Laura Mulvey Essays

In Laura Mulvey’s “Visual Pleasure and Narrative Cinema,” Mulvey creates a divide between the roles of male and female characters in narrative cinema. From the scopohiliac perspective, humans are naturally fascinated with getting pleasure from erotic forms, Mulvey considers cinema is representative of “women as image, man as bearer of the look” (1). The male gaze theory is used to describe the hypothesis that the audience of a film is made of primarily men and this leads to the objectification and

The objective point of view shows to the spectator what the filmmaker want them to see. Usually the shots are objective shots, because the subjective ones show us what the character is seeing. According to Mulvey, this kind of Hollywood film editing has a lot of power what comes to gender dynamics. Females are many times situated in a position where they are being looked at. One of the reasons is that often the main target for many Hollywood films are the

Laura Mulvey’s article Visual Pleasure and Narrative Cinema was published in 1975, has set out the concept of visual pleasure and explains it under a system looks in cinema. Her theory points out that men looked at women, men are the subjects of women, and to look at the object position; (women) accept their role of being looked at and creating visual pleasures for men as well as in the social reality. Her approaching is to use the same “political weapon” (“psychoanalytic theory”) that “the unconscious

Response Paper 2 In the article “Visual Pleasure and Narrative Cinema” Laura Mulvey argues that the pleasure produced by narrative cinema reproduces an unconscious patriarchal structure of sexual divisions. It does so by appealing to our pleasure in looking – scopophilia (Mulvey, “Visual Pleasure and Narrative Cinema”, p. 16) and to narcissistic primordial impulse to see our lives reflected in idealized ways that are in fact diliated, but important. She talks about emotions and how they work on us

Laura Mulvey is a feminist film theorist from Britain who is known for her essay on visual pleasures in narrative cinema. Being inspired by Sigmund Freud and Jacques Lacan’s ideology combined with psychoanalysis, Mulvey comes up with the ‘Male Gaze Theory regarding sexual objectification on women in the media. The male gaze is the way in which the visual arts and the literature portrays women and world from a masculine point of view presenting women as objects of male pleasure regardless of being

The Male Gaze and Objectification Theory In her highly influential essay, “Visual Pleasure and Narrative Cinema,” Laura Mulvey proposed the film theory, The Male Gaze. It refers to the way film is generally structured around a masculine viewer and how the feminine view is notably absent even when women view fellow women in film. Describing the tendency in visual culture to depict the world and women from a masculine point of view and in terms of men 's attitudes, she argues that “the most insidious

this week. Laura Mulvey’s theory that we are in a sense forced to watch movies through a male perspective as objects for their pleasure, was written at the height of the feminist movement, noted as the “Male Gaze,” ran prevalent throughout this movie. It is unfortunate that Mulvey, while taken seriously, as her writing still resonates today, was unable to change the ways in which the film industry still views women.The entertainment industry and advertising have only become worse. Mulvey, in a sense

In Laura Mulvey’s article, “Visual Pleasure and Narrative Cinema,” she writes about the relationship between voyeurism, cinema, and gender. She begins by describing the concept of scopophilia, which means to gain pleasure from looking. She writes that scopophilia is inherently active/masculine, and that pleasure is derived from looking at other people as mere objects. On the other hand, the passive/feminine is derived from the experience of being looked at (pg.188). Mulvey sees this binary relationship

Furthermore, according to Mulvey, when women are displayed on screen, they possess a quality called “to-be-looked-at-ness,” which means that a woman’s appearance on screen is constructed to be put on “visual display” and she is expected to“exhibit herself to our gaze.” Ultimately

to get more viewers. Sexuality, in women, became a necessary part to a music video which reflects each culture. Dreamworld, written and narrated by Sut Jhally, reflect the use and the representation of woman in music videos by man. First, for Laura Mulvey, “male gaze” is the pleasure of looking at women with their appearance related to an erotic impact. They are used as sexual object to fulfil man’s desires. Similarly, Dreamworld 3 shows women in music videos as a key for sexuality. Men are there

story forward. As the audience identifies with the male spectator in the film, they indulge in their perspective, giving that male control of what is perceived as an object, and in the case of a woman, how that woman is periodically portrayed. Laura Mulvey suggests that the female figure also has a deeper problem. “Her lack of a penis, implying a threat of castration and hence unpleasure.” The sexual difference between male and female is what makes the woman an icon, giving the male a gaze of something

realities of oppressive patriarchy through the female body, Carter utilises the construct of the Marquis in the eponymous story ‘The Bloody Chamber’ as a grotesque embodiment of patriarchal control. In her essay ‘Visual Pleasure and Narrative Cinema’ Laura Mulvey coined the feminist term ‘male gaze.’ She argues that men are the audience and women are to embody the male perspective of women as objects of satisfaction. This is particularly apt when considering Carter’s use of gustatory imagery ironically

Many girls dream of their knight in shining armor, a perfect wedding, and a happily ever after ending. Disney princesses give them hope to find love and happiness along with emphasizing their want for the beauty and grace princesses illustrate. Authors of “Cinderella and Princess Culture” and “The Princess Paradox,” Peggy Orenstein and James Poniewozik respectively, agree that most girls like princesses. However, these articles convey differing parental opinions on lessons girls learn from princesses

In Kathleen Karlyn’s third chapter of Unruly Girls, Unrepentant Mothers, she states how Girl World is ambivalent. Not only is Girl World unruly because the films place female desire as a focal point in the film, thereby validating the existence of female desire, while also being manufactured by the ideologies of patriarchal and postfeminist cultures with female power stopping at basic normative femininity. The film The Devil Wears Prada (2006) finds itself in agreement with both of these ideas. On

There are many ideas as to what makes a feminist icon. Samantha Brennan discusses about a childhood female character that represents feminism and a body-confident role model. In her article "Miss Piggy's Feminism, Redefining Human Relationships through Martial Arts" Brennan creates an educational diction through viewing how Miss Piggy from The Muppet Show has the potential to be a feminist icon. Writing with a proud and didactic tone throughout her article, she shows how Miss Piggy's character is

The representation of gender in mass communications has been a hugely debated topic for years and will continue to be one for many more years to come. The media plays a big role in how they want to portray a gender to the public. They create certain stereotypes through the role of a gender in order to attract a large audience and interest to sell a product, brand or image. Media is so important in today’s society, people spend hours and hours each day watching TV, browsing the Internet and reading

The oil painting “Temptation of Saint Hilarion” by Octave Tassaert was painted in 1857. When examining this art for the first time, the viewer is thrown into a world of color and emotion. As our eyes grow accustomed to the image, we start to understand the message behind the madness. In the next few paragraphs, we will analyze Tassaert work by looking in depth at the form, technique of the subject matter and the historical elements behind them. To begin, the art piece, “Temptation of Saint Hilarion”

What is the relationship between popular culture and high culture? In this essay I intend to explore the terms popular culture and high culture and I will also look at how the relationship between these two terms has become distorted and blurred over time. In order to reinforce what I am saying about popular and high culture I will

What makes people kill? Is it what people do or say? The author’s name is Roald Dahl. There are many similarities and differences between the “Lamb to the Slaughter” and “The Way Up to Heaven.” The lamb is the weapon that slaughters or kills the husband and the elevator is the highway that rides up to heaven or to death’s door. Roald Dahl intrigues readers with two distinct stories about murder that share similarities in various ways, revealing that things are not always what they seem. The stories

The movie “Bread and Roses” really gives the viewer a clear sign of what it is like being employed in a minimal paying job, while belonging to the lower class. It is sometimes effortless to discern the social economic status that an individual belongs to, based on their income, appearance, and sometimes even race. However, just because it may be easy to recognize, how it came about is a lot more difficult to explain. The occurrence of the events in the movie “Bread and Roses” can be explained by