In a world where individualism is cherished, and everyone cares only for their sole interests, influence over people is admired, some even consider it an art of the spoken word. Oftentimes, people influence other people without wanting to. Unconsciously, they alter the thoughts of the influenced mind, creating a new, different person. Similarly, in the book The Picture of Dorian Grey, by Oscar Wilde, several characters fall prey to the art of influence. The protagonist, Dorian Grey, is influenced by several people during his lifetime, such as Lord Henry, a rich, upper class gentleman that introduces Dorian to hedonism, and Basil Hallward, an artist that is enchanted by Dorian’s appearance.
Dorian stabs Basil to death. The next day, he goes back upstairs to check the portrait, and with disgust, he realizes “that loathsome red dew that gleamed, wet and glistening, on one of the hands, as though the canvas had sweated blood” (Wilde 127). With every crime that Dorian Gray commits, the portrait shows what he did by shedding blood on his hands and showing lines of cruelty along the wrinkles in his face. Also, the portrait symbolized how the worldly influences tainted Dorian’s innocence, turning him into a corrupted monster. Going back to the beginning of the story again, Basil Hallward paints Dorian Gray, capturing “his finely curved scarlet lips, his frank blue
Although almost all of the epigrams in the preface of The Picture of Dorian Gray can be disproved to a certain degree by this particular painting, Wilde’s statement “No artist desires to prove, anything. Even things that are true can be proved” is particularly at odds with the message
The Picture of Dorian Gray which told about Dorian Gray, a young man on his twenties who insists to be forever young was written in 1890 by Oscar Wilde, an Irish writer born on October 16,
In the novel, The Picture of Dorian Gray, by Oscar Wilde, Dorian Gray is the main character along with Basil Hallword and Lord Henry. The novel is based off the legends of Foust and Narcissist, which give the book the themes of youthfulness, obsession with oneself, and good vs evil. When these themes are reveled, it displays the true characteristics of Dorian Gray along with the outstanding symbols in the novel. For example, the meaning of the portrait and the symbolism of the yellow book. This passage specifically displays foreshadowing into the novel, Basil’s obsession with Dorian, and the temptation that Henry brings to the novel.
In The Picture of Dorian Gray, Oscar Wilde shows the rapid decline and loss of Dorian’s pure soul. But, Dorian seeks to fill the void that has been created by his loss of innocence. After he loses his innocence, Dorian seeks to gain it back by using beauty. Throughout The Picture of Dorian Gray, Dorian becomes aware of the loss of his innocence and tries to gain it back by finding, keeping, and experiencing beautiful things while getting rid of anything unpleasing.
Relatively all authors are very fond of creating an underlying message to criticize society. Authors do this through social commentary. The book “The Picture of Dorian Gray” is no exception. The author, Oscar Wilde, criticizes the upper class through the consistent underlying idea that people are often deceived by one's beauty and are unable to understand the poison that fills the world is corrupting it. From the beginning of this book, the social commentary towards the upper class begins with the structure of the novel.
‘The Picture of Dorian Gray’ is the title of this book which wrote by a great author named Oscar Wilde. Oscar Wilde had writing many books based on his experiences and most of his genre is quite dark and mysterious, same as this book he wrote which contain gothic genre. I found this story had gothic genre because the storyteller, which is Oscar Wilde illustrating supernatural event in this story such as the Dorian’s wish seem like coming true as the portrait was the one that kept aging instead of Dorian Gray himself. Thus, the portrait has reflected as Dorian Gray’s soul and his personality grew darker and more evil as his life continued. This book that I read has quite artfully as it is like engaging me to keep reading more to know the
Understanding both Poe and Wilde’s narrative styles is extremely important in fully understanding the texts and the authors behind those texts, for example on one hand Poe throws the reader into an already finished story in ‘William Wilson’, while in The Picture of Dorian and Gray Wilde’s use of aestheticism is undeniable. However unusually for Wilde The Picture of Dorian Gray is also Gothic, this interesting departure from Wilde’s usual aesthetic style has been the subject of much debate and discussion among scholars, nonetheless for Sucur in The Picture of Dorian and Gray “the Gothic is dealt with from an aesthetic perspective”, (Sucur 2007, n.p.) yet the question still remains why would Wilde chose to depart from his successful formula of
In the book, The Picture of Dorian Gray by Oscar Wilde, Dorian can be seen as a modern day narcissus. The whole novel portrays characteristics from the Greek mythological story about Narcissus and his love for himself. Dorian and Narcissus can be seen in the same way, for they both have narcissistic personalities. Their personalities is what carry the plot throughout the two stories and have such an impact on what happens. The Picture of Dorian Gray and the tale of Narcissus both show the common plot of a young male being in love with himself, which in the end, results in the tragedy of the two stories.
As soon as Dorian enters in Chapter 2 of The Picture of Dorian Gray, Oscar Wildes’ one and only novel, its is evident that there will be a battle between who will have the most influence on his pure, untouched soul. Basil Hallward, a painter and worshipper of art is an optimist and sees only the good in even the wickedest of people, such as Lord Henry. Lord Henry is a charming, self-indulgent aristocrat that shapes and molds Dorian to lead a life devoted to pleasure. Both Basil and Lord Henry represent two important opposing forces in the novel, good and evil. The greatest struggle in The Picture of Dorian Gray is inside Dorian; he himself embodies both pure good and pure evil.
The genre of the novel is a terror, drama, psychology, humanitarianisms, romance and paranormal components. The Picture of Dorian Gray begins on a beautiful season day in Victorian-era England where Lord Henry Wotton, a determined man, is observing the sensitive artist Basil Hallward painting the painting of Dorian Gray, a handsome young man who is Basil 's ultimate inspiration. Though sitting for the painting, Dorian listens to Lord Henry adopting his hedonistic worldview and begins to think that beauty is the only aspect of life worth trying. This encourages Dorian to wish that the painted image of himself would age in his stead.
As years pass the picture ages like a real person would age, but it not only grows older, but uglier because of his actions. The picture is the mirror of Dorian 's soul, as he commits terrible actions the picture becomes
(Wilde 23). This conversation leads Dorian to wish that he will only age in the painting, and not in reality. Wilde creates a theme of superficiality as he shows through motifs and symbols how Dorian’s sinful and horrific inner beauty becomes excused as the characters of the novel primarily superficially values Dorian’s outer beauty. A main motif that helps Wilde illustrate the theme of superficiality is the colour white.
As the portrait significantly becomes more hideous, Dorian gradually loses his mind. The reader understands that what eventually leads Dorian to kill Basil Hallward, the only true friend he has, is the constant reminder of the evil found at the heart of Dorian’s nature, as represented by the portrait. In Dorian doing so, the reader realises that not only does Dorian kill Basil, he also kills his only chance of redemption of his soul. The reader realises that the statement that Dorian had expressed earlier in the story was the truth: “Yes, Basil could have saved him. But it was too late now.”
