Recommended: Essays on symbolism in literature
Also, in the book the narrator telling the story and adding his or her own thoughts to what the characters are doing and perhaps saying.
The entire book was written in poem form, stanza by stanza, giving the reader a quick experience. The entire book happens during a minute-long elevator ride for Will. This book is filled with literary devices such as poetic style, the
According to Thomas C. Foster, the reading experience is more rewarding when a person can take a step back from the work and look at both patterns and symbols that could spur imagination. This confirms that writers leave room for people to make a conscious effort to look deeper into the writing and to have more of an interaction with the story. In Dropping in the author primarily repeats the phrase “think of” so the reader will continue to imagine their personal experience. For example, the author includes the phrases, “Think of the relentless sun, the expansive silence between attempts, the vertigo-inducing landscape.” And “Think of how so few people have ever actually been here, and how, whether they came to hide or skate, they came in exile.”
Dialogue is a literary tool the authors use to bring characters to life and enhance the story. Through dialogue, Bryks further illustrates the increased need for survival: “‘What do you, mean—later? We need bread now!’ ‘It’s easy for you to say ‘later’ because you have already eaten.’ ‘My children have had nothing in their mouths since yesterday!’”, revealing the urgency and desperation of obtaining bread (Bryks 88).
Authors use writing techniques to capture the attention of a reader, help the reader connect to the story, and understand a story better. In the book Night, the author uses writing techniques to help the reader understand the story better. In my story, I used the writing techniques: “In medias res”, dialogue, sensory details/imagery, figurative language, and varied sentences. Using those techniques helped the reader better understand my story and kept them engaged in reading it.
For example, when Whitney brings up the topic about Ship-Trap island and how “[s]ailors have a curious dread of the place” (Connell 1), the reader suddenly experiences a sinking feeling set in as they can already assume
Poe is often known for his dark, sometimes twisted short stories and poems. “The Masque of the Red Death” is no exception. In this short story, Poe creates and eerie and ominous mood by using a wide variety of literary techniques including imagery, diction, and syntax. Poe’s use of imagery contributes to the dark and mysterious mood of the short story, “The Masque of the Red Death.” In the first paragraph, a sense of darkness is conveyed in the sentence, “There was no light of any kind emanating from lamp or candle within the suite of chambers.”
The Adventures of Huckleberry Finn is considered to be one of the greatest American novels ever written and continues to be read 133 years later. Mark Twain published The Adventures of Huckleberry Finn in the United Kingdom in December 1884, then later on in the United States in February 1885. The novel is a satire in which Twain gives his views about slavery during that time period. Set in the Mississippi River along Missouri, Illinois, and Arkansas, the novel follows the storyline of a young boy named Huck Finn and a runaway slave named Jim. Huck and Jim form a friendship that endures many hardships and troubles.
As the point is thrown across to the reader so quickly it unsettles the readers mind, which unbalances them. It also highlights the fact that even though he saw it before he is unable to identify what he saw ate that moment in time which further unsettles Arthur and the reader in turn which simultaneously forms a series of questions in the readers mind which draw in the readers interest to continue reading on. The high amounts of suspense and tension is due to its fast pace and unsteady occurring events which seem to go clam and then all of the sudden shoot up again this is done so that the reader remains in full focus at all times and it draws the reader in, furthermore it amplifies the effect that the reader becomes enveloped in fear and apprehension. Hill tend to put these simple sentences in her paragraph so that the reader is left hanging for a few seconds which continues to enhance tension this is another device that she uses In order to maintain the gothic literature
Austen uses syntax to further emphasize the rehearsed awkwardness of Mr. Collins’ proposal. She utilizes longwinded and wordy sentences with many commas. An example of this is the quote, “But the fact is, that being, as I am, to inherit this estate after the death of your honoured father (who, however, may live many years longer), I could not satisfy myself without resolving to choose a wife from among his daughters, that the loss to them might be as little as possible, when the melancholy event takes place—which, however, as I have already said, may not be for several years.” This sentence is comprised of seventy-two words, and sounds unnatural when read aloud. The length of Mr. Collins’ speech alone, when compared to Elizabeth’s syntax, is intended to show their incompatibility.
When Alexie realized what the purpose of a paragraph was, he felt delighted and experienced happiness. “I didn’t have the vocabulary to say “paragraph,” but I realized that a paragraph was a fence that held words… This knowledge delighted me” (Alexie 583). With learning the definition of the word “paragraph”, the author’s curiosity of reading increased. The author also began to see his family as paragraphs (Alexie 583).
In the novel “A Clockwork Orange”, key words and phrases are repeatedly used throughout the book. The book’s passage itself resembles that of a sonata, where the first and 3rd part of the book are upbeat, while the 2nd part goes in a more slow, fluent style. These patterns in the book represent the important themes of the book, including the power of language, ego and superego, and the free will of human beings. The opening phrase of each part of the book, “What’s it going to be then, eh?”
Kincaid sets out to prove that English life was all just an exaggeration not worthy of the publicity and attention it received. Kincaid makes a fascinating argument that the idea of something and its reality are two completely different things. Using herself as a firsthand source, she uses many metaphors and personal narratives to help the reader understand her views and emotions
In this memoir, I began in the middle of the first paragraph and hooked in readers. I used dialogue to do the same. An example of this was “BOATS ALIGNED, READY GOOO!!”. I also used all caps to let readers understand the anxiety and excitement running through the boat.
For instance, in describing his past, Marlow, in “Heart of Darkness,” takes the reader back in time when he had dreams of reaching the North Pole and conquering the continent with the snake-like river. By interrupting the story’s discourse by sneaking in a story from the past, the author was exemplifying a novel way of writing literature at the turn of the 20th century, which had been preceded by sticklers to a chronological discourse, where one event followed another. “The Good Soldier” by Ford Madox Ford is another prime example where the author illustrates the extramarital affairs of Edward Ashburnham and Florence through a series of flashbacks on the lives of both the husband and wife. Flashback is especially crucial in notifying the reader that Florence did not actually have a heart ailment as the reader might think from the start; it was a lie to ensure that Edward did not get intimate with her while she had an affair with Jimmy (Ford 98). Evidently, stream of consciousness is a technique that is introduced in the 20th century to narrate a story in a non-chronological
