The Picture Of Dorian Gray Research Paper

The Picture of Dorian Gray: Is it an Irish Gothic Novel?

In The Picture of Dorian Gray by Oscar Wilde, a painting ages in lieu of the titular main character. Despite that supernatural component, The Picture of Dorian Gray could be challenged as an Irish Gothic novel. However, Dorian Gray easily surmounts those challenges, proving that it belongs in the genre of Irish Gothic fiction. It could be challenged for a lack of focus on the supernatural. While the supernatural component isn’t discussed extensively, it is still the centerpiece of the story. Additionally, it could be challenged for its integration of British themes and motifs. However, Wilde was an Irish author, and the Irish Gothic tradition shines through. Finally, Dorian Gray could

Greg Buzwell of the British Library calls it a work of “late-Victorian Gothic fiction”. Using the theme of a “double life”, Buzwell compares and likens the text to other English works:
“The idea of a double life – of outwardly playing a respectable role while inwardly pursuing an existence that crossed the boundaries of acceptable behaviour – is central to the plot of the novel. Dorian Gray, once he becomes aware his portrait will bear the scars of his corruption – thus leaving his actual appearance unstained – feels free to ignore the pious morality that pervaded the Victorian era. Rather like Dr Jekyll in Stevenson’s Strange Case of Dr Jekyll and Mr Hyde, Dorian is able to pursue his debauched activities knowing his respectable appearance and unblemished looks will shield him from accusations of depravity. His ability to have the best of both worlds – the continued acceptance of his peers and the ability to fulfill his basest desires – becomes in itself an important part of his fascination with events. When attending a society gathering only hours after having committed a murder we are told Dorian ‘felt keenly the terrible pleasure of a double life’”