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Analysis f othello
Analysis f othello
The character analysis of othello in the play othello by shakespeare
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When it comes to Iago, he is constantly using others in the story as “pieces” in his larger game. He knows how to trick others into thinking that ideas that are completely absurd and very unrealistic are true. The only thing is that nobody realizes his intentions until it is too
Iago “empathizes” with others and reveals himself as desperate sycophant to develop strong relationships, which lead to his ability to control the situation that he is in. Iago tries to appeal to the emotions that others are feeling, so he can convince them to do what he wants. An example of this is when Iago tries to persuade Othello that Desdemona is cheating on him Cassio, even though this is not true. “And may; but how?
Othello’s confidence for a loyal man to maintain honesty and morals are contradicted through Iago’s actions: “in a man that’s just / They are close dilations, working from the heart, / That passion cannot rule” (3.3.123). Iago, due to the understatement to his name, is not perceivable as hateful. Othello’s willingness to sense Iago’s distress, and to believe his accusations, is because of the lack of awareness Othello has for his vengeance. Iago is of such little power and relevance within societal ranking that if he were to have intentions to sabotage anyone, which he does, are not considered, thus making him easily trustworthy to those of greater dominance. Society’s view of an individual determines how others consider and surmise their persona, though these conclusions may be false.
William Shakespeare, author of the dramatic play Othello, reveals Iago’s devious plan to sabotage everyone’s life through the use of simile and deception, to display Iago’s ability to manipulate people to get his way. Roderigo feels that his hopes of winning Desdemona have been ruined, but Iago insists that all will be well. Iago mocks Roderigo for threatening to drown himself, and Roderigo protests that he can’t help being tormented by love. Iago contradicts him, asserting that people can choose at will what they want to be. Iago promises to work everything out from there.
By exploiting societal attitudes towards women, Iago is able to manipulate the men around him, ultimately furthering his own
“Just because something isn't a lie does not mean that it isn't deceptive. A liar knows that he is a liar, but one who speaks mere portions of truth in order to deceive is a craftsman of destruction.” (Criss Jami). In Othello, Iago is one of the most deceiving throughout the book. Similar to the quote, Iago is a master at manipulation.
In a tragedy such as Othello by William Shakespeare, the character, Iago, falls not from an excess of evil but from an excess of good. In the beginning, Iago just wanted to get the justice he believed he deserved. The difference between the audience and Iago is the character traits that make Iago the villain. Iago need for justice and the way he goes about obtaining said justice reveals his true character: bitter, hateful,
In William Shakespeare’s tragedy Othello, Shakespeare aligns Iago, the villain of the play, with a vice figure of morality plays through Iago’s scheming and lack of remorse. Through his manipulation of various characters, Iago spins the truth and creates a tale of destruction. This is especially made clear in his soliloquy outlining his plan to destroy Cassio, Desdemona, and most importantly Othello. Each character is virtuous in his or her own right, but Iago alters that virtue, transforming it into sin whilst claiming he is not the villain. Through the outline of his plan and the selective use of language, Iago reveals his true nature to the audience, establishing dramatic irony.
Through the examination of Iago and his evil motives against his friends, we can see that he manipulates the truth and turns his friends against one another. Iago also has no remorse for his evil actions and actually gloats about them throughout the play. His victims were completely oblivious to his crimes and suffered due to his obsession with himself and having control of everyone around him. Iago’s first two victims who fell for his trap were Desdemona and Othello.
Iago is a manipulative person motivated by self-riotousness, greed, and jealousy. He craves control over everybody he comes in contact with. He finds each character’s passion or motives and uses it to drive his scheme. His most effective weapon is his words. He poison’s the other characters mind with misleading thoughts, which gives him more power over them.
In the book Othello, Iago is a very manipulating man, throughout the book he manages to manipulate three main people, Roderigo, Cassio, and Othello. He uses all their weaknesses to bring them down. Iago wants revenge on Othello, because Othello overlooks Iago and his abilities, so Iago manipulates these three characters to get back at Othello in the long run. He comes up with a very good plan to get each other to turn against one another. So in the end he ends up getting what he wanted, revenge.
In the last act of William Shakespeare's Othello plenty of things go wrong starting with the way Othello treats Desdemona. In this part of the analysis, I will be focusing mostly on the way everything in the is all a cause of manipulation. Not only will I be talking about the different ways that Iago has manipulated the characters throughout the story to get his way but I will also be talking about or mentioning throughout this analysis is how much hate led up to all the manipulation. In this act of Othello by William Shakespeare, it begins when Iago and Rodrigo wait outside a brothel in order to kill Cassio but Iago does not want to get hurt or caught so he leaves but he is still able to watch the situation play out in front of.
In the play Othello, William Shakespeare creates an elaborate tragedy with various in depth characters, enhancing the story with powerful characterization. Iago, the main antagonist of Othello, exemplifies Shakespeare’s use of characterization to create in depth and complex characters. Using his manipulative nature, intellectual mind, egotistical attitude, and dishonesty, Iago controls the other characters in order to achieve his goal, leading Othello to succumb to an overwhelming jealousy causing his downfall. In order for Iago to gain control of the characters in the play, he manipulates Othello, Roderigo, Cassio, and more to believe false information and turn on one another.
This is evident in Othello’s nearly instant regret and the oppressive sense of guilt that follows Desdemona’s death at his hands. Othello’s madness if it does exist stems from his inner turmoil, which is churned by his own self-loathing. Regardless, the dramatic irony in Othello serves as a source of strife for the audience as the scheming of Iago behind Othello’s deranged exterior goes unnoticed by the other characters in the
When he does not get the position he wants and also heard that Othello has been sleeping with his wife Emilia, Iago’s manipulation increases. Iago plans his scheme based on, “[Othello] has done my office, I know not if’t be true/ But I, for mere suspicion in that kind/ Will do as if for surety” (I. III. 431-433). This use of manipulation is all based on an assumption that Othello has slept with Iago’s wife, and this assumption leads to even more horrible events.