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The analysis of macbeth
Character analysis of the play othello
The analysis of macbeth
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More handpicked essays just for you.
The analysis of macbeth
Character analysis of the play othello
The analysis of macbeth
Don’t take our word for it - see why 10 million students trust us with their essay needs.
The women in Othello and Chaucer's Wife of Bath differ, but in the end both want their husbands to love them. In Othello there are only three women displayed in the story, but the statements that were said about these three women were the belief that all women in that society were all the same- evil, whores who were temptress to the men. The three women; Desdemona, the wife of Othello, Emilia, the wife of Iago, and Bianca, perceived as a prostitute who is a “customer” (l. 138. 4.1) of Cassio. Iago is one of the main characters who degrades and slanders all women including his wife Emilia.
In Shakespeare’s ‘Othello’, women are portrayed as either pure angelic beings and jewels, or as whores who are impure. They are objectified and shown as something to be used. The only women in this play are Desdemona, Emilia and Bianca compared to the main 6 male characters, not to mention the minor characters, who are also all male. Their depicted purpose is to belong to a man; Desdemona, Emilia and Bianca’s lives revolve around being wives to Othello, Iago and Cassio. This fits into the idea of a perfect Elizabethan woman, who’s lives are subject to their husband’s rule across all aspects, to be disposed of as men wish.
The way these women act and conduct themselves is unquestionably related to the ideological expectations of Elizabethan and patriarchal society. Desdemona, Othello 's wife and Brabantio 's daughter, is represented as the ideal woman. So she would never be disloyal to her husband. On many occasions, Desdemona obeys her husband firmly and calls herself obedient even after Othello hits her. She was loving and loyal to Othello and wishes a long marriage of prosperity and commitment that would lead to her ultimate happiness.
Desdemona is a white, Venetian debutante that chooses to marry a black man, a Moor, over the wishes of her father. At the beginning of the play, merely six hours after being married, Desdemona’s father attempts to stop her from accompanying Othello on military duty. He relents when Desdemona pledges her allegiance to Othello by telling her father, “But here’s my husband, And so much duty as my mother showed to you, preferring you before her father, so much I challenge that I may profess due to the Moor my Lord”
In the play Othello, by William Shakespeare we are introduced to Othello who is the protagonist and faces a lot of obstacles, one of them being betrayal. Throughout the whole play we witness betrayal from many of the characters through their irrational behavior and actions. However the biggest betrayal we see is from Iago, who is the antagonist, in other words, the villain of the play. Iago plans on having his revenge and betraying Othello, Desdemona, Cassio, Rodrigo and even his wife, Emilia. Betrayal is wrong and something that can’t be forgiven, at the end betrayal breaks friendships as well as lives and trust which never works out well in the end.
Desdemona, daughter to senator Brabantio has spurned the advances of eligible young Venetian men, but is captivated by Othello chiefly because of his harsh experiences. We first come
Throughout the play we observe Emilia’s character change, and how she suffered the consequence of challenging the system. Shakespeare’s Othello, utilises a range of dramatic techniques to showcase how women where portrayed during early modern England, as tools, chaste and naive. The antagonist, Iago takes this to advantage to manipulate his wife to unintentionally take a part in the moral dissembling of Othello. The idea where women were being victimised is presented when Iago utilises his power and authority to
Shakespeare's Othello is set during the Renaissance period and therefore the roles of the women in Othello are supposedly bounded by the period when women are considered to be of low intellect. In Othello, most male characters assume that women are inherently promiscuous, which explains why all three women characters in the play are accused of sexual infidelity. Yet Shakespeare develops the women to speak the most sense throughout the play and able to trust other characters in the play. To the men in Othello, female sexuality is a threatening force more than it is an attractive one.
In Othello, Othello and Desdemona are both characters that are struggling with their identities. In the beginning of the play we find Othello as a respectful man that is successful, but then we get Iago that manipulates him to make him seem as the bad guy. We also find Desdemona that turns against her father and the Elizabethan society to marry Othello, but we also find that she is respectful and obedient to Othello.
Also, each relationship in Othello provokes jealousy in one partner. In a typical Venetian society, a woman was considered to be a man’s property, so if a woman was disobedient, it negatively impacted the man, while also questioning his masculinity. The hyperbolic soliloquy as Othello expressed he would “rather be a toad” than “keep a corner of the thing I love” is Othello’s justification of killing his wife, as her untrustworthiness challenged his masculinity and reputation. Referring to Desdemona as a “thing” emphasises the idea of women being property. Iago’s jealousy of Desdemona and Othello’s relationship is emphasised through the degrading comment of Othello, “an old black ram” “tupping” Brabantio’s “white ewe”.
Othello’s This rage at Desdemona’s infidelity signals destmetion of his identity as a successful and loving man. It shows that he now completely loses control of himself, he no longer is that gentle man. He has become so poisoned by the manipulation of Iago, he no longer hears out for his “fair
A Modern View of Feminist Criticism William Shakespeare 's "Othello” can be analyzed from a feminist perspective. This criticism focuses on relationships between genders, like the patterns of thoughts, behavior, values, enfranchisement, and power in relations between and within sexes. A feminist examination of the play enables us to judge the distinctive social esteems and status of women and proposes that the male-female power connections that become an integral factor in scenes of Othello impact its comprehension. I believe that the critical lens that provides modern society with the most compelling view of literature is Feminist Criticism because it analyzes distrust and disloyalty among relationships, women being treated as possessions
While Desdemona is a remarkably strong character, Emilia also displays independence unmatched by any other female in Othello, and there are multiple details of Shakespeare and his time that may have prompted such a portrayal. In Elizabethan England, many women worked behind the scenes of productions, like Shakespeare’s, as uncredited authors and editors (Crowley). Due to their anonymity, nobody can be sure that women were involved in Shakespeare’s plays nor Othello in particular, but there is a genuine possibility that female writers did have leverage. This may have had to do with how Emilia was portrayed as resilient from the time of Desdemona’s death all the way until her own, standing up for herself regardless of the ridicule it caused her (Iyasere). In fact, it even killed her in the end.
In William Shakespeare’s Othello the two main characters are Iago and Othello. The entire story centers around Iago 's plan to achieve revenge on Othello for not promoting him to lieutenant. Throughout the story Iago tries to convince Othello that his wife Desdemona has cheated on him with his lieutenant Cassio. Iago’s plan is successfully and easily executed. Othello is tricked into believing that desdemona has been unfaithful and in the end he kills her.
In his play “Othello,” Shakespeare is very compassionate towards the women of his era. He treats Desdemona with special sympathy. She is the victim of two crossed male aspirations — the devilry of villain Iago and the jealousy of her husband. The main cause of Desdemona’s tragedy is the total absence of women’s personal liberty. The lack of self-development without restrictions of society and family constricts the mind.