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Female presentation of social class in the great gatsby
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Daniel Aguirre Ms. Tobias English III GT - 6th 12 January 2017 After analyzing both the movie and the novel, I have discovered similarities and differences. Ill try to compare and contrast the two since the movie does not depict the story exactly as how the novel does. Similarities There were still some similarities in the film that tied back to the book. One of the main ones is when Nick walks to Gatsby’s backyard and finds him standing at the edge of his dock reaching out to what was a green light.
Baz Luhrmann, Director of The Great Gatsby, demonstrates how the pursuit of an ideal may be promising, however, it can also easily lead to destruction, due to the course of action taken for achievement. This is significant since Gatsby was driven to the point of using dirty money in order to obtain wealth, which leads to Gatsby’s shaming, and ultimately, the death of others and of he himself. Luhrmann expresses emotion and awareness by using
Casandra Salazar Ms. Tobias English III GT 12 January 2017 The Great Gatsby After reading and watching The Great Gatsby, I gathered the dissemblance and alikeness in both the book and motion picture. As written in “The Great Gatsby”, the first example of similarity is that the book has the same theme to the “Roaring 20’s”. In the written book, Fitzgerald described the parties as huge and dramatic, where as in the movie, the directors did a fantastic job translating Fitzgerald’s words into a lavish visual spectacle of booze, sequins, and confetti.
The valley of ashes is a depressing place where no one would help them. The eyes of Dr. T.J. Eckleburg provide a sense that someone is watching the wealthy do wrong. Fitzgerald contributes to the thought that someone is watching over the people of the dead land. As introduced by Fitzgerald, “But his eyes, dimmed a little by many paintless days under sun and rain, brood on over the solemn dumping ground,”(24). As the eyes dim more everyday, they are still accounting everything that goes on beneath them.
Looks are deceiving when it comes to appearance versus reality. Things are not always as they appear to be in real life. To many human beings, wealth can be mistaken as happiness and happiness can be mistaken as wealth. People become obsessed with the idea that along with wealth brings carefree happiness. However, ironically this can lead to ones failure.
The Great Gatsby is an iconic piece of American literature encompassing the 1920s era in American history. This story was written in 1923 by F. Scott Fitzgerald and was later adapted into a movie in 1949, 1973, 2000, and then once again in 2013. In the 2000 version of the movie the plot line was very similar to the book with only a few major differences and a few discreet ones as well. The movie however, also followed the book very well and even used direct quotes from the book helping you to understand the point Fitzgerald was trying to make. Markowitz the director made many good decisions in this adaptation as well as a few costly mistakes that made the importance of the book and plot line of Fitzgerald’s book.
The Great Gatsby by F. Scott Fitzgerald introduces many concepts of self-created illusions. Desiring for the reality where everything is fake. love under an illusion is not true love, it can only be meaningful when the reality manages to accomplish it. Many moments were lost of oneself willing continuing to live in the past. Striving goodness, self-reflect of a shining mirror, brighter than the billboard sign of the 1920s.
In the text, The Great Gatsby, F. Scott Fitzgerald uses a wide range of literary techniques to convey a lack of spirituality, and immorality. Techniques such as characterisation, symbolism, and metaphors help to cement the ideas Fitzgerald explores. However, there are some features to this world that redeem it. Which are displayed through expert execution of techniques like characterisation, contrast, and repetition. The world of The Great Gatsby is home to many morally corrupt and spiritually empty characters however, the world itself is not a spiritual and moral wasteland.
The 1925 novel, The Great Gatsby, by F. Scott Fitzgerald is considered to be an American classic and is one of the most widely-read books in modern America. There have been several film versions of the novel, most recently a 2013 version that was directed by Baz Luhrmann. Although, both the book and the film effectively portrayed the energy of the 1920s, the characters in the book and the film were not so well-aligned. In particular, the characters in the novel are complex, well-rounded people, whereas the movie tends to paint many of the key characters as simplistic archetypes. Unlike Daisy’s nuanced character in the novel, Luhrmann portrays her as the helpless victim of the film.
Among the many of mediums , the most interesting topic I choose is the Film . I choose Film because its own does not take too much time to broadcast content with the audience , but a large number of either novels or comic book readers are willing to switch to watching the movie with the " version " of the film series . Also , film-based transitions will help the audience feel more clearly when watching it . The viewers will easily feel the tone , voice , and the mood of the actors by looking at their acting and the expression of their eyes . The three examples I choose include three of the books : Harry Potter , Tarzan , and The Great Gatsby .
The Great Gatsby Appearance vs Reality The Great Gatsby by F. Scott Fitzgerald is about how a man by the name of Jay Gatsby tries to win the heart of Daisy Buchanan, the woman he loves. The entirety of The Great Gatsby is told through the narrator, Nick Carraway. At first, Nick views the lifestyle of Jay Gatsby, Tom Buchanan and Daisy Buchanan in awe, but soon discovers that these people are not who they appear. Fitzgerald uses his characters and literary devices in The Great Gatsby to demonstrate the theme of appearance versus reality.
Arguably one of the most complex works of American Literature, The Great Gatsby by F. Scott Fitzgerald displays a satirical United States taking place in the early twenties in New York. The roaring twenties often portrayed a happy time immediately following World War 1 however, it gave off a false feeling of joy and many people were truly unhappy. Even though Nick Carraway shows a realistic image of himself, The Great Gatsby encompasses an illusion created in this time period and portrays this image through the atmosphere surrounding the actions of its characters; it ultimately shows a conflict against reality, identical to that to the early 20th century. The Great Gatsby shows the upper class and their habits, which involved: carelessness,
The entire plot of the movie “The Great Gatsby,” directed by Baz Luhrmann, is pretty much very accurate to the novel of the same name written by author F. Scott Fitzgerald. They both center around a man named Jay Gatsby who throws extravagant parties in hope that one day his love Daisy will wander in. Of course like all movies that are based off of books they all have their similarities and differences. Whether they be very small or very noticeable, sometimes even changing the entire story completely, they are still there. Sometimes the purpose of this could be that the director wants to add their own little twist to the story or it could be that they are going for a much deeper meaning or symbolism.
In the book The Great Gatsby written by F. Scott Fitzgerald, he uses a literary device called a flashback. He used the flashback to tell Mr. Jay Gatsby’s past story to the narrator Nick Carraway while they were at lunch. The flashback was not told by Mr. Gatsby himself but, by one of his and Nick’s friend Jordan Baker. The use of the flashback in the story provided answers to some of the questions in the book. Questions such as to why Mr. Gatsby throws elaborate parties and why he was suddenly interested in Mr. Nick Carraway.
Baz Luhrmann is known world wide for his eccentric and flamboyant film-making style. Luhrmann’s signature bright colours, fast-paced camera-cuts and zooms, and bold costumes are all key characteristics of his films and assist Luhrmann in putting forward the themes and motifs he regards as essential in each of his works. However, Luhrmann still receives much criticism for not staying true to the original source material of the stories he introduces to the big screen. One fails to realize the fact that, “Luhrmann’s films are not so much adaptations as re-imaginings” (Vogue Magazine) and through analysis of his various techniques, as well as his overall cinematic language in his films, “Strictly Ballroom” (1992), “Romeo + Juliet” (1996) and “The Great Gatsby”, one can see this clearly, through Luhrmann’s evolution as a director. Luhrmann makes his films his own from the start, the opening scenes of all three of these films implement post-modern techniques which instantly informs the audience that they are entering into Luhrmann’s
