Wait a second!
More handpicked essays just for you.
The hero's journey story concept outline
Hero journey narrative essay
Hero journey narrative essay
Don’t take our word for it - see why 10 million students trust us with their essay needs.
More handpicked essays just for you.
The hero's journey story concept outline
Hero journey narrative essay
Hero journey narrative essay
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: The hero's journey story concept outline
In the story “A Real-Live Blond Cherokee and His Equally Annoyed Soul Mate” the narrator Victor is a protagonist character and is daring and upset. This lead him to get into unknown places and making himself look jealous of the girl. Victor started telling the reader what to call him, “Call me an idiot. But I let myself into the gate” (Smith 38). He let himself into a property that he had never been in and he does not know if it is dangerous.
What is the most you have ever changed in one day? In the book April Morning by Howard Fast, on April 19th, 1775, in Lexington, Massachusetts, fifteen-year-old Adam Cooper goes through some dramatic changes in just one day’s time after the British redcoat’s attack. In the morning, he woke up an immature boy, but before he went to bed, he became a young man. Throughout the book, Adam shows several traits of how immature, fearful, and mature he is.
Quotation: “The village of Holcomb stands on the high wheat plains of western Kansas, a lonesome area that other Kansans call ‘out there.’ . . .The land is flat, the views are awesomely extensive; horses, herds of cattle, a white cluster of grain elevators rising as gracefully as Greek temples are visible long before a traveler reaches them.” ( Page 3) Commentary: This quotation encapsulates the serenity of the Kansas plains and instills a certain comfortable and friendly environment, in which gruesome crimes are unlikely to happen.
He could imagine his deception of this town “nestled in a paper landscape,” (Collins 534). This image of the speaker shows the first sign of his delusional ideas of the people in his town. Collins create a connection between the speaker’s teacher teaching life and retired life in lines five and six of the poem. These connections are “ chalk dust flurrying down in winter, nights dark as a blackboard,” which compares images that the readers can picture.
When onlookers ask to see the contents of his briefcase, IM replies, “‘Come on down... I’ve had you in my brief case all the time and you didn’t know me then and can’t see me now” (566). IM has come to realize that all he carried were symbols of racism and disillusioned dreams. By the time IM burns the items in his briefcase, what once was a symbol of hope, became something more. It became the turmoil IM faced in all his years on his own.
Realism is literature that represents actual life, the author Bret Harte tries to stay as close to the truth as possible when writing. Authors like him write truthfully and objectively about ordinary characters and their ordinary situations. In Harte’s “The Outcasts of Poker Flat” he represents realism through archetypes and local colour. The short story is set in 1850 in a California mining town during the Gold Rush.
The Peculiar Institution: Slavery in the Ante-Bellum South takes a profound look into slavery in America from the beginning. The author, Kenneth Stampp, tells the story after doing a lot of research of how the entire South operated with slavery and in the individual states. The author uses many examples from actual plantations and uses a lot of statistics to tell the story of the south. The author’s examples in his work explains what slavery was like, why it existed and what it done to the American people.
Essentially, it is the physical and subsequent metaphorical entrapment of the female protagonist by her husband in The Yellow Wallpaper that leads to a loss of her identity. In addition to physical descriptions, a sense of identity can be established through the delivery of relationships with others, and moral beliefs. In The Yellow Wallpaper, the interplay of characters plays a key role in defining the narrator’s identity through the imbalance of power in her marriage with John. Gilman arguably presents the narrator’s descent into madness through her inability to create a new identity counter to John’s entrapment of her.
Initially, the narrator is disgusted and irritated by the paper, claiming, “I never saw a worse paper in my life. One of those sprawling flamboyant patterns committing every artistic sin” (339). This reaction mirrors that of a sane person’s--fearing the unknown, they distance themselves from insanity and any iteration of it, seeing it as grotesque and shameful. Yet, as she spends more time in the room, she grows interested in the wallpaper and begins to investigate. She comes to the conclusion that: “I didn 't realize for a long time what the thing was that showed behind, that dim sub-pattern, but now I am quite sure it is a woman” (346).
The narrator is a woman who is imaginative trying to make her mind think and realize the meaning of the yellow wallpaper. She describes the wallpaper as, “repellant, almost revolting; smouldering unclean yellow, strangely faded by the slow turning sunlight” (Gilman 641). This specific wallpaper makes the narrator feel a certain way. At first, she does not like the color or how it looks. But then not having anything else to do in the room, she starts examining the wallpaper.
In Jack Finney’s “Contents of the Dead Man’s Pockets” Tom Benecke makes the right choice when he decides to chase after his wife after he manages to re-enter his apartment. Out in the cold New York air, Tom was beginning to lose hope. He had the paper, but encountered unexpected complications attempting to enter his apartment. Tom realized that, were he to fall, the community would have no way to judge him besides what he was carrying. Their thoughts, he imagined, would be “Contents of the dead man’s pockets… a wasted life” (Finney 14).
Martin states that the narrator’s confinement in the upstairs bedroom fortifies her mental illness developing into “a frightening hallucinatory world constructed around the pattern of the yellow paper on the wall.” This shift in her identity happens as the shift in her disposition towards the wallpaper changes. The wallpaper is a visible metaphor that eventually becomes her identity. In the beginning of her stay in the bedroom she says the wallpaper is “committing artistic sin” (Par34) and can push anyone to “suddenly commit suicide” (Par35) These comments show her despise towards the wallpaper and the separation she originally has from it.
However, in stories such as “The Yellow Wallpaper,” the narrator’s point of view is what truly helps define the setting and symbolism. Without the narrator’s distinct point of view on how she
Enclosed to the four wall of this “big” room, the narrator says “the paint and paper look as if a boy’s school had used it” because “it is stripped off” indicating that males have attempted to distort women’s truth but somehow did not accomplish distorting the entire truth (Perkins Gilman, 43). When the narrator finally looked at the wall and the paint and paper on it, she was disgusted at the sight. The yellow wallpaper, she penned, secretly against the will of men, committed artistic sin and had lame uncertain curves that suddenly committed suicide when you followed them for a little distance. The narrator is forced to express her discomfort with the image to her husband, he sees it as an “excited fancy” that is provoked by the “imaginative power and habit of story making” by “a nervous weakness” like hers (Perkins Gilman, 46). Essentially, he believes that her sickness is worsening and the depth of her disease is the cause of the unexpected paranoia.
In Thomas King 's autobiographical novel, The Truth About Stories takes a narrative approach in telling the story of the Native American, as well as Thomas King 's. The stories within the book root from the obstacles that the Thomas King had to face during his years in high school and his post-university life. These stories are told in a matter that uses rhetorical devices such as personal anecdotes & comparisons. "You 'll Never Believe What Happened" Is Always a Great Way to Start is about the importance, potential, and dangers of stories, specifically those of creation stories and how they can shape a culture, with the aim to share King 's urgency for social change with his readers King 's informal tone, lighthearted jokes, and effort to make his writing follow the style of native oral tradition as closely as possible, all help the reader understand the type of narrative he believes would be most beneficial for the foundation of a society. His unique style allows for the use of personal anecdotes and requires that he breaks the proverbial fourth wall to communicate with the reader directly, to create the conversational feel of the oral tradition.