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The Character's Perception Of Reality

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Stories take advantage of a vague definition of reality and lend themselves to multiple interpretations. At first glance, a story may be confusing, but new meanings can be revealed as it is read again. A pervading idea in such stories is: one’s actions are a result of their perceived truths. In order to explicate, the protagonist’s actions as a consequence of their beliefs authors, throughout their stories, portray an ambiguous dichotomy between reality and the character’s perception of reality.
Without a definitive sense of truth, it can be difficult to determine whether one’s actions are justified. “Paradise Lost”, beginning in medias res, places Satan in the abyss after the war. Underestimating God’s true powers, Satan managed to convince …show more content…

He ensues to get out of the lake and decides upon the course of action he, along with his companions, will take. “Both glorying to have scap’t the Stygian floods As Gods, and by thir own recover’d strength” (Milton 239-241). Satan believes he had gotten out of the lake by his own power. This is important because it will allow him to continue thinking he has the strength to oppose God, thus resulting in his plan to wage an eternal war against God. However, Satan remains oblivious to the idea, he is able to leave the lake because God allows him to. “Chain’d on the burning Lake, nor ever thence Had ris’n or heav’d his head, but that the will And high permission of all-ruling Heaven” (Milton 210-212). This extent of God’s power is not in the realm of reality for …show more content…

Victor Frankenstein believes he is capable of surpassing his predecessors. He follows through, acting based on his perceptions, claiming, “more, far more, will I achieve: treading in the steps already marked, I will pioneer a new way, explore the unknown powers, and unfold to the world the deepest mysteries of creation” (Shelley 39). However in reality he should be wary of potential consequences of playing God. Frankenstein’s beliefs lead him to create the monster. This is another example supporting, one's actions are a result of their perceived

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In his introduction to ‘Paradise Lost’, Philip Pullman relates an anecdote in which a country squire listening to Milton’s poem being read aloud suddenly exclaims: ‘”By God! I know not what the outcome may be, but this Lucifer is a damned fine fellow, and I hope he may win!”’ (Milton, 2008, 1). It is this effect Roman Polanski aims for in The Ninth Gate by presenting the anti-Christ, another aspect of the unholy trinity, as heroic, and his means of achieving it the utilization of the model of the hero’s journey as formulated by Joseph Campbell. Whether or not we consider this aim achieved, such is the film’s subversive use of the hero’s journey, its tropes and its character archetypes, we may consider it in conversation with and critique of the model itself, be it Campbell’s original model or that further refined for writers by Christopher Vogler.

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Satan most effectively utilizes pathos in John Milton’s Paradise Lost in order to persuade his followers to fight against the forces of Heaven. When commenting on the fallen angels’ condition, Satan describes, “Fall'n Cherube, to be weak is miserable Doing or Suffering: but of this be sure, To do ought good never will be our task, But ever to do ill our sole delight,” (Milton ll. 157-160). Satan appeals to the “suffering” of his forces in Hell because of their weakness in not continuing to defy God.

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It is also important to see how “Paradise Lost” and the biblical allusion of Satan relates to the monster. The monster tells Victor that he should be his “Adam”, but soon realizes that Victor hates his creation. He now resembles Satan, the banished and horrifying creature. When readers see the monster as Satan, it brings the theme of isolation and how the monster scares Victor, which makes him feel more alone than ever. The monster is trying to impress Victor the whole story, so by him still receiving Victor’s disapproval devastated him.

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In “Paradise Lost” (By John Milton) Satan is an archangel that is punished for his thirst of forbidden knowledge,vanity, and arrogance. Like Satan, Victor tries to take over ‘God's’ role as creator and master of the universe. “The mind is its own place, and in itself it can make a heaven of hell, and a hell of heaven.” an excerpt of “Paradise Lost”.

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The character Victor Frankenstein is fueled by his ego and is a neglectful and abusive parental figure of the monster. His great ambition is to gain glory in the science world. The quotes “The world was to me a secret, which I desired to discover” (Shelley 26) and “In other studies you go as far as others have gone before you, but in a scientific pursuit there is continual food for discovery and wonder.” (Shelley 35) display his ambitious nature and his ego makes him have a great desire to break the laws of nature and become “Greater than nature will allow.” (Clemit

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Through the pursuit of knowledge, power, and ambition, characters such as Victor Frankenstein and the creature he creates become consumed by their desires, leading to moral corruption and tragic consequences. Shelley's novel serves as a cautionary tale, illustrating how unchecked greed can distort judgment, corrupt character, and ultimately lead to downfall. Victor Frankenstein's relentless pursuit of scientific knowledge exemplifies how greed can corrupt character and lead to devastating outcomes. Initially driven by noble intentions to unlock the secrets of life and conquer death, Victor's ambition blinds him to the ethical implications of his actions. He becomes consumed by his desire to achieve scientific glory, ignoring warnings about the dangers of playing God.

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At the end of chapter ten of the novel Frankenstein, the monster explains how he feels forsaken by society, which relates to Satan’s overall existence in the world. Throughout chapters 10-16 of Frankenstein, the author uses allusion to compare the similarities between the demon and his creator, to God and the real-life demon, Satan. In the biblical poem “Paradise Lost”, Satan loses a war against God the Creator and then seeks revenge. Satan, the real-life demon who lives quarantined in the depths of hell, journeys to Earth, where he manipulates his way to the Garden of Eden. Finding Adam and Eve in the garden, he instantly becomes jealous of them.

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Oftentimes people are too afraid of what people might think to show their full potential. This is not the case for Victor in Mary Shelley’s novel Frankenstein. In Frankenstein we see the journey of Victor and his creation as they separately get rejected and misunderstood by society. Mary Shelley’s Frankenstein supports Emerson’s ideas of self-reliance because Victor shows that fearless people can achieve greatness.

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Such passion is seen in Victor’s ‘noble intent’ to design a being that could contribute to society, but he had overextended himself, falling under the spell of playing ‘God,’ further digging his grave as he is blinded by glory. His creation – aptly called monstrous being due to its stature, appearance, and strength – proved to be more of a pure and intellectually disposed ‘child’ that moves throughout the novel as a mere oddity, given the short end of the stick in relation to a lack of familial figures within his life, especially that of parents. Clearly, Victor Frankenstein had sealed his fate: by playing God he was losing his humanity, ultimately becoming the manifestation of Mary Shelley’s hidden desires, deteriorating into The Lucifer Principle by which the author Howard Bloom notes social groups, not individuals, as the primary “unit of selection” in human psychological

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Nuclear power is a bad idea because it is not environmentally safe. These nuclear power plants are also a lot more expensive, there are cheaper ways. Nuclear power could cause a massive amount of deaths if not done right or under control. One reason is the Nuclear power activities that are involving the environment; mining, enrichment and generation.

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Within John Milton’s books “Paradise Lost” he creates Satan as the greater character over God. One who works through the individuals to create havoc. Satan is able to skew the minds of man to do what he wants with that individual and to counteract the word of God. A well known example was then Satan manipulated Eve to eat from the fruit of knowledge of Good and Evil. Though some critics may say that within Eve was Satan’s ultimate defeat others may say Satan’s evil soul is embedded in Adam and Eve, soon enough they are kicked from the palace of lush gardens, and everlasting life.

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Jesus was sent to reign in heaven, while Satan was sent to suffer in hell. First, in Paradise Lost, Satan is portrayed as having “obdurate pride.” Satan “[had] courage to never submit or yield.” He also believed that “to be weak is to be miserable.”

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As Louis L. Martz dictates in his piece titled, “Paradise Lost: The Realms of Light,” Satan’s descent into Hell, following banishment from Heaven, catalyzes the entrance of light and dark imagery into the novel. Satan, now barred from the, “happy Realms of Light,” recognizes his separation from his former alliance with the divine essence (qtd in Martz 72.) In his brief period of grief, Satan finds himself struggling towards the light that radiates from Heaven, signaling the presence of innate light still within the fallen being. However, this light soon becomes squandered when Satan finds it, “better to reign in Hell, than serve in Heaven,” (1.263) In his decision, the prevalence of darkness within Hell increases and eventually seeps into the secular realms created by God.

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To begin his mission, Milton devoted his first book of Paradise Lost to introduce Satan along with his falling angels in Hell attempting to plan a revenge on God. So, Satan is the central figure of book 1, a figure that Milton presents with plenty of epithets and with a magnificent energy and a personal pride. To what extent did Paradise Lost present Satan as a moral agent? Given the politics of the English revolution and restoration, how precisely should we interpret Satan’s language and policy in Hell? Did the spiritual poem reveal the 17th century religious beliefs or Milton’s ones?

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