On November 27th, 2006, Chris Ware’s illustrations of the two thanksgiving gatherings appeared on the cover of the New Yorker. Chris Ware’s two illustrations contradict each other in many ways but also correlate in many ways as well. Ware illustrates how society has grown stronger but also changed in many negative ways.
The above illustration has one very distinct figure on the wall that differentiates it from the illustration below it. This is the calendar on the wall that consists of the date 1942. World War II was what was taking place during this time. This is very important because it was a tough time for many Americans, therefore a lot of families had to stick together. Additional to that, many civilians had to assist the United States
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The man in the brown tie and the man sitting across from him seem to be having a very serious conversation due to their hand motion. The man with the tie seems to be leaning back with his hands up suggesting he has done or said something wrong. The man across from him is leaning in with his hands facing towards the man with the brown tie suggesting he is trying to prove his point and is very serious about the topic. The man in the vest and the blonde women wearing a purple dress, at the end of the table, seem to be having a very calm conversation. The woman is listening to the man talk and is extremely interested in what he is talking about. The grandfather at the end of the table looks to be telling a story to the young lady to the right of him. She is leaning forward as well which makes her seem interested in the story. The grandmother with glasses looks very unhappy. The lady to her right with the brown dress looks to be comforting her in this difficult time. These few motions help show that Ware is trying to suggest that during that period, everyone interacted more as opposed to watching television at a dinner table. The second illustration suggests that everyone is a lot more laid back and intrigued by the game than each