Recommended: The sense of touch essay
Throughout chapters 8 and 9 of Your Inner Fish, Neil Shubin discusses the relationship between humans and other organisms, specifically the connection regarding the sense of smell and vision. Fossils and the geological record are powerful sources of evidence about the past. By extracting DNA from a tissue of varying species, the history of any part of the body, such as smelling, can be deciphered. Similar to fish, amphibians, reptiles, mammals, and birds, the human’s sense of smell is housed in the skull. Like the other animals, there are one or more holes through which air is brought inside and a set of specialized tissues where chemicals in the air can interact with neurons.
In her article “The Attack,” Judith Miller describes the events leading to and of the 1984 Rajneeshee bioterror attack, which affected approximately one thousand individuals and a total of seven hundred and fifty one confirmed persons in the city The Dalles, Oregon. Miller’s story unfolds as she begins a few years prior to the attack: In Wasco County, 1981, not too far from The Dalles, Oregon a man named Rajneesh purchased a 64 thousand acre “Big Muddy Ranch,” which soon after became its own community. This area was initially intended to be a “Buddhafield,” an agricultural commune; however, soon after establishment followers of the ‘Bhagwan Shree’ created their own political leadership, enforcing rules and laws to the surrounding community
During the 36 hours in the cross-lives of a black police lieutenant, a Mexican locksmith, an Iranian family, a Métis television producer, a Korean smuggler, a young police recruit and two pickpockets, Crash tells the interlinked stories of United States citizens of different origins and social statuses that are both victims and guilty of racism. Their impulses are instinctive, sometimes dangerous and no one can guess their thoughts. Characters’ lives and backgrounds can be easily understood, but it is difficult to predict their behavior, for the reason that most of their decisions depend on accident. This movie is unpredictable since the stories are connected based on luck, serendipity, and coincidence, as the lives of the characters intersect.
The archetypal pattern that dominates The Hundred Secret Senses and structures the plot is the cycle of birth and death and rebirth, a pattern that is mirrored by the constant renewal in the natural world as winter gives way to spring and then summer, or the wet season succumbs to the dry months, year after year, century after century. Throughout the novel, birth and death are juxtaposed, linked in ways that suggest the clear relationship between the two events in Kwan’s stories as well as in the grand cycle of the universe. As a result of Jack Yee’s death, Kwan is ‘born’ into the Laguni family to become Olivia’s loyal sister and friend, as well as her guide to a previous life. Years before that, Buncake must die so that Kwan can return to life, ‘reborn’ in her friend’s body-again, so that eventually she can become a part of Olivia’s life. And a century earlier, before Kwan’s story begins, Yiban Johnson, born immediately after his mother’s suicide by hanging, grows to manhood and falls in love with Nelly Banner, only to lose her because Nunumu fails to realize how well Yiban can deduce Miss Banner’s thoughts.
In the book, Sensing World, Sensing Wisdom: The Cognitive Foundation of Biblical Metaphors, by Nicole L. Tilford –specifically in Chapter 3—the abstract metaphor that “perception is cognition,” is explored. According to Tilford, “cognition is seeing, cognition is hearing, or cognition is smelling,” and humans are able to describe their ways of thinking by their actions and experiences. Humans, being imaginative creatures, are capable of conjuring conflicting conceptualizations of experiences based on their sensory cognitive inputs. However, in situations where cognitive inputs or sensory experiences are absent, these perception/cognitive mechanisms are strained --and it becomes difficult to identify what is what. This passage of text from Zampanò reminds of this passage from Sensing World, Sensing Wisdom: The Cognitive Foundation of Biblical Metaphors, because it mirrors Tilford’s interpretation of subjective perception.
Also, actions are all we can observe, science isn’t developed enough so we can’t go inside your brain and see or hear your thoughts. We can only physically see your actions. So, to wrap
Touch is also used in The Great Gatsby when Daisy is feeling all the beautiful shirts that Gatsby has and is throwing all over the room. Nick says, “Before us shirts of sheer linen and thick silk and fine flannel…” (92). The feeling of these shirts can only be felt if the is familiar with these fabrics. These are very satisfying and soft fabrics and that can be expressed in this quote. Touch is another hard sense to get across to a reader because they have to be familiar with the
William Molyneux (1656-1698) was an Irish philosopher who ignited the debate regarding the interdependence of an individual’s senses. After his wife lost her sense of sight during their first year of marriage, Molyneux proposed the debatable concept by asking fellow philosopher and friend, John Locke, the following question: “Suppose a Man born blind, and now adult, and taught by his touch to distinguish between a Cube, and a Sphere of the same metal, and nighly of the same bigness, so as to tell, when he felt one and t’other, which is the Cube, which the Sphere. Suppose then the Cube and Sphere then placed on a Table, and the Blind Man to be made to see. Quære, Whether by his sight, before he touch’d them, he could now distinguish, and
Conclusion: The mind is substantively different from the body and indeed matter in general. Because in this conception the mind is substantively distinct from the body it becomes plausible for us to doubt the intuitive connection between mind and body. Indeed there are many aspects of the external world that do not appear to have minds and yet appear none the less real in spite of this for example mountains, sticks or lamps, given this we can begin to rationalize that perhaps minds can exist without bodies, and we only lack the capacity to perceive them.
Sensation and perception are two very different things, that when used together help our brains string together a reality. Sensation is the use of our physical stimuli such as our nose, eyes, ears, and touch. This is where our perception comes in to use these tools to select, organize, and interrupt this information. In the Ted Talk video he states “your perception is not always reality”, which can be a hard concept to grasp and raises a lot of questions. I know people come from all walks of life and backgrounds and have seen different things, and know different things to be true, but how differently do others see the world from me?
It all started when I was at a party with my best mate jack. Now I am living in a 60 dollar a week room with jack and getting high every day and night at home and wasting 300 dollars a day. My name is Dylan and I am going to tell you about my life over the last few years whilst being on the drug ICE. When I was 15 Jack
The RHI is an experimental procedure during which a participant is induced to experience a rubber limb as belonging to their own body as a result of the integration of multisensory information, demonstrating the plasticity of bodily representations (Botvinick, 1998; Tsakiris, 2010). It is typically induced when a seated participant has both hands on the table, one hand hidden from view with a rubber hand placed next to the hidden hand in the same orientation, with the hidden and rubber hand simultaneously stroked by the experimenter using paintbrushes (Botvinick, 1998; Tsakiris, 2010). The illusion is more likely to occur if the rubber hand is aligned with the real hand; is of a similar skin tone and handedness to the real hand and when synchronous brushing of the rubber and real hand occur (Botvinick, 1998; Tsakiris, 2005; Tsakiris,
The concept of receptiveness discussed helped one not give a
Indirect perception implies that it is not actually of the environment itself but a cognitive representation of the environment that we percieve, assembeled by and existing in the brain. It is by the process of construction in which our seneses consult memories of prior experience before delivering a visual interpretation of the visual world. It argues that there is no direct way to examine objects that is independent of our conception; that perception is
As said before, with perception we go to the ‘source’ and take our own conclusions of
