The Matrix: A Skeptics Of Film Philosophy
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"The Book Thief," a film adaptation of Markus Zusak's novel, is a powerful and emotionally charged movie that captures the hearts and minds of it’s audience. In this rhetorical analysis, I will examine the film's effectiveness in engaging its audience through a detailed exploration of its rhetorical elements, including the writer's purpose, the intended audience, the situation, and the appeals used. The "speaker" or "writer" in "The Book Thief" is director Brian Percival, who brings Markus Zusak's novel to life on the screen. The material of the media object is the film itself, which the audience experiences primarily through visual and auditory elements such as dialogue, music, and sound effects. The film can be experienced in various settings,
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It also has a weakness of limited contemporary relevance since as a historical documentary it may lack relevance to the contemporary viewers who are modern and so they lack the specific historical concepts. Therefore the film will require supplementary information to bridge the gap between the film’s release in the 1960s and the modern viewers. Advantages and Disadvantages of a Film as a Medium for Telling this History
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“The screen is a magic medium. It has such power that it can convey emotions and moods that no other art form can hope to tackle.” The written word and the moving image have always had their entwining roots deeply entrenched in similar narrative codes, both functioning at the level of implication, connotation and referentiality. But ever since the advent of cinema, they have been pitted against each other over formal and cultural peculiarities – hence engaging in a relationship deemed “overtly compatible, secretly hostile” (Bluestone 2).
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This would help in making the audience connect with the story and the characters more easily. I now have a better understanding of film in general and how it can move and transcend people of the society at a particular time when it can take them to a different world and make them forget about their worries. Just like German Expressionism inspired me, a budding filmmaker, this specific translation of cinema as craftmanship would go ahead to impact the absolute most essential filmmakers of the twentieth century, including Alfred Hitchcock, Werner Herzog, and Tim
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On March 31st 1999, the World of "the Matrix. " The Matrix premiered and changed the cinematic experience. Entertainment Weekly cited in their 1999 cover ”The Year That Changed Movies.” A few years later in 2003, the magazine stated: ”The Matrix is the most influential action movie of its generation.” Directed by the Wachowski's
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At the beginning of the Progressive Era there were many issues involving the unregulated businesses. Most of the problems involved safety issues that severely injured many workers, but it also involved business created monopolies to maximize their profits which affected the consumers because there was not a competitive price. This is why the American Government should be able to put regulations and laws in place to restrict businesses from unfair treatment of their workers health and safety; also, to limit the possibility of monopolies occurring to protect the consumers of the products. Many businesses now follow these laws and regulations put in place by our government which makes the story of how America was built one of progress not regresion.
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In “Aesthetic of Astonishment” essay, Gunning argues how people first saw cinema, and how they are amazed with the moving picture for the first time, and were not only amazed by the technological aspect, but also the experience of how the introduction of movies have changed the way people perceive the reality in a completely different way. Gunning states that “The astonishment derives from a magical metamorphosis rather than a seamless reproduction of reality”(118). He uses the myth of how the sacred audience run out the theater in terror when they first saw the Lumiere Brother Arrival of the train. However, Gunning does not really care how hysterical their reaction is, even saying that he have doubts on what actually happened that day, as for him it the significance lied on the incidence--that is, the triggering of the audience’s reaction and its subsequence results, and not the actual reactions and their extent. It is this incident, due to the confusion of the audience’s cognition caused by new technology, that serves as a significant milestone in film history which triggered in the industry and the fascination with film, which to this day allows cinema to manipulate and
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Apart from the film’s historical account on the American society and politics, the analysis of the film could also reveal the history of American film. By studying the aesthetics and technical of the film, we can understand how the story telling through screen has evolved. Furthermore, studying from the consumer point of view, we can also understand how films have been consumed over the years. Film
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I chose to do my critical essay on the cultural impacting film the matrix, that was released march 31st, 1999. The matrix was a huge blockbuster that made I chose to do my critical essay on the cultural impacting film the matrix, that was released march 31st, 1999. The matrix was a huge blockbuster that made 171,479,930 dollars in the box office. The matrix was a huge cultural impact from the ways the movie was filmed to the outfits that they wore. The attire.
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For hundreds of years, stories have been passed on from one person to another through the oral tradition and the visual arts. In our society today, film is the dominant form of storytelling. Films shape and inform our opinions of the world. Many people’s only source of information is from films. This can be harmful when the information is false or misguided.
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Every now and then the art world is struck by a wave of change that leaves a strong impression, which can last for a long time. Visual arts saw the rise of impressionism and cubism, surrealism and realism took literature to an opposite direction, and film has evolved over the years through cultural and artistic development such as expressionism, auteurism and film noir (House, p.61). The 1940s and post World War II gave rise to a new style of American film, these films appeared pessimistic and dark in mood, theme, and subject. The world created within these films were portrayed as corrupt, hopeless, lacked human sympathy, and “a world where women with a past and men with no future spent eternal nights in one-room walk-ups surrounded by the
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This essay will discuss how the film uses these two techniques, in reference to the film, and to what ideological and political ends are the techniques used in the films with specific references from the film to support the argument. A Man with a Movie Camera is based around one man who travels around the city to capture various moments and everyday
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When the film The Sixth Sense, directed by Night Shyamalan debuted in 1999, it mesmerized audiences near and far with its appealing paranormal plot, its deceptive nature and its top-shelf talent from its actors. The film was immensely prosperous and quickly became a cultural phenomenon. However, most casual moviegoers overlooked its underlying philosophical significance. The Sixth Sense is driven by the big questions of life from almost every aspect of philosophy specifically metaphysics and epistemology. In this specific scene Shyamalan relies on subtlety to create a creepy atmosphere of something beyond our ordinary beliefs and understanding.
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Another theme that is explored is the gain in power and liberation through finding or disclosing the truth. These themes are accompanied by an insightful use of cinematography, which enhances the audiences’ engagement
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Film takes photography to another level. Film, or the cinema “is objectivity in time.” For the first time with film “the image of things is likewise the image of their duration, change mummified as it were”. Bazin argues "only the impassive lens, stripping its object of all those ways of seeing it, those piled- up preconceptions, that spiritual dust and grime with which my eyes have covered it, are able to present it in all its virginal purity to my attention and consequently to my love.
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