Thesis: In Disney's "Beauty and the Beast," directed by Gary Trousdale and Kirk Wise, the objects of the household are portrayed as laborers who work tirelessly to lift the curse, while the Beast remains inert serving as a subtle critique of the exploitation of the working class under capitalism and underscoring the pressing need for greater economic justice.
Disney's "Beauty and the Beast," directed by Gary Trousdale and Kirk Wise, provides a subtle critique of the exploitation of the working class under capitalism. Through its depiction of the household objects as laborers who work tirelessly to lift the curse, while the Beast remains inert, the film emphasizes the pressing need for greater economic justice and a more equitable distribution
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They create a welcoming atmosphere for Belle and serve as her guides throughout the castle. Despite knowing that the ultimate responsibility of lifting the curse falls on the Beast, the objects continue to work tirelessly, putting their own needs aside to ensure Belle's comfort.This portrayal of the objects as laborers highlights the disparity in power between the working class and the ruling class under capitalism. The objects are expected to work long hours without receiving adequate compensation,cooking, cleaning, entertaining, while the Beast is able to remain inert, enjoying the fruits of their labor. This contrast underscores the need for greater economic justice and a more equitable distribution of labor and resources.
Moreover, the fact that the objects continue to work tirelessly, despite knowing that their efforts will ultimately benefit the ruling class, suggests a sense of duty and loyalty that is often exploited under capitalism. The objects, like many members of the working class, are made to believe that their work is necessary and meaningful, even when it serves the interests of the ruling class rather than their