As a woman in Japan at this time, Koharu 's social mobility is limited and she is stuck in the role of a prostitute until her ransom can be paid, but despite this, finds herself deeply invested in the impoverished Jihei and refuses to see any other prospective patrons. Complicating this already difficult situation is Jihei 's wife, Osan. Loyal to her irrational husband, Osan must mind not only her children and her husband 's shop, but also mind the stifling social constraints that dictate the manners of women, present at this time. Finally, there 's Mogamoen, flour miller and elder brother of Jihei. More responsible than his brother, Mogamoen ventures to help Jihei when he hears of his increasingly risky behavior in the pleasure quarters.
Both texts ‘The Handmaids Tale’ and ‘The Bloody Chamber’ were written during the second wave of feminism which centralised the issue of ownership over women’s sexuality and reproductive rights and as a result, the oral contraceptive was created. As powerfully stated by Ariel Levy, ‘If we are really going to be sexually liberated, we need to make room for a range of options as wide as the variety of human desire.’ Margaret Atwood and Angela Carter both celebrate female sexuality as empowering to challenge the constraints of social pressure on attitudes of women. Both writers aim to expose the impact of patriarchy as it represses female sexual desire and aim to control it thus challenge contemporary perspectives of women by revealing the oppression
The Abolitionists Growing up as a Christian I never could understand how people claimed to be saved or god’s servant but yet can discriminate against skin color. I was taught God is of love regardless of skin color, size or how the person looks. Such as Caucasians with African Americans and even so how could they attend church but yet have slave servants in their home? As shown in the documentary most of the film was a conflict about slavery and the few whites that was against it. Such as “Angelina Grimké” a Caucasians female Christian who despised slavery and watch her parents live with it with no moral or self-respected.
To begin, the foundation of every government’s power has always been fear. Governments depend on public fear to secure societal position. Tracing back to thousands of years ago, governments relied primarily on conquests. The research author Robert Higgs argues, “Losers who were not slain in the conquest itself had to endure the consequent rape and pillage and in the long term to acquiesce in the continuing payment of tribute to the insistent rulers.” In other words, Higgs’s point emphasizes that the government violently conquested lands and hence attacked people living there in the old times.
Conflict can be described as the struggle between two opposing forces, whether the forces being person vs person, person vs self or person vs society. Good examples of conflict can be found in almost any book. Margaret Atwood’s novel, the Handmaid’s Tale is a source of all three types of conflicts. The Handmaid’s Tale is about a society where females are given specific duties and are restricted from reading, writing, talking to others and looking at themselves in mirrors. The protagonist, Offred whom is also the narrator in the novel faces conflicts with herself, with other people, and the society that she lives in.
MIP Rough Draft The play “Hamlet” by William Shakespeare and the book, “The Handmaids Tale” by Margaret Atwood, both create a fall of power in society and this loss of leadership opens the door for corruption to take over. Both authors have created this instability in society and use the motifs: loss of power, religion, and relationships to explore characters’ innermost selves. This exploration of characters proves that one will submit to anything in order to obtain stability in a corrupt environment. Both Shakespeare and Margaret Atwood immediately pull the rug out beneath from the characters in their work, creating instability not only in the character’s mind but in the reader’s mind as well.
In the book A Handmaid’s Tale passivity is a common theme throughout Offred’s journey as a handmaid. In this context, passivity is allowing others to do things to you without complaining or pushing back to protect oneself and to keep oneself safe from harm or cruel treatment. There are several instances in which Offred is forced to be passive in order to please the people who have Offreds life in their hands. In the position that Offred is in as a handmaid, she is expected to do as her commander and the wife of her commander instructs her to do, and if she does not comply to these orders, no matter how unusual or unfair, she faces severe punishment or even death in the worst of cases. Just like Offred there are several other women who are forced to call Gilead home that must be passive in order to stay alive.
Symbolism can be defined as the use of symbols that an author uses to suggest more than the literal meaning of the object .Symbolism often allows the reader to understand the text better and connect with the story on a different level. In The Handmaid’s Tale, symbolism can be seen in various parts of the novel. One of the most common type of symbolism that can be identified in the text is through the use of colours. One of the most obvious symbols in the novel is the uniform that every Handmaid is supposed to wear.
Often, we see a society’s cultural values reflected in its citizens. For example, the United States values equality, a standard that is shared in all facets including gender. The opposite is true of Gilead, a fictional society in Emily Bronte’s The Handmaid’s Tale. The novel’s main character, Offred, is subjected to degrading treatment simply because she is a woman. It becomes apparent that this repeated degradation has affected the protagonist’s mind.
Film Comparisons: Same cinematography, Matured Purposes As you can see, once the director’s general objectives have been put side by side, it becomes clear that there is a relationship. The most apparent connection would obviously be the books because the plot lines are continuous and intertwine. However, it seems that their influence may artistically be overlooked and is interesting to see how the same cinematic element can be used for opposing purposes. The Prisoner of Azkaban vs. The Deathly Hallows: Part 1 As mentioned before, the main link between the third and seventh film is the focus on environment.
In Margaret Atwood’s novel, ‘The Handmaid’s Tale’, Moira is depicted as the symbol for resistance to authority and represents hope to the Handmaids. Atwood presents her as a polar opposite to Offred. She is independent, strong-willed, and outspoken. Conversely, the pair can be argued to be doubles in the fact that they both ‘resist’ to the oppressive Republic in Gilead.
12 Years A Slave Do you care about human rights? Do you feel like injustice, racism and oppression has been and still is a huge issue in America? And most importantly, do you care about the cruel and brutal history of slavery and the consequences it has had for the future generations of African Americans? If the answer is yes to all of the above, then it is an absolute necessity for you to watch the movie 12 Years A Slave!
In the film 12 Years a Slave the editor, Joe Walker, makes use of a couple of techniques and styles that adds to the film in its own way. Long shots – Joe kept the long shots as long as he thought was necessary to add to the subject matter and the feeling he wanted to bind with the story. At the end of the film there’s this extremely long shot where Solomon is practically staring at the camera for about a minute and a half. The timing of that shot is so perfect because it’s not too short so you don’t have enough time to think about what just happened or too much time to overthink the situation. Closer to the end of the shot he lets the sound fade slowly and rapidly gives you a wakeup call when the next shot starts off where Solomon and the rest of the slaves are busy working in the field.
Margaret Atwood has seamlessly woven a tapestry of feminist elements - mainly regarding gender oppression - within her works. With that, using two of Atwood’s texts, The Handmaid’s Tale and The Year of The Flood, as the foundation for our literary research, we will be focusing on the commodification of the female flesh in both similar dystopian contexts. Commodification refers to the action or process of treating an object, or a person, as a raw material or product that can be bought and sold, or even treated as an object of which sovereignty can be held over by one. In both works, women are victimized and treated as sexual beings whose bodies and physical expressions can be freely used by the men who have power over them against their will. The two texts illustrate how society brings about the oppression of women and this exacerbates the commodification of women.
In the 1980s, United States was experiencing the rise of conservatism. Under the presidency of Ronald Reagan, conservative religious groups were gaining popularity. In response to the social and political landscape, Canadian author Margaret Atwood published a fictional novel The Handmaid’s Tale in 1986; a genre of dystopian novels. The storyline projects an imaginary futuristic world where society lives under oppression and illusion of a utopian society maintained through totalitarian control. Dystopian novels often focus on current social government trends and show an exaggeration of what happens if the trends are taken too far.
