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An eye for an eye may seem like a good idea, but the opposite is true. Revenge seemed like a good idea to Matt, but it made him feel empty and still devastated over the murder of his son. The story, “Killings”, by Andre Dubus made me rethink my opinion on parent-child relationships and revenge. The story reinforced my idea that revenge never makes people feel better, but I can still understand Matt’s internal struggle following his son’s murder.
Once again revenge leads to the downfall of that person who was seeking revenge. It brings the fact again that revenge is no the
When I was a young girl I believed justice was getting even. I was often told of the cliché phrase, “an eye for an eye” and I believed this phrase for the majority of my childhood. Until one day my little brother stole some money from me and in return I stole several things from him. At the end of the day I had a guilty conscious and it was haunting me more than it was bothering him. This same issue appears in the novel, The Round House, by Louise Erdrich.
“I swore never to be silent whenever and wherever human beings endure suffering and humiliation. We must take sides. Neutrality helps the oppressor, never the victim. Silence encourages the tormentor, never the tormented” (BrainyQuote, Elie Wiesel). In life, doing what your enemy wants only encourages them to pay more attention to you, whether it is by violence or speaking down about you.
“There is no revenge so complete as forgiveness.” says war veteran John Billings. Revenge is the desire to repay an injury by inflicting harm and hatred is the deep, negative thought that may lead to it. Hurting or harming other humans in today’s society is not allowed. Revenge has the reputation of being barbaric, short-sighted and a pointless instinct. It is an aspect of our human makeup that we must resist.
Everyone has a thirst for vengeance, but, rarely, is revenge ever sweet. “The old law ‘an eye for an eye’ leaves everybody blind,” Martin Luther King Jr. (“Revenge”). After reading The Count of Monte Cristo by Alexander Dumas and Frankenstein by Mary Shelley, both published in the 1800s, it’s obvious that revenge is a major, consistent theme in both books. Although revenge is glamorized and encouraged in literature, such as The Count of Monte Cristo and Frankenstein, pop culture, and society, it is never morally justified and it causes collateral damage.
“An eye for an eye only ends up making the whole world blind” (Gandhi). Revenge, the act of inflicting hurt or harm on someone for an injury or wrong suffered at their hands, is relevant in both life and literature. In real life, it can often be seen when people are victims of abuse or unfair treatment, and they sometimes will try to get back at whoever hurt them through killing or injuring not only their abuser, but occasionally their loved ones as well. Similarly, in Harper Lee’s To Kill a Mockingbird and Jenny Wingfield’s
The world is constantly plotting against one another. Humans are fueled by greed, rage, and vengeance which lead to each other’s demise. Throughout history it has shown the inciting of their scheming has always lead to consequences; this can range from a single person’s devising to an organization’s conspiring to a government’s plotting. The case against O.J. Simpson is one of the most well-known murder trials. O.J. Simpson was acquitted, but he still had serious consequences for murdering his ex-wife and friend.
“We should forgive our enemies, but not before they are hanged” (Heinrich Heine). Revenge is considered the ultimate drive to one's own vices. It could be someone's victory and another's downfall. Furthermore, revenge always comes with a antecedent cause.
Emily Bronte used various figures of speech to relate commonly known ideas to less known concepts. Catherine, alike to other family members, had rage and had it shown through the parallelism, “... though possessed of keen wit, keen feelings, and a keen temper, too, if irritated” (Bronte 99). The parallelism and repetition is effective in listing Catherine’s characteristics, all the while connecting it to the theme. In the simile, “ I’ll crush his ribs in like a rotten hazel-nut before I cross the threshold!” (Bronte 114), is said by Mr. Linton to Catherin to explain his jealousy and motive to kill Heathcliff.
“Before you embark on a journey of revenge, dig two graves. ”-Confucius. This quote is about how revenge will hurt the user and the target. Revenge is the overall antagonist in the literature, The Scarlet Pimpernel, Ozymandias, and Viva la Vida. The Scarlet Pimpernel is a book based on after the French revolution when the citizens of France viciously send their ruler to their deaths for revenge.
Revenge can be a horrible emotion; it can sometimes lead people to do horrible things. By definition, Revenge means to get retribution for a wrongdoing done to you. In my opinion, revenge is mostly caused by fear and the overwhelming feeling of payback Throughout history, revenge, or vengeance, has been altered by several cultures and religions, and even the American culture. Though it often leads one to perform criminal acts, Howard argues that it is a necessary component in the functioning of society. He points out that revenge is a threat that acts as a disincentive to undeserved violence.
An Eye for an Eye ¨An eye for an eye makes the whole world blind.¨ The speaker of this quote, Mahatma Gandhi, was trying to express how evil revenge can be. When someone feels as if they have been wronged, they will stop at nothing to get their way and prove they’re not someone to mess with. The situation can only get worse because everyone has been blinded by their hatred. Actions can irritate someone even if they weren’t intended to.
As long as people have existed, they have wronged one another. They find different ways to harm others. Those who have been wronged tend to seek revenge no matter the situation. They feel as though they must revenge. Because humans almost always seek revenge, William Shakespeare’s statement, “If you wrong us, shall we not revenge?” holds significant truth.
Emily Brontë approaches the idea of sickness and death of the characters in her novel Wuthering Heights in a peculiar way. The characters that are ill are usually mentally ill, and their deaths often result from physical ailments derived from mental illness. The drive for revenge and desire for love that reigns among the characters often lands them in stressful situations that cause them to spiral downward into these mental illnesses. Emily Brontë’s emphasis on the motif of sickness and death in Wuthering Height deepens the drama of the plot and constructs more complicated relationships between the characters.