The Crucible And The Scarlet Letter
Compare&Contrast The movie “Just Ask My Children” and “The Crucible” are similar to each other in many ways. In “The Crucible’, the girls did not want to get in trouble for dancing in the forest and conjuring spirits so when it came to the courtroom they started blaming other people .
The times back then were terrible. The Crucible is a play written by Arthur Miller in 1953 about The Salem Witch Trials of 1692.McCarthyism was the “witch hunt” for the communist in 1953.the parallels between The Crucible and McCarthyism are naming names,lack of proof ,and reststance. The first reason they are parallel is because of naming names. Hollywood director Elia Kazan went in front of the HUAC twice. The first time he did not confess and names.
Niccolo Machiavelli once said, “If an injury has to be done to a man it should be so severe that his vengeance need not be feared.” The Scarlet Letter, by Nathaniel Hawthorne and The Crucible, by Arthur Miller, are set in the seventeenth century puritan New England. Adherence to puritan values is paramount, yet both protagonists commit grievous sins around which the plot revolves. The fall from grace, the subsequent consequences and the transformation of all the characters is uniform across both books. The metamorphosis of the protagonists is similar yet so distinct that it seems that Hawthorne and Miller are trying to convey the same message in different dialects of the same language.
Rod Serling, by creating the episode “The Monsters are Due on Maple Street”, Serling is trying to show an aspect of history like McCarthyism. During the episode, a lot is going on and it causes the residents to lose their sanity. The problem starts off small, and soon the whole situation is flipped from being about a power outage to blaming each other about who caused it. Lastly, the end of the show is total chaos. Much like McCarthyism which is making accusations to transform the established social order and treason without regards to evidence, the show represents that in a way that’s subtle.
Crucible Essay “She is one foot in Heaven now.” This quote is spoken by Elizabeth Proctor to John Proctor the morning of Rebecca Nurse, Martha Corey, and John Proctor’s hanging, at the beginning of Act Four. Elizabeth Proctor is the wife of John Proctor and is also pregnant. Rebecca Nurse and myself are parallel for three reasons both are dedicated to Christianity, considered to be reasonable, and studied to be very charitable.
In the Crucible, Arthur Miller develops a variety of characters who are extremely attentive about their status among their town, Salem. Like Abigail, John, and Giles, they exemplify how far they are willing to go in order to clear their name. Arthur’s play demonstrates how these set of characters attempt to seek justice, respectability, and worriness. One lie is all it takes to make the biggest error and once there is too much to pile up, people will figure it out and someone’s respect for a single person could be gone. Reputation and status will never be ignored and it’s true because judgement will always be present.
In the novels, The Scarlet Letter, by Nathaniel Hawthorne, and The Crucible, by Arthur Miller are similar in the fact that they are both small towns from Massachusetts. Their society is both the same in reaction to when a person commits a sin. All of the community members support the idea of how they punish the “criminals”. Such as in the adultery that was committed in both stories by characters, the people’s way in punishing these crimes was persecution.
In both The Scarlet letter and “The Crucible” The town's cruelty and respect for characters plays a major role in the way characters from both works make decisions and are motivated. Throughout the stories it is prevalent that reputations are a cause of good and bad choices, but the town also influences
The Crucible by Arthur Miller and Scarlet Letter by Nathaniel Hawthorne are two stories that are based on mass hysteria and public shaming. Both stories and their topics are what helped to shape America’s early identity. In The Crucible, the townsfolk accept and become active in the hysterical climate not only out of genuine religious piety but also because it gives them a chance to express repressed sentiments and to act on long-held grudges”. This shows that there is mass hysteria in the story based on the quotation and its explain why people have mass hysteria or why they do it. A group of teenage girls is discovered dancing naked in the woods by the town minister.
Lying comes naturally because it keeps telling others the truth knowing the relationship between two people may suffer. In The Crucible written in 1953 by Arthur Miller, characters are prone to lie not just to themselves, but also to their own friends. The Salem Witch Trials prosecuted around eighty people to death for suspecting them befriending the devil. Miller shows the major consequence for lying results in death. Characters in The Crucible lie in hopes of saving themselves from mass hysteria and the possibility of death.
Both Arthur Miller’s “The Crucible” and Harper Lee’s “To Kill A Mockingbird” are both books that present us with the theme of ‘men of conscience’. John Proctor and Atticus Finch, both fictional characters from the books, are considered to be ‘men of conscience’. A man of conscience is a man aware of the moral and ethical judgements he has a strong desire to do the right thing whenever possible. The life of these men is ruled by their desire to seek the truth and justice in the situations around them; these traits are displayed in both of the characters throughout both the novel and the play.
The threat of Communism and the Red Scare put fear of group mentality into many people during the late 1940-50s. The authors of 1984 and The Crucible used their respective works to comment on the social injustice going on in their own lives, which connects to injustice the exists throughout time anywhere in the world. Miller wrote his play, set in 1692, about Puritans and the Salem witch trials because he believed that, similar to his trial for HUAC in the 1950s, the trials in Salem were caused by false accusations and mass hysteria led by powerful individuals. In 1984, Orwell creates a world in the near future that shows group mentality and its threat to conform society with the government.
Our countless endeavors, whether wrong or right, tend to just how much someone values their self-worth. We humans are naturally built to muse upon how others think of us, and this is the basis for our self-conscious pursuit for our reputation and identity. No where is this more apparent in The Crucible. The play, The Crucible, is a homage to many themes, as it dives into the story of The Salem Witch Trial. Preserving one’s reputation is a theme exemplified heavily in the book, as almost every character struggles with their identity, which in turn, affects their decisions.
Shawn Jande Ms. Clancy American Literature B3 15 November 2015 The Crucible Analytical Essay Imagine, being accused of a crime you didn’t commit by your neighbors and friends out of jealousy, and desire. This is what many people in the town of Salem had to go through during the time of the Salem Witch Trials. People's motives such as: gaining and maintaining power, and aspirations for what other people had caused them to make irrational, and atrocious decisions. In The Crucible by Arthur Miller, desire and power drive characters to create chaos in the community.
Good afternoon teachers and fellow peers, In order to achieve their own personal and communal ambitions, figures in society manipulate and persuade people through events and situations to conform to their own political agenda. In the 1955 prescribed text, “The Crucible,” playwright Arthur Miller establishes the exploitative behaviour of characters through dramatised staging features. Similarly in the 1964 related text, “The Times They are A-Changin’,” Bob Dylan insights individual ambitions through musical and poetic devices. The shared ideas of the modernist era such as the significance of religion and political hegemony are investigated by both composers in their perspective texts.
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