Recommended: Fate in ancient greece essay
In the Iliad, Achilles is faced with two choices which he learned of through his mother, Thetis, which are kleos,”fame,” and nostos, “homecoming.” If Achilles decides to return home, he will lose his kleos, but will have more time at home and an unchallenging death. Though if he stays in Troy and fights his nostos will be lost, but he will obtain kleos. Achilles understands that living would be an extension of time, but that just time itself has no value. At first he chose nostos and after the shift in his anger towards Agamemnon he chose kleos.
Achilles vs Hektor The Iliad, an epic poem by Homer, takes place in the tenth year of the Trojan War. Recalling important events that take place bringing the war to an end the poem uses figurative language and literary devices to enhance its characters, presenting similarities and differences between how the characters handle specific situations and how they deal with the concept of masculinity. For example Homer uses the method of literary foils. A foil is a character that depicts traits that differ with the traits of another character. In The Iliad, Achilles and Hektor are foil characters.
The Odyssey is often cited as an epitome of the hero’s journey and the monomyth. The hero of the story, Odysseus is on a 10 year battle homeward from the Trojan War to see his wife and son again. With the help divine intervention, Odysseus is able to return home and save his wife from the evil suitors who have continuously tried to win her. One could easily argued that Odysseus is an exemplar of the hero, but there is another story: Odysseus is the opposite of a hero and is not worthy to be called such. He is the villain where the gods are the hero.
Achilles’ anger has lead to him committing cruel behavior; a large majority of the horrific violence within Homer’s story, comes from Achilles’ relentless rage. But is his rage truly without proper cause and justification? King Agamemnon forced Achilles’ to hand over his beloved Briseis to him, which caused Achilles to withdraw his men from the Achaean army. Achilles’ closest
Mythology is a collection of myths and stories belonging to a particular belief system or cultural tradition. Even though there are a variety of different myths taught around the world, Greek mythologies are more famously known for their fruitful stories and complex relationships. Greek mythologies mostly concern their gods and heroes such as; Hercules, Achilles, Theseus, and Perseus. Of the many Greek heroes, Jason is the most heroic due to the fact that although he is abandoned at a very young age, he is still able to survive, also he proves to Hera the goddess who hated heroes that he is worthy to be favoured by her, and he completes the impossible quest of the Golden Fleece. Jason is born in a very superior family, having a father who is the lawful king of Iolcus.
If Achilles was angry but not hospitable the scene would have played out much differently. When Achilles is angry but not hospitable, like in the original fight between him and Agamemnon which
Song of Achilles, written by Madeline Miller, delves into the intricate world of Patroclus, the son of the renowned king Menoitiades and simplistic mother who is deemed incapable of ruling due to her unsuitable characteristics. Menoitiades, often disparages and resents Patroclus for his weakness and alleged stupidity. Despite Patroclus’ young age, his father forces him to attend a gathering for suitors to determine who will bear king Tyndareus’ daughter, Helen, as wife. Following a collective oath to protect Helen, Menelaus is chosen as Helen’s suitor, leaving Menoitiades enraged.
It is so deeply rooted that it encompasses Achilles, becoming a characteristic of this great warrior, influencing his actions and chooses throughout the story, such as leaving the fighting and considering the idea to return to Pythia. The depth of Achilles rage and hatred is demonstrated through in his response to Agamemnon, concerning the gifts he offered as compensation for his wrongs, saying that “not if his gifts outnumbered all the grains of sand and dust in the earth, no not even then could Agamemnon bring my fighting spirit round” (9.470-472). The true rage of Achilles is extremely important to the entire story of The Iliad, as from Book One through Book Nine Achilles allows this rage to control his actions, causing him to Achilles remains absent from the fighting as well as causing him to pray to Zeus that Trojans may receive the upper hand in the fighting so that the Greeks may suffer for Agamemnon’s actions. Therefore, this profound rage is an extremely important aspect of The Iliad, as it ultimately effects not only Achilles actions but also course of the
Patroclus tries to persuade Achilles by telling him to “at least send him out, let him lead a troop of Myrmidons” so that he can “light the way for their army” (Homer 16.43-44). Patroclus expresses that he loves the Greeks too much to just sit around at the camp. He feels very emotional for his friend, so he wants to take his place and fight this war for him. Patroclus still has a mindset that “If the Trojans think” he is Achilles then “they’ll back off and give the Greeks some breathing space” (Homer 16.44-46). Patroclus believes his cleverness can outdo the Trojans in battle.
Not every single Trojan killed Patroclus, but he wants to kill each one all the
Heroism, tends to be difficult to define and remarkably ambiguous in literary works. In the Odyssey, however, Homer clearly defines a hero as a humble, determined, and loyal individual; thus, according to Homer, it is not enough to claim to be a hero, but it is also important to exhibit those qualities that Homer values as heroism. Odysseus, despite claiming heroism, upholds these traits inconsistently, as seen in his taunting of Polyphemus. In contrast, Telemachus, Odysseus’ overlooked son, dramatically grows up over the course of the epic and ultimately reveals his truly heroic qualities by the end of the poem. Thus, because Odysseus claims to be a hero, but fails to remain humble, determined, and loyal throughout the epic, he is not a hero.
If I return home to my dear fatherland / My glory is lost but my life will be long,” (Il. 9.325-328). Neither Achilles or Nicias are successful in staying out of battle, both getting dragged into fighting a war they don’t believe
Achilles only wishes to get revenge on Agamemnon, no matter the consequences for his
Achilles is maddened and appeals to his goddess mother saying, “If I am to die soon, shouldn’t I have what I want?” Feeling only sorrow for her son, Thetis requests Zeus to cause to Greeks to lose until Achilles fights again. Slowly the Greeks are pushed back farther and Agamemnon pleads with Achilles, offering Briseis back. Achilles declines due to his pride and the Trojans come close to burn the Greek ships. Even when a ship was burning, Achilles refused to fight and instead sends out Patroclus.
The interconnections exhibit at the Moma is truly breath taking. Upon entering the exhibit it can be a little overwhelming as there is so much going on. You have the giant room painted wall to wall ceiling to floor, along with miniature sculptures of visionary architecture. So many interesting pieces in the exhibit, but a couple of paintings really caught my eye one by Sanile Goje and another by Laurie Simmons. Laurie Simmons painting is titled the “Walking House” and Sandile Goje painting is titled “ The Meeting Of Two Cultures.” I was drawn to these two paintings mainly because of my love for history and social behavior.
