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The Handmaid's Tale And The Bloody Chamber Analysis

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Both texts ‘The Handmaids Tale’ and ‘The Bloody Chamber’ were written during the second wave of feminism which centralised the issue of ownership over women’s sexuality and reproductive rights and as a result, the oral contraceptive was created. As powerfully stated by Ariel Levy, ‘If we are really going to be sexually liberated, we need to make room for a range of options as wide as the variety of human desire.’ Margaret Atwood and Angela Carter both celebrate female sexuality as empowering to challenge the constraints of social pressure on attitudes of women. Both writers aim to expose the impact of patriarchy as it represses female sexual desire and aim to control it thus challenge contemporary perspectives of women by revealing the oppression …show more content…

This is suggested by Helen Simpson who stated that Carter centralises ‘latent content of fairy-tale’ is that women are objects of male desire hence patriarchal discourse establishes male supremacy to which Carter does this to challenge contemporary perspectives on the place of women by revealing the oppression that society inflicted. The Marquis is an overt example of male ownership of female bodies. Similarly, where Atwood exposes the harsh realities of oppressive patriarchy through the female body, Carter utilises the construct of the Marquis in the eponymous story ‘The Bloody Chamber’ as a grotesque embodiment of patriarchal control. In her essay ‘Visual Pleasure and Narrative Cinema’ Laura Mulvey coined the feminist term ‘male gaze.’ She argues that men are the audience and women are to embody the male perspective of women as objects of satisfaction. This is particularly apt when considering Carter’s use of gustatory imagery ironically depicting the Marquis as a ‘connoisseur’ and ‘gourmand’ which adds to his sadistic lifestyle and so symbolises control through stripping her with ease like ‘stripping leaves off an artichoke’ and resembling the pornographic image of ‘Rops…Reproof of Curiosity’ sexualising the image of women. Perhaps, Carter presented the Marquis as a ‘connoisseur’ recycling gender stereotypes; the men with their eyes set on women and the women being passive. In addition, she is always forced to wear a collar of rubies with the simile ‘red ribbon like the memory of a wound’ echoes the violent images of cut throats and the guillotine which ironically resembles the tragic end of the previous wives hence almost an invitation to

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Torture in Handmaid's Tale and Prisoner of Tehran In both novels, the display of the effects of torture on Marina and Offred is used by the authors to reveal that torture can be used, to an extent, to input fear in people in order to gain control. Both characters live in communities where torture is routinely used to punish people to ensure all citizens obey the rules. In the Handmaid's Tale, the Republic of Gilead scare the Handmaids by inputting the idea that they will be sent to the Colonies if they misbehave. They also remind all the citizens of the consequences by placing evidence of torture and execution on the Wall.

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Conflict can be described as the struggle between two opposing forces, whether the forces being person vs person, person vs self or person vs society. Good examples of conflict can be found in almost any book. Margaret Atwood’s novel, the Handmaid’s Tale is a source of all three types of conflicts. The Handmaid’s Tale is about a society where females are given specific duties and are restricted from reading, writing, talking to others and looking at themselves in mirrors. The protagonist, Offred whom is also the narrator in the novel faces conflicts with herself, with other people, and the society that she lives in.

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MIP Rough Draft The play “Hamlet” by William Shakespeare and the book, “The Handmaids Tale” by Margaret Atwood, both create a fall of power in society and this loss of leadership opens the door for corruption to take over. Both authors have created this instability in society and use the motifs: loss of power, religion, and relationships to explore characters’ innermost selves. This exploration of characters proves that one will submit to anything in order to obtain stability in a corrupt environment. Both Shakespeare and Margaret Atwood immediately pull the rug out beneath from the characters in their work, creating instability not only in the character’s mind but in the reader’s mind as well.

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Symbolism can be defined as the use of symbols that an author uses to suggest more than the literal meaning of the object .Symbolism often allows the reader to understand the text better and connect with the story on a different level. In The Handmaid’s Tale, symbolism can be seen in various parts of the novel. One of the most common type of symbolism that can be identified in the text is through the use of colours. One of the most obvious symbols in the novel is the uniform that every Handmaid is supposed to wear.

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In Margaret Atwood’s novel, ‘The Handmaid’s Tale’, Moira is depicted as the symbol for resistance to authority and represents hope to the Handmaids. Atwood presents her as a polar opposite to Offred. She is independent, strong-willed, and outspoken. Conversely, the pair can be argued to be doubles in the fact that they both ‘resist’ to the oppressive Republic in Gilead.

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“No woman can call herself free who does not control her own body”. When Margaret Sanger spoke these words, she was expressing her belief on a woman’s right to have an abortion. This quote, however, speaks to the fact that women are oppressed on more than just abortions. In the novel, The Handmaid’s Tale by Margaret Atwood, Atwood portrays the dehumanization of sexuality through both the characters and events within the novel, therefore proving that women will always be considered less than men will. Margaret Atwood was born in Ottawa, Ontario in 1939.

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Margaret Atwood’s novel, The Handmaid’s Tale (1985), presents several controversial yet realistic themes that can be linked to many social justice issues in today’s society. One central point that is highlighted throughout the novel is the objectification of women. In Atwoods novel women transition from normal citizens in society, to baby birthing machines. Women no longer acquire the respect, authority, freedom, and power that men have in the world of Gilead. This objectification that the handmaids are exposed to can be seen all throughout our environment, and there is no limit to where it can occur.

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Margaret Atwood has seamlessly woven a tapestry of feminist elements - mainly regarding gender oppression - within her works. With that, using two of Atwood’s texts, The Handmaid’s Tale and The Year of The Flood, as the foundation for our literary research, we will be focusing on the commodification of the female flesh in both similar dystopian contexts. Commodification refers to the action or process of treating an object, or a person, as a raw material or product that can be bought and sold, or even treated as an object of which sovereignty can be held over by one. In both works, women are victimized and treated as sexual beings whose bodies and physical expressions can be freely used by the men who have power over them against their will. The two texts illustrate how society brings about the oppression of women and this exacerbates the commodification of women.

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Imagine a nation in which its government commands by a religion where women are separated into different titles and must conceive children for their commander. Their rights from before this regime, and anything deemed unholy by the government, are a thing of the past. This situation is the one represent in the Republic of Gilead, where the rules of society and its traditions are not taken lightly if broken. In the novel The Handmaid’s Tale, Margaret Atwood shows that an oppressive government leads to the inevitable neglect and remiss of the rules through Offred’s characterization, irony, and flashbacks. Offred 's character development can show that her actions change .

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