The Great Gatsby: The Novel Or The Film?

Chapter2

The Novel or the Film?

Besides the decline of the American dream and the Coexistence of good and evil, do these films, The Great Gatsby and To Kill A Mocking Bird, have something else in common? They were novels first. While the films were wonderful, the question arises which case do I prefer? The Novel or the Film?

Transforming a novel into a screenplay is not simply an issue of pulling dialog from the pages of a book. In books, we frequently come to know characters best not through what they say, but rather through what they are thinking or what is said in regards to them in the portrayal. A storyteller mediates the significance of what we read through his or her perspective: a story about growing up examines much diversely on

This makes it impossible for the film to portray all the events in the novel. It is up to the director to pick and choose what should be included and omitted, and what is most important to the story. Not only may the decision be one that you don’t agree with, but by cutting out content, the film runs the risk of lacking substance, being less coherent, and affecting the development of characters and future events. Even the smallest moments in a novel, such as a look or a word, can add value to the narrative but are simply overlooked in the

The effects of the Great Depression are apparent in the opening chapter, when Harper Lee sets the scene: “Maycomb was an old town, but it was a tired old town when I first knew it… There was no hurry, for there was nowhere to go, nothing to buy and no money to buy it with, nothing to see outside the boundaries of Maycomb County. But it was a time of vague optimism for some of the people: Maycomb County had recently been told that it had nothing to fear but fear itself.” The economic crisis affected Maycomb down to its very bones, and reverberated throughout the novel.

Harper Lee had a greatness of capturing her readers’ imagination through words. No opening scene of the film can deliver these sensations without the words that evoke them. The novel permits us to be a part of nature and to be encountering what the characters are encountering. Powerful language is not just about striking depictions that transport us to the universe of the novel, it is additionally about portrayal. Portrayal permits us to comprehend the story by giving clarification, foundation data, permitting us into the character's brain, and being a different element that can offer us some assistance with understanding things that may not be known in the realm of the account. While film might neglect or clumsily attempt to show many-sided points of interest in character or plot improvement, narration can outline