Symbolically, the window and door describe Minerva's dignity, liberty, and life. When her husband leaves, her life is finally secure, hence the locked door. The rock thrown through the window by Minerva's husband represents him crashing back into her life, destroying it as he pleases. Stylistic devices: Esperanza uses figurative language to describe Minerva, comparing her to "a house on fire- always something wrong.
In life we all have goals and aspirations. So what we do is we spend our whole life searching for this satisfaction. In the novel Their Eyes Were Watching God the main character Janie was on an exhibition to find happiness. This exhibition was called “the pear tree goal”. Janie’s ambitions in her life were sexuality, marriage, freedom, maturity, and Family.
The windows are a representation of what Esperanza does not want to be. Her goal is to leave Mango Street and become something better. She does not want her life to be sitting by a window wishing for something better. She wants to be able to live her life without being tied down to something.
Often she had not. What did it matter! What could love, the unsolved mystery, count for in the face of this possession of self-assertion which she suddenly recognized as the strongest impulse of her being!” (2). Mrs. Mallard’s relationship with her husband seems to not be happy and upon his death, she has a shift of mentality and starts to experience joy and hope instead of grief.
She learns of her husband’s death in an accident and falsely finds a renewed joy for life as she is free from the burden of marriage. Tragically she goes to the front door as it is being opened with a key, to find Mr. Mallard still alive, causing her to die of heart
(526) Mrs.Mallard begins to see through as an independent woman rather than one confined by marriage. She can live for herself now and not so much for her husband. After she found out that he passed she was way too excited for freedom. In “The Yellow wallpaper” the narrator was almost normal.
The reader soon discovers, this feeling that comes to Mrs. Mallard is joy and relief, she feels this because she can now finally be her own person. Mrs. Mallard comes to the realization that her husband had been oppressing her for years, “There would be no powerful will bending..”, and she was finally free of that. Before the passing of her husband, Mrs. Mallard was scared of living a long life because of the treatment she received from him. After his passing she had a much different outlook, “There would be no one to live for her during those coming years; she would live for herself.” This shows that Mrs. Mallard was excited to now live her own life without being told what she was to do.
In her society, it is the woman that is left to be alone in her own thoughts, shown through her husband’s freedom to leave the house and not come back until he wants to versus her confinement to the house. This is reflected through the various “hedges and walls and gates that lock”, making her stay isolated in the house. Ultimately, the character is overtaken by the imagination and through the
Because Esperanza is capable of finding love as she says, the window acts as a device that she can direct her hope through. While fantasizing about a different life, “away from Mango Street”, Esperanza describes a house that she would find nice, a house with “flowers and big windows … [that] would swing open, all the sky [coming] in” (Cisneros 82). Esperanza isn’t content with her current life and wishes for a life with something more, a life with a house to call home. The windows that bring in the sky in Esperanza’s dream home act as a symbol for significance in life, the windows are big because they are part of Esperanza’s hopes that she has been dreaming of through windows and the sky coming in represents Esperanza being wild and free from the bounds of her current unsatisfactory environment. Windows symbolize the novel’s theme of struggling to attain a gratifying life by acting as an object for the characters to direct their hope
While reading the story, it was clear that Mrs. Mallard was happy for the beginning of her new life and the start of freedom. Chopin uses descriptive diction throughout the story, such as irony, symbol,
Tommy Chung Mrs. Martin TSW 1,2,4,6,7 2016/10/6 Analysis of “The Story of An Hour” In the story, “The Story of An Hour”, the main character is Louise Mallard. She is a dynamic character. She internally changed throughout the story.
As a result many gothic subtitles appear, and it is true to regard Rebecca as ‘detective mystery’ since it includes a murder case. 25 4.3.2 The Setting and Weather The most eminent gothic elements revolve around the setting, Manderley. The setting in this story has a major contribution to the tone and mood of gothic. Rebecca is a classical- modern gothic literature.
Mrs. Mallard’s actions cause the readers to contemplate a hidden meaning woven into the story line. Mr. Mallard is assumed to die in a railroad accident, leaving Mrs. Mallard devastated. Instead of feeling sadness or grief, Mrs. Mallard actually feels free. "There would be no one to live for her during those coming years; she would live for herself. There would be no powerful will bending hers in that blind persistence with which men and women believe they have a right to impose a private will upon a fellow-creature" (Page 499).
Mrs. Mallard goes to her room, and looks out into the patchy blue sky. Chopin uses the patchy blue sky to create an image of darkness clearing out of Mrs. Mallard’s life. When reading the story, a sense of relief comes to mind as Mrs. Mallard thinks of her life ahead without Mr. Mallard. This is when Mrs. Mallard’s character finally starts thinking for herself. She no longer has Mr. Mallard to hold her back.
Mallard reaches a sense of exuberant liberation. She is overwhelmed with feelings of a newfound freedom. Chopin illustrates this burst of hope once again through nature imagery when she writes, “But she felt it, creeping out of the sky, reaching toward her through the sounds, the scents, the color that filled the air”(Chopin 237). Though Mrs. Mallard tries, she cannot fight the growing sense of freedom that overtakes her. Chopin writes this change as a powerful realization that Mrs. Mallard cannot help but accept.