The Screen Memory Movie

The screen memory is the memory that supposedly hides other memories and affections or impulses associated with them. The screen memory is often an image rigidly fixed, seemingly innocuous, of a traumatic experience in early childhood. It represents a compromise between denial and memory: a painful experience is covered by the benevolent memory of something less significant.
These memories can be "regressive" or "retroactive" that is, what is consciously remembered precedes the hidden memory); "pushed forward" or "moved forward" (the hidden memory precedes the memory of the event); or "contemporary" or "contiguous" to the concealed memory. Originally it was believed that screen memories were fragments of mnestic traces; subsequent experience

Whenever Kate and Jim try to move on the memories keep resurrecting and haunting them. The author, La Jetee uses a slightly different approach to let go the memories. He ensures that the Alexander here has to erase all the memories of the woman that he never forgotten and forgets completely about them and forges ahead. In how Eternal Sunshine of the Spotless Mind, however stagnation and lack of proper articulation is observed when Kate cannot even catch sleep because of memories of matters love. One thing now is that, necessity in once life is memory and memory must be regulated. Certainly, memory pushes time and with memory unfolds new events, which make varied outcomes in one’s life. It is one thing to recall the sweet or the bitter past but it is one thing to find a healing and the might to move own in life.
Another similarity worth noting, is that the memories all rely upon the characters, the memories of past love for Kate and Jim is really dug deep down their mind just like that of the protagonist in the La Jetee’s story where there the character is really disturbed and has an internal conflict. The actions that are converted into momentum must always translate into result in future. Judgment of others by your own ethics is unacceptable because memories can always

He sees the man pass on as we do, yet the main thing we concentrate on is the thing that the youngster concentrates on the woman. We complete the youngster’s life (Chris Marker La Jetée 1962), always helped to remember the picture of the woman. When the ball is in his court for the examination, the audience gets along. The audience comprehends what he knows, and just what he knows. They have no understanding without bounds because similarly as we probably all are aware the future has not happened yet. The sudden turns into a man makes the audience occupied from the memory of the man shot on the wharf (Chris Marker La Jetée 1962). The memory of the wharf is just seen through the man's eyes amid the investigations; however, he is focused on the woman.
This author superbly applies the screen memory device in such a way that even the audience is hugely affected. An audience watching the La Jetee movie grasps some parts of the movie in a way of learning but this gets sticking in their minds not being in a position to forget the ordeals of Alexander in the story (Chris Marker La Jetée 1962). In any case a similar ordeal is seen