The Yellow Wallpaper Intimacy Analysis

The structure of The Yellow Wallpaper creates a sense of immediacy and intimacy. The story is written in a journal-style, first-person narrative which includes nine short entries, each entry indicated by a small space between it and the last. The journal entries span three months during which John attempts to cure his wife’s “nervous condition” through the rest cure of Weir Mitchell, which assumes that intellectual stimulation damages a woman physically and psychologically. In the beginning of the story, the narrator appears sane and believable, but as the story continues, the reader realizes that she is unreliable because she withholds and confuses information. By the end, the structure—short paragraphs, fragmented and disjointed thought patterns—

She, on the other hand, doubts the necessity of such a move and wonders if the mysterious house is haunted. John reveals his superior attitude toward his wife by laughing at her “fancies,” a response which the narrator finds quite natural because, as she explains, one must expect such treatment in marriage. She even suggests that his indifference to her opinions on the house and her illness keeps her from getting well faster. Her suggestion turns out to be a fateful prediction.

Against her wishes, John decides that he and his wife will sleep in the attic room of the house, which at one point may have been a nursery. Actually, the room seems to be more of a prison than a place for children to play. The windows have bars on them, and the bed is nailed to the floor. There is even a gate at the top of the stairs. Even more disturbing to the narrator, however, is the yellow wallpaper, peeling or pulled off the walls in strips. In the beginning, the paper’s pattern jolts and annoys the narrator’s sensibilities, but later her attitude has a bizarre

The narrator begins to crawl, like the woman behind the paper, around the edge of the room, making a groove or “smooch” on the wall. The narrator begins to catch glimpses of the woman out the windows, creeping around the garden on her hands and knees. She also starts peeling off the wallpaper in an effort to completely free the woman (or women, as she soon believes) trapped in that second layer. John and his sister, Jennie, begin to suspect that something is terribly wrong, and yet they are pleased with her apparent progress. She appears more normal to them at times because she is saving her energy for nighttime, when the woman behind the paper is most active. Her apparent normality is merely a