of versailles palace
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Absolute monarchs centralize their absolute power. Louis XIV and Peter the Great are exceptional examples of an absolute monarch. Louis ruled in France from 1638 – 1715 and Peter ruled in Russia, but he was not liked by many people. They both had all four characteristics of an absolute monarch. Louis centralized his power by keeping nobles busy with court life, he increased revenue by supporting the arts and literature and reformed taxation with the help of Jean Baptiste Colbert.
The reign of France’s Louis XIV (1638-1718), known as the Sun King, lasted for 72 years, longer than that of any other known European sovereign. In that time, he transformed the monarchy, ushered in a golden age of art and literature, presided over a dazzling royal court at Versailles, annexed key territories and established his country as the dominant European
The debt of King Louis XIV was very troublesome. It caused his once powerful and rich kingdom, to plummet. The article Memoir of the Reign of Louis XIV, by the Duke of Saint – Simon: Louis de Rouvry, states, “He wished to reign by himself. His jealousy on this point unceasingly became weakness . . . He liked nobody to be in any way superior to him.”
In the 1500s and the 1600s the feudal system was beginning to fall. Different countries were trying new different types of governments instead of the dysfunctional feudal system. The feudal system consisted of many different nobles ruling over their own land. It was not a uniform system of ruling over the country. There were small city-states run by a singular ruler.
Versailles and Forbidden City represent the difference of traditional cultures and art between the East and the West. Versailles has a elegant U-shaped main building in the center and a royal court with diverse plants. Inspired by the architecture of baroque Italian villas, but executed in the French classical style, the garden front and wings were encased in white cut ashlar stone that called enveloppe. The inner palace for royal family living is decorated with minors and luxurious lights. Sculptures and paintings are displayed in every corner.
In their colonial stay of fewer than 100 years in old Saigon, the French left behind a rich architectural heritage reflecting shifting trends from the Second Empire and Third Republic to, even later, art deco and Le Corbusier. With high ceilings and fans, louvered doors and windows, the colonial buildings were ideally suited to Vietnam’s muggy climate. By the 1930s, the French had developed a unique Indo-Chinese architecture, fusing Western and Asian elements, a style reflected in the Vietnam History Museum and the botanical gardens. They also created broad, tree-lined boulevards and dense, walkable side
”The emperor's palace is in the center of the city where the two great streets meet. It is enclosed by a wall of two feet high, and twenty feet distance from the buildings. I had his majesty's permission to step over this wall; and, the space being so wide between that and the palace. The outward court is a square of forty feet, and includes two other courts: in the inmost are the royal apartments, which I was very desirous to see, but found it extremely difficult; for the great gates, from one square into another, were but eighteen inches high, and seven inches wide the throne was all colored purple and black with the king standing at the back of the room. He and Gulliver made eye
Historians of three centuries have both defended and ridiculed King Louis XIV's controversial reign. Many people have hailed him as a great king; mighty as the sun he took for his emblem. Being "great” as a king entails putting people before personal ambition, taking only necessary military action, achieving big things for his country, and instilling a sense of national pride in the people he rules. Louis the XIV did indeed instill national pride but his other faults negate his claim to "greatness”.
During the 1600s and 1700s a new type of monarch emerged known as an absolute ruler. Some of these rulers were Louis XIV, the Fredericks of Prussia, and Peter the Great. These rulers believed that a monarch had a divine right to rule and should only listen to God. All these rulers had characteristics that defined them as absolutists. Louis XIV was constantly at war during his reign which resulted in a powerful army.
Louis XIV built the Palace of Versailles to demonstrate power and control, Peter the Great built St. Petersburg, “window to the west” to show control of nobility of the city. They both were determined to make their buildings last to prove their ruling would go down in history. Versailles was for luxury and entertainment through gambling, most that is still present today through parties and concerts. St. Petersburg was used for social gatherings for men and women, forced to socialize 3 times a week and to have rituals often. The famous buildings built by Louis XIV and Peter the Great are similar because of their success by making sure everyone got together as a
From this relatively minor action the control and power of Louis XIV is immediately brought to a forefront by Félibien, as it is written that is was on the word of the king alone that the entire event commenced. The narration of the period between the grand opening and the first spectacle describes elements of the sheer opulence of Louis XIV, which serve as the first exemplification of the power he wishes to portray – the section contains the first mention of water fountains, a feature which serves as a symbol of perhaps the ultimate triumph of Louis, as the feat of simply supplying enough water to sustain such numerable displays is not only an exhibition of the power of the king’s will, but also serves as an exhibition of Louis’ power over nature. In both Félibien’s account and the engravings of Le Pautre the exuberance of the scene of the collation is brought to life, a scene which is set in an arena which physically embodies the triumph of Louis over nature as the physical structure of the space is formed from the twisting and moulding of branches and flowers into a star-shaped enclosure. The choice of Louis to create this star-shaped space is the first acknowledgement of his
Most buildings were completed before World War I, with involvement by French administrators and Thai designers and architects. French influence can be seen in the formal gardens which enhance the palace, and there are some European-style buildings on the grounds. Now Royal Palace is a home to His Majesty Preah Bat Samdech Preah Sihamoni, King of Cambodia. The pagoda was originally constructed of wood in 1892 during the rule of King Norodom, who was apparently inspired by Bangkok’s Wat Phra Keo, and was rebuilt in 1962.
TITLE Vaux-le-Vicomte – Where Magical Beauty Meets The Turbulent History LEAD PARAGRAPH Uniqueness of the château Vaux-le-Vicomte lies in the fact that its style and beauty had inspired the creation of the much more famous Versailles, the favourite residence of Louis XIV, the Sun King. Unlike Versailles, however, Vaux-le-Vicomte’s turbulent history reveals a great deal of treachery and misfortune brought to its owners and, especially, its creator. In its case, the statement that “great beauty comes only with the great price” couldn’t be truer. PARAGRAPHS Vaux-le-Vicomte’s history in a few words The creator of this magnificent chateau was Nicolas Fouquet, Louis XIV’s Superintendent of Finances, who was a great patron of art.