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The role of males in a streetcar named desire
Battle of the sexes in a streetcar named desire
A streetcar named desire character of blanche
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Blanche attempts to take control over her present life and make her fantasy become a reality. As she struggles to get past her husband's suicide, she comes across a phase in which she wishes to please other men in order to feel complete with herself. Her husband's sudden suicide was traumatizing and this main factor pushed her to find comfort in men. As Blanche explains, “coming suddenly into a room which I thought was empty- which wasn’t empty but had two people in it… the boy I had married and an older man who had been his friend for years” (114). Through this event, we can tell how Blanche has guilt because she made her husband feel horrible for being with another man which led him to shoot himself.
She was the cause of his death, and this caused her to be a very nerve wrecked person. After his death she felt as if she needed to sleep with many men seeking comfort which affected her future with Mitch. Blanch really wanted to be with Mitch, and Mitch even says he needs someone as do Blanche. The finding of Blanche’s past causes Mitch to lose interest in her, and he pushed her love away. The irony of it all is at that upon their first meeting until this point it seemed to be all a dream come true to the two.
One major similarity between Blanche and Stanley is that they both like to manipulate or control other people, to make themselves feel better. Even though there are different ways Stanley and Blanche take control of other people they still do it in a familiar matter. For example, Blanche takes power and influence over people by lying to others and herself, to make them believe in something that actually never happened, with fantacy, therefore makes Blanche feel greater, than she actually may be. To go deeper in depth, to prove that Blanche is manipulative she also says. ¨I don 't tell the truth.
Blanche does not want a real connection with Mitch; She wants to be taken care of. The connection Mitch and Blanche had was based off of need. Blanche and Mitch need each other to complete their lives. In scene six, Mitch says to Blanche,” You need somebody. And I need somebody too.
Blanche feels the need to be appreciated by men at all time and seeks attention when she does not receive it, especially from Mitch. “She dupes him regarding her age and declares herself younger to Stella, tries to fool him regarding her drinking habits, avoid going out with him until after dark and manages to avoid being seen in direct bulb-light!”(Kararia 24). Blanche is portrayed as a liar and attention seeker who wants to be showered with compliments from Mitch. She tries to fool and flirt with Mitch so she can secure her future with him. “She sees in Mitch an opportunity to prove her allure and score an easy sexual conquest.
“A Streetcar Named Desire” contains a strong lighting motif that repeats throughout the play. This usually involves Blanche, a character who shies away from any light that is drawn upon her, and is especially sensitive to light when her suitor Mitch is around. To Blanche, she is still young and beautiful in her mind, but when light shines on her she becomes afraid that Mitch will notice her aging skin, her beauty falling. This motif heavily implies how Blanche sees herself and the significance to her sexual innocence. To begin, throughout the play the audience begins to understand how Blanche sees herself.
The Desire for Equality Between the Sexes Men have long been afforded more rights and privileges than women both enforced by legislation but also societal norms and expectations. A Streetcar Named Desire by Tennessee Williams tracks the life of a troubled Blanche Dubois as she lives with her sister Stella Dubois and her sister's husband Stanley Kowalski. Stanley and Stella have, from an outsider's perspective, a peculiar relationship. Stanley on numerous occasions is portrayed as a physical brute who lashes out angrily. Despite this, Stella remains with him and seems perfectly content with her situation much to the dismay of Blanche Dubois.
Tennessee Williams is acclaimed for his ability to create multi faced characters such as Blanche Dubois in the play, A Streetcar Named Desire. She comes to New Orleans after losing everything including her job, money, and her family’s plantation Belle Reve, to live with her sister Stella. During her time there she causes many conflicts with Stella’s husband Stanley and tries to get involved with the people there, all while judging them for their place in society, although she is imperfect too. Through her, Williams has created a complex character. She is lost, confused, conflicted, lashing out in sexual ways, and living in her own fantasies throughout the entirety of the play.
In A Streetcar Named Desire, there is an ongoing power struggle between Stanley and Blanche, which propels the narrative. Stanley has the power of masculine physicality and mentality whereas Blanche only has the power of her background, of which she feigns to be her class. As the battle between the two is predominantly over Stella, we begin to witness in scene 2, where Stanley openly accuses Blanche of hiding “legal papers connected with the plantation”. His aggressive nature, towards her, motivates the idea of his resentment towards her, as
In Scene 10, she deviously claims that she has just received a telegram from the millionaire, Steph Huntleigh, to explain why she is dressed up. At first, Stanley plays along, but once Blanche musters up the audacity to say that Mitch returned to their apartment seeking repentance, Stanley draws the line. He calls her out for her fictitious tales of her past, and states, “We’ve had this date from the start,” just before he maliciously rapes Blanche. Their natures root in primal, animalistic instincts, Stanley like a dirty hog, open and free concerning his sexuality, Blanche like a fox, sly and deceitful. Despite her incessant attempts to destroy her past, Blanche is unable to stop their sexual connection as she has had so many other men.
In this story, Tennessee Williams each main character such as, Stanley, Mitch, Blanche and Stella, embodies a specific behavior that does not always fit to the gender stereotypes that they belong to. Indeed, the author categorizes Mitch as the “good guy” who feels some emotions
Stella accepts her willingly, however, Stanley begins to hear rumors. Blanche starts to date one of Stanley’s friends, Mitch, but when Stanley informs him about her past, Mitch basically tells her
Not only has Tennesse Williams portrayed Stella and Blanche to be seen as delicate and dependent, our own society has created this image but this not only affects how individuals see themselves but affects relationships immensely. Tennessee Williams reinforces the stereotype in which women are often the victims of unfortunate fate within the usage of the character Blanche. Throughout the whole play, we have witnessed Blanche being on the bitter end of life's miseries as she has encountered the tough loss of Belle Reve, dealing with her ex-husband's suicide and the loss of her relationship with Mitch. Arguably, the expectations and beliefs of women were either to be a housewife or a mother, whereas Blanche shows neither, as a result of automatically feeling out of place possibly leading to her downfall. Blanche was constantly fantasizing about the traditional values of a southern gentlemen, proving her dependence on this sex.
The themes of violence and power in ‘A Streetcar Named Desire’ hold an important role in the criticism of 1940s American society. Conflicts perpetuated by violence and power, such as abusive relationships and violent oppression are projected through the characters within the play. Williams uses these conflicts to highlight his criticisms of faltering values and social norms, from the perspective of an individual constrained by the expectations of a strict, Southern society. To begin with, there is an indefinite violence between men and women within ‘A Streetcar Named Desire’. Stanley Kowalski, a focal character, is the epitome of male dominance and primitive aggression.
The Fight for Dominance In today’s society, gender norms convince men that unless they are able to control women, they are weak. Considered the inferior gender, women must find new ways to prove their own strength, whether it be through manipulation or their sexuality. The battle between the two continues as men strive to remain dominant, often by immoral means, and women attempt to gain the upper hand. In the screenplay, “A Streetcar Named Desire” by Tennessee Williams, the sexual tension and struggle for dominion between Blanche and Stanley is evident, and as the play continues, Blanche's promiscuity and Stanley's predatory nature foreshadow an inevitable confrontation.
