Chapter 17 Assignment #2 (Ryan Cho) 17.2 Rococo, Neoclassicism, J.L. David, Classical Music, concerto, Bach, Handel, Haydn, Carnival. 1) Rococo. Although the Baroque and Neoclassical styles that had dominated the seventeenth century continued into the eighteenth century, by the 1730’s a new style known as Rococo began to influence and spread decoration and architecture all over Europe. Rococo art emphasized grace and gentle action. Rococo rejected strict geometrical patterns and had a fondness for curves, it liked to follow the wandering lines of natural objects, such as seashells and flowers.
Orazio Gentileschi, who was one of the Italian Baroque painters working in Rome at the time, was heavily influenced by Caravaggio in the 1600s. Gentileschi used “dramatic, unconventional gesture and monumental composition” (The Editors of Encyclopædia Britannica) in his paintings and his strong chiaroscuro shows off his abilities to create naturalistic figures in a dark space much like Caravaggio. The story of Judith is an example of a gruesome story painted with the intense detail and unsettling naturalism some artists at the time were practicing with. Gentileschi started Judith and her Maidservant with the Head of Holofernes in 1621 and by the time he finished four years later, his style had softened and returned to a more Mannerist style. This is highlighted in his most famous painting The Annunciation in 1623.
This painting is an accurate representation of Italian Mannerist style, and has all the characteristics that defines it as so. A very important characteristic that helps us define a Mannerist style piece is contextual ambiguity, what makes us feel uncertain of what is going on throughout the entire piece and what the objects scattered mean to
A new divide in art and religion occurred during the 17th century. The Reformation occurred and caused a major divide between Protestants and Catholics. In northern Europe, Protestantism took root, especially in the city of Amsterdam. In southern Europe, Catholicism stood fast, especially in Rome. In this paper I will argue that Amsterdam and Rome developed unique political and religious environments that created two different painting styles within the Baroque period.
Because the Medici family played a major role in Florentine Renaissance, it is difficult to fully understand the family’s relevance without having basic knowledge on Florence and the Renaissance. After the chaos in Europe that consisted of several factors including the Great Schism and the Bubonic Plague, European life was given a light and resurrection of culture and spirit in a period we now know was the Renaissance; to the Italians la Rinascita, Rebirth. Will Durant wrote in The Renaissance: The Story of Civilization V, “The sunshine of the Italian spirit would break through the northern mists; men and women would escape from the prison of medieval fear; they would worship beauty in all its forms, and fill the air with the joy of resurrection.
Some characteristics of Baroque music focused on the unity of mood, rhythm, dynamics and melodies. As for texture it consisted of being polyphonic with an emphasis on the highest and lowest melodies. Also the importance of bass and soprano and imitation were present. Word painting and symbolism kept making an appearance too. Chords and basso continuo were key elements to this period.
The Renaissance era was noted to be an era of discoveries, wealth and great fortune. Most of Italy’s cities became wealthy through trade accessed through waterways around the country. The wealth of these merchants clearly influenced as well as supported new artist, writers, and philosophers. Among these wealthy merchant families was the Medici Family, whose wealth was in banking. During the early period of Renaissance Era the Medici Family’s wealth/contributions and support establish them as one of the most influential patrons of the arts/literature and intellectual learning.
Although the two eras overlap, the Baroque era and the Enlightenment differ drastically from one another. Generally pictured and thought of as an artistic movement, the Baroque era eventually led to the Enlightenment, a more philosophical-based movement. In the Baroque era, people gained fame for their artistic talents. During the Enlightenment, people gained fame due to their scientific ideas and work.
As we know, the Romans liked to find different ways of expressing themselves. Whether it was from elaborate paintings, or timeless architecture, Rome made sure everyone knew they were proud of who they were and what they have accomplished. Being the excessive boasters that they were, the Romans wanted a way of not only displaying their riches and fortunes, but to also show their loyalty and gratitude to the great leaders who influenced their lives. Art was usually the answer; paintings and sculpture being the most popular. Learned mostly from the Etruscans and Greeks, sculpture did not reach a high point in Rome until the 1st and 2nd centuries (Kamm, n.d.).
This paper is aimed at expounding on how different messages were passed through the utilization of both Romantic and Baroque paintings. However, both Baroque and Romantic paintings
The Baroque period covers one hundred and fifty years from 1600 to 1750. Its characteristics tend to include, lavish, over the top, expensive and much more then necessary. The period is painted literally with architecture, paintings, clothing, food and much more that continuously begs people of today to ask ‘why?’. The use of frill and extravagance in art in this period has become less of a question of ‘why’ and more of a question ‘where is the extra?’, because this part in history is centered around adding extra ornamentation to everything. With such an over the top part in history, it would seem impossible to pick one piece that could embody every aspect of the Baroque Era but it is to be proven that one piece has such potential.
Baroque music is a style of western art music. It was followed after the Renaissance music and was followed in turn by classical music. It emerged in the seventeenth century as a shorthand notation for keyboardists who were accompanying a soloist or small ensemble performing a work originally composed for a larger group. Key composers of the Baroque music are Antonio Vivaldi, Johann Sebastian Bach, Henry Purcell, Arcangelo Corelli, Alessandro Scarlatti, Jean Philippe Rameau, Johann Pachelbel, George Frideric Handle, Claudio Monteverdi Domenico Scarlatti and many others.
The Baroque period on the other hand, spanning 150 years from the beginning of the 1600s to 1750, was divided into three parts: The Early Baroque period, The Middle Baroque period and The Late Baroque period. While these two eras start right after each other, there are a lot of differences between them, this shows how much music can evolve through time. There are many similarities and differences in characteristics between the two periods. They’re both very similar in texture, in that they’re both polyphonic. Although sometimes homophonic textures are also used in both eras.
1. INTRODUCTION 1.1 Background The Baroque was the period of artistic style and exaggerated motion. This Era was all about exuberance, drama and grandeur in all forms of art. The style began around 1600 in Rome, Italy and spread to most of Europe (Fargis1998, p.262).
Development of music history from Medieval period to Baroque Period Music exists in every known cultural group of the world and it is likely to have existed among the ancient ancestral communities. Music may have started in Africa, having existed for at least 55,000 years before evolving into an essential constituent of human life. Different people have different perspectives towards music. For instance, some may take music as jazz set, an orchestral symphony, an electronic beat or even a simple thing as the chirping of birds. Music has both positive and negative effect on humans and it depends on how it is applied.
