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The lady or the tiger?” by frank stockton assignment
The lady or the tiger?” by frank stockton assignment
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But it does not really sum up the enjoyable book by Esther Forbes. Without all the details and struggle between each chapter of the novel, the movie is not as
Dude, that’s like, So Meta By Meryl Juergens, Dramaturg/Assistant Director Adaptation can take us anywhere along the creative spectrum, from Brecht’s The Threepenny Opera to the quintessential early 2000’s film Ten Things I Hate About You. In the best instances, adaptation not only changes a story, but also builds it up for the better, bringing in new light to unexplored parts of the journey. This is exactly what Aaron Posner has done in writing his play, Stupid F*cking Bird- referred to as a “sort of” adaptation of Anton Chekhov’s The Seagull. You’ve probably heard of Chekhov, no matter where you stand in terms of theatre appreciation.
Overall the novel’s perspective differs from the film of how the actual story
There are many simularities and differences in the book and movie " The
In the end I found the film to be easier to understand vs the book as it was an easier and more straight forward plot line whereas in the book it seemed to jump around leading to constant flipping between stories and pages to get a better
It provides a profound window into one of the most incredible stories to ever be told. As a reader you feel like a silent member of the family as Jeanette describes the events in such vivid detail and emotion. The raw emotion you feel from the words on a page are amplified tenfold as the movie brings the novel alive. The brilliance from the movie shines in the director’s choice of cuts, shots and music selection. A problem that most books turned novel is that the director tries to make the movie their own as opposed to building the movie on the foundation the book has already provided.
I believe that the short film conveys the significant idea way more than the novel by focusing more
In the Heat of the Night It is quite common for award winning books to be transformed into a movie. Readers are sparked with excitement, only to be disappointed by the results. They do not find themselves being able to have the same experience the felt whilst reading the text. They are let down and not satisfied by what the movie produced for them. There are also times when people assume that these films will always be identical to its book version so they refrain from actually reading the book.
The 1997 award winning The Crucible, for the critic’s choice movie award for best supporting actress, was an outstanding written play and film. Out of the two alterations of The Crucible, David Hytner’s 1996 film version of The Crucible is by far the most accurate and best representation of Arthur Miller’s The Crucible. This is for many reasons such as the following; Daniel Day-Lewis did the best job at characterizing the character of John Proctor, the film version of The Crucible provides the audience with a more in depth image of the Puritans, and the film version reached a much wider array of viewers. Daniel Day-Lewis’s portrayal of John Proctor in David Hytner’s 1996 version of The Crucible provided more depth to this character than the original script, written by Arthur Miller. This is due to his glorified past.
The movie did have most of the characteristics in the short story correct with only a few differences therefore it is a good adaptation of the story. It’s understandable that the movie added more scenes because the director might have wanted it to be more interesting rather than just have it exactly like the short story. In addition, a cliffhanger in a movie that is not part of a series would be very annoying. Nevertheless, the short story is better than the movie because the reader can read the descriptions of certain characters and are able to hear their thoughts. For example, the story says, “June is a secretary in the high school Connie attended, and if that wasn’t bad enough, she was so plain and chunky and steady that Connie had to hear her praised all the time by her mother and her mother’s sisters” (Oates 324).
The story touches a bit on some of the philosophy of being human and what it would actually take to imitate a human perfectly. Some of the differences from the short story to the film are much similar to the ones mentioned with Jurassic park. Differences like this are found in timeline, and some of the big climaxes of small events that occur throughout the story. Let’s begin with a short summary
As for example when Sofia Harpo's wife is sent to prison for knocking out the mayor, in the book it is said to have happened the night she comes home with her new man. But in the movie Sofia lives with her family for a couple of weeks in town. Although it doesn’t drastically change the movie itself, but it changes other parts in the movie to where one can notice the out of placement given. Something else that is highly out of place is how in the book the reader is able to learn about Netties life as she writes to Celie, but in the movie we as reader never learn about Netties adult life until Celie finds her letters with Shug. Then later on Nettie comes home with her new family to reunite with Celie after thirty
Although according to Orgel “The film includes some minor departures from the text of the book,” (Orgel), it is still a fairly good adaption. When making a film that director most
In my opinion there are a lot of comparisons between the film and the book, but there are also differences between them too, but also they have impacted the audience in both the film and the
The Princess’s Choice Frank R. Stockton, the author of The Lady or The Tiger, wrote the story and left us questioning who might have been behind the door. The story is puzzling and mysterious all together. The story gives many evidences and hints to the princess’s decision. Some would say that the lady came out from behind the door, but there are several evidence that show that the princess chose the door with the tiger. First of all, if the princess chose the lady, she would be in so much pain to see her lover and the lady together.