The Yellow Wallpaper By Charlotte Perkins Gilman

In the short story, “Yellow Wallpaper” by Charlotte Gilman, the story begins with the narrator starting her journal by describing the beautiful estate her husband took them to for their vacation. She describes it in romantic terms, calling it an aristocratic estate or even a haunted house. She even wonders how they were able to afford it and why the house had been empty for so long. As days go by she starts to feel that there is something strange about the situation and starts to discuss her illness, which she has called “nervous depression.” She contrasts her husband’s practical, rationalistic way of thinking with her own imaginative and sensitive ways. The treatment requires her to do almost nothing, but she feels that activity, freedom,

She even reveals that she has been keeping a secret journal to “relieve her mind.” However, her thoughts are interrupted by her husband’s approach, and she is forced to stop writing. As the Fourth of July passes, the narrator reports that her family has far gone by, clearing out her more tired than ever. John undermines sending her to Weir Mitchell, the real-life doctor beneath whose care Gilman had an anxious breakdown. The narrator is alone most of the time and says that she has gotten to be nearly affectionate of the backdrop which endeavoring to figure out its design has gotten to be her essential excitement. That’s why I think she needed to be outside to keep her mind busy instead of fixation on the backdrop. As her fixation develops, the sub-pattern of the backdrop gets to be clearer. It starts to take after a lady “stooping down and creeping” behind the most design, which looks just like the bars of a cage. At whatever point the storyteller tries to talk about clearing out the house, John makes light of her concerns, successfully quieting her. Each time he does so, her appalled interest in the paper

The sub-pattern presently clearly takes after a woman who is attempting to get out from behind the most design. The storyteller sees her shaking the bars at night and inching around amid the day when the lady can elude briefly. The storyteller notices that she, as well, creeps around at times. She suspects that John and Jennie are mindful of her fixation, and she settles to devastate the paper once and for all, peeling much of it off amid the night. Another she oversees to be alone and goes into something of a craze, gnawing and tearing at the paper in arrange to free the caught lady, whom she sees battling from the pattern. By the conclusion, the narrator is pitifully crazy, persuaded that there are numerous inching ladies around coming out of the wallpaper—that she is the caught lady. She creeps perpetually around the room, smearing the backdrop as she goes. When John breaks into the bolted room and sees the total frightfulness of the circumstance, he swoons within the entryway, so that the storyteller has “to crawl over him each