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Theme Of Allusions In Frankenstein

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At the end of chapter ten of the novel Frankenstein, the monster explains how he feels forsaken by society, which relates to Satan’s overall existence in the world. Throughout chapters 10-16 of Frankenstein, the author uses allusion to compare the similarities between the demon and his creator, to God and the real-life demon, Satan. In the biblical poem “Paradise Lost”, Satan loses a war against God the Creator and then seeks revenge. Satan, the real-life demon who lives quarantined in the depths of hell, journeys to Earth, where he manipulates his way to the Garden of Eden. Finding Adam and Eve in the garden, he instantly becomes jealous of them. Eventually, he tricks them to eat the fruit from the forbidden tree, bringing sin and despair
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Cain and Abel are the sons of Adam and Eve. Cain, as a farmer, sacrifices some of his crops to God; however, he finds that God is far more interested in his brother Abel, offering him the best of his herd. In his anger and jealousy, Cain decides to kill his own brother. This story can resonate with readers and, therefore, is used as an allusion in other works.

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Though it is wise to doubt rhetoric and what is presented as fact, people are often convinced by both. Victor warns Walton against believing what the monster says, instead he encourages him to believe the appearance of the monster. The thoughts and feelings of the characters, when written in this style, allows the character to choose what they say they think about. This allows the reader to see how the characters want to present themselves. As one’s personality is more reflected in their thoughts than in their actions, and because one’s actions either did or did not happen, it is better to discern a person's sense of self by how they present what they think.

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The Enlightenment was a period in the 18th century that marked the push for self-discovery, growth and the recognition of rationalism. This period developed several influential thinkers, many of whom are celebrated today. Among these thinkers are Thomas Jefferson and Baron Montesquieu, two of the Enlightenment's most notable pioneers. The Enlightenment Movement brought forth thinkers throughout the world, and the environmental differences between Jefferson and Montesquieu shaped their crucial, but contrasting ideas. Although Thomas Jefferson and Baron Montesquieu were revolutionary philosophers with differentiating ideals, it is undeniable that when conjoined, their ideas are the foundation of our world today.

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Throughout Frankenstein, Shelley uses Victor to warn the reader of the dangers of aspiring to godliness, and the consequences one faces in the aftermath doing so, even going as far as to compare Victor to Satan, tempting the crew of Walton’s ship, in the book’s final pages. The Victor Shelley creates is very similar to the Satan created by Milton in his book, Paradise Lost, which explores the biblical tale of Adam and Eve. In Frankenstein, Victor speaks of his desire to create the Creature, saying, “I deemed it criminal to throw away in useless grief those talents that might be useful to my fellow-creatures.” (152). Shelley’s diction choices, such as the word “useless” exemplify Victor’s excessive hubris, portraying him as a man who creates his Creature for, in his mind, the good of society.

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I think the language that Frankenstein uses alludes to his creatures humanity. Frankenstein repeatedly calls him a murderer since Little Frank killed William. Something I wanted to point out is that animals/beasts do not murder. They kill (which in a way is different). The beasts and animal kill for either survival, protection, or for food.

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In Frankenstein, Mary Shelley employs allusions as mechanisms to underscore Victor Frankenstein’s complete failure as a creator to parent and nurture his creation. In a fit of anger and indignation, the monster responds to Victor Frankenstein attempt to absolve himself of the any responsibility towards the monster by asserting, “Remember that I am thy creature; I ought to be thy Adam, but I am rather the fallen angel, whom thou drivest from joy for no misdeed” (Shelley 81). Utilizing a forlorn allusion to a fallen angel, expelled from the Garden of Eden and thrown into the pits of hell, the monster describes a similar downfall with being mercilessly thrust away from human civilization and into the cold wilderness not by God, but a mere imitator

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In the novel Frankenstein, by Mary Shelley, Robert Walton is on a voyage to discover unexplored knowledge. While on this journey he finds Victor Frankenstein, who tells the reader of his own journey to discover the unknown. In this novel, Mary Shelley employs literary devices such as repetition, imagery, and rhetorical questions to provide meaning to the audience. For example, the author uses repetition to emphasize Elizabeth’s confidence. Expressing her frustration with the situation Elizabeth repeats, “But she was innocent.

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On page 57 of Frankenstein the story sets a a feeling of dread, shows a major use of motifs, and it helps characterize Victor. The story has a dreadful feeling when Victor sees his creation. This is where he connects the dots about his brother being murdered and the monster being in his home town. “What did he there? Could he be (I shuddered at the conception)

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A writer named Nikita Gill once said “When you see a monster next, always remember this. Do not fear the thing before you. Fear the thing that created it instead.” This quote can be related to the novel Frankenstein where instead of the actual creature being perceived as the monster, the person who created it deserves to be called one. Using the archetypal lens, Victor can be seen as the real monster in Mary Shelley’s Frankenstein from his cruel characteristics, continuous patterns of monstrosity, as well as symbols and themes involving nature.

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The presence of biblical ideas can be seen throughout the Mary Shelley's novel Frankenstein. Whether it be Victor Frankenstein acting as god as he creates life or the comparison of the creature to the fallen angel or devil, the bible has a strong partnership in the novel. In chapter nine of volume two, there is once again an allusion to The Bible as the creature embodies Adam, from the creation of man in genesis two. The creature can be seen asking Frankenstein for “a creature of another sex”(170) to “free [him] from the misery”(170) he feels from being so lonely. This request the creature is asking for from Frankenstein mirrors the same desire Adam had in the second story of creation in Genesis two.

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Would you hurt or abandon a baby? In the fictional novel Frankenstein, written by Mary Shelley the main character Victor Frankenstein believes that he can bring life to a body he makes from human parts. He does successfully create this creature but ends up being terrified and disgusted by it so he runs and abandons it. The creature then departs in solitude and later sets out for revenge against Victor for abandoning him. Shelley conveys the creature as a child learning about life using several different techniques in order for the audience to feel sympathy towards it.

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Frankenstein Literary Criticism Frankenstein, or the Modern Prometheus, is filled with motifs of Nature and companionship. During the Romantic period or movement, when the novel Frankenstein was written, nature was a huge part of romanticism. Nature was perceived as pure, peaceful, and almost motherly. As we read the novel through Victor Frankenstein 's perspective, we the readers can see how romanticized-nature is perceived as by those who find comfort in nature. This novel also contains, in addition to romantic elements, heavy-filled gothic scenes and descriptions.

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The use of allusions help the reader to interpret what the author is trying to convey. Within the novel, Mary Shelley, provides numerous references to the well-known narrative Paradise Lost. An example, is when ‘the monster’ talks about himself to Walton, the former saying “The fallen angel becomes a malignant devil. ”(Chapter 24, pg 221) This text refers to the character Satan or the devil in Paradise Lost, how he previously was an angel that had fallen from the heavens.

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