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The Crucifixion: The Second Golden Age

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The end of the iconoclast controversy has come, and the beginning of the Macedonian dynasty and/or Second Golden Age has initiated. Therefore, the art of religious figures and holy images were making frequent reappearances. Most of these images were in mosaic form. Mosaics became a prime art form during the Byzantine times. They were made by implanting normal-sized, naturally colored stones, composed with opaque glass, into a soft cement or plaster. The material presented a great variety of diverse colors.
One of the prime mosaics of the Second Golden Age was the Crucifixion. This mosaic was present at Daphni, which is near Athens, Greece, in the Church of the Dormition. The image depicts Jesus Christ on the cross. Many viewers of the painting analyzed the details and …show more content…

The gestures of Virgin Mary and Saint John give them further purpose and reason to be portrayed in the image. In a way, the Justinian aspects highlight the interaction between all three figures and introduces a Classical-styled artistic theme of human interaction that can be felt by the viewers. Jesus’ head is bowed, body is slumped, and eyes are positioned downward. Initially, I thought he was just looking down at the skull but then I thought maybe Jesus is looking towards Virgin Mary and Saint John. As the son of Virgin Mary, who would care for her when He was gone? Hence, Jesus is putting trust in Saint John to care for His mother after He is crucified. The combination of the Classical human reaction, Justinian’s supple gestures, and reverse perspective conveys an emotion in the mosaic that differ from the actual biblical event. This unique interpretation of the crucifixion of Jesus Christ portrays Him as vulnerable, helpless, and concerned, instead of the original characteristics of strong-willed, powerful, wise, and willing the

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The painting’s size alone does wonders to draw viewers

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Russell Drysdale’s ‘The Crucifixion’ is closely related to his drought paintings collection, however there is a strong sense of unique religious perspective conveyed through this piece. The colour palette of deep reds and browns is used similar to his other works that depict the harshness and brutality of the Australian landscape. By implementing the idea of religion into this work, Drysdale has created a new meaning for the outback that describes the impact of white settlement on the environment. During the Second World War, he attempted to illustrate the horrors of warfare to evoke emotion and a sense of empathy in other Australian artists through the painting The Crucifixion. In this work Drysdale combined symbolism with the imagery of

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The di Credi's "Madonna and Child" (c. 1500) image is one of the earliest Florentine panel paints, known to have been produced with a paint medium that comprises of oil for color pigments. This method of painting, supposedly, appeared first in the northern painting in the first half of the 15th century which spread quickly until his time. This painting technique was first adopted in Italian who developed it up to the mark. Florentine type of depiction spread widely due to the painting. Its popularity among the masses can be understood by the fact that the image has been used by most religious foundation in expression of Jesus and His mother Marry during the child’s tender age (Gelfand, 2000).

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The medium executed in the canvas is oil paint. From the original location, the artist intends viewer to visual the painting in only one orientation. The painting is located directly in front of the viewer. This critique points the description, thorough analysis and viewers judgement of the artwork.

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And they compel one Simon a Cyrenian, who passed by, coming out of the country, the father of Alexander and Rufus, to bear his cross. And they bring him unto the place Golgotha, which is, being interpreted, The place of a skull." Luke 23:27-31 “And there followed him a great company of people, and of women, which also bewailed and lamented him. But Jesus turning unto them said, Daughters of Jerusalem, weep not for me, but weep for yourselves, and for your children.

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