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The Obstructive Mise-En-Scene In The Film The Lady From Shanghai

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The Lady from Shanghai directed by Orson Welles in 1947.
The noir film is black for us, that is, specifically for the western and American moviegoers of the 1950s (Borde& Chaumeton, 19). This film is called as the “Film noir”, because it focuses on a crime story, and owns many crime and violent scenes. The guns, the police, as well as the femme fatale (Elsa) are all present in this film.
One style that the Film noir obviously has in this film is the obstructive mise-en-scene. For instance, at the beginning of the film, when the actress, Elsa, sits on the carriage, and first shows up on the screen, there are many shadows fly fast in front of Elsa. The Obstructive mise-en-scene makes Elsa become extremely mysterious and elusive. Also, this
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